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A genealogy and some biographical sketches of the descendants of Matthew Hennen born 21 Nov 1752 in the Province of Ulster, Ireland. His will was written 15 Jan 1834 and probated 6 Jan 1840 in Greene County, Pennsylvania.
Let’s Communicate is everything you want in a human communication text—substantive, engaging, and fun. Created by communication scholars Douglas Fraleigh, Joseph Tuman, and Katherine Adams, Let’s Communicate takes their combined 100 years’ worth of research and teaching experience to present all the basic human communication concepts with unique attention paid to technology, culture, gender, and social justice. The authors provides provocative, real-life examples and a special focus on skills that together make communication meaningful for students both in and out of the classroom—all at an affordable price. Let’s Communicate is also the first human communication text to use hundreds of hand-drawn illustrations that help students understand and retain important concepts. These unique and often humorous illustrations present concepts in graphic form (especially helpful for visual learners), make complex ideas easier to understand, provide hooks to help students remember material, extend concepts, and generate discussion.
Teeter Nave , son of Conrad Nave and Anna Ott, was born in about 1745, probably in Pennsylvania. He married Ann Vanderpool, daughter of Abraham Vanderpool and Rebecca Isaacs, in about 1768 in Rowan County, North Carolina. They had seven children. He died in 1805 in Carter County, Tennessee. Descendants and relatives lived mainly in North Carolina, Tennessee and Indiana.
William Pleasant Tyree is the most interesting of all the Tyrees. His accomplishments were extraordinary given the conditions he faced during the time he lived (1821-1874). He was many things during his life: pioneer, soldier, prospector, carpenter, innkeeper, businessman, farmer, politician, and the father of eight children. Throughout his life, he was motivated to serve his neighbors and his community. He was the very definition of public service. William Pleasant Tyree was a patriot whose story deserves to be told.
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.