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This book is organized a little differently than most published collections of monologues. Each chapter is arranged in several sections: About the Playwright List of Plays Playwright Information Performing the Monologues The Monologues
"This collection features 45 monologues excerpted from contemporary plays and specially geared for actors of color. Robert Uno has carefully selected the monologues so that there is a wide-range of ethnicities included: African American, Native American, Latino and Asian American. Each monologue comes with an introduction with notes on the characters and stage directions to set the scene for the actor."--Publisher.
The repertoire offered here provides actors with a multitude of stories about Latinx life in the Americas in all of its complexity. Nonetheless each scene provides performers with what they need from this volume for classroom and professional presentations: short, incisive, lucid scenes and compelling relationships and play worlds that make the richness of Latinx life perceivable by a variety of audiences. The content of scenes varies wildly, some take on contemporary racist and xenophobic political formations, others gesture to the long history and the effects of dictatorships in the Southern Cone. Others take on daily life in American cities, revealing the characters¿ struggles to survive. There are stories of leaving and coming home, plays based on Greek myths, plays that re-write history, plays that point to the racism of Hollywood and the industry. All are compelling and emotionally gripping, many are slyly humorous, a few downright heartbreaking. ¿Scenes for Latinx Actors¿ is an extraordinary resource for the American Theater of the 21st Century.
Actors of colour need the best speeches to demonstrate their skills and hone their craft. Roberta Uno has carefully selected monologues that represent African-American, Native American, Latino, and Asian-American identities. Each monologue comes with an introduction and notes on the characters and stage directions to set the scene for the actor. This new edition now includes more of the most exciting and accomplished playwrights to have emerged over the 15 years since the Monologues for Actors of Color books were first published, from new, cutting edge talent to Pulitzer winners.
"This series of comedic monologues, which the New York Times called "Glorious," chronicles the lives of various Latino immigrants dealing with transcultural shock of race and gender identity known as the "Hispanic breakdown." The play is bracketed by the misadventures of the naive Frederico or "The Gay Little Immigrant That Could" who arrives in Los Angeles during the first day of the 1992 riots and believes he's witnessing the filming of another Lethal Weapon sequel. Other characters include Vinnie, a kept boy being asked to leave the home of his wealthy sugar daddy because he's turned 30; Edward, a Latino actor passing for Anglo who gets a Latino part and has to deal with his real identity; the Demon Roommate, a lonely young man with an apartment a little too close to the airport; Paco, a Cuban restauranteur who was imprisoned by the Communists in Cuba for being gay and has now been exiled by his right-wing Miami family for the same reason; the Teacher, a stuffy, sexually repressed English-language instructor who abuses his Latino students when they can't learn properly the "language of Princess Di"; and La Gitana, a drag Flamenco dancer struggling with AIDS as he stages his final performance. The play ends with Federico's final misadventure as he tells of his newly found romance, a better job and his acquisition of citizenship in a grand, positive finale. "Some of the characters seem to be hanging onto their American existence by a thread, but make no mistake, these are tough, tenacious men.""--Publisher's description
Drawing on conversations with hundreds of women about their genitalia, the author presents a collection of performance pieces from her one-woman show of the same name.
Diction in Context is a unique and highly practical textbook for singers learning to sing in English, Italian, German, and French. Each chapter is designed for use in diction courses in academic music and voice programs, helping students learn through pronunciation, articulation, enunciation, punctuation, and cultural context in each language. Students and teachers of singing will benefit from the text’s pertinent biographical, historical and literary sources along with diction rules and textual examples of English, Italian, German and French song. For each language, there is a section on sentence structure and syntax intended to assist readers with poetic analysis and word-by-word translations. Representative song texts are provided for the purpose of comparative listening and phonetic transcription. Comparative listening reveals subtle differences in expression and diction. In addition, the texts are presented in a workbook format, allowing space for IPA dictation practice. Diction in Context provides singers with the tools needed to delve deeply into the poetry and music they sing, to pronounce text accurately and to feel confident in expressing it. By combining English, Italian, German, and French into one easy-to-use textbook, students will benefit from a comparative perspective of singing in each language. Key Features: *Repertoire lists are provided for each language and are designed to be used for class presentations and assessments *Discussion questions to challenge reader comprehension of key concepts and songs *Word-by-word translations to accompany foreign language texts *An end-of-book glossary featuring definitions of terms in the text as well as terminology encountered in related literature *Three practical appendices, including: o Practice drills, quizzes, and assessment forms o A list of additional resources for diction learning o An Index of Works Cited featuring all poems and songs referenced in the book in one easily accessible list Disclaimer: Please note that ancillary content (such as documents, audio, and video, etc.) may not be included as published in the original print version of this book.
An Obie Award-winning playwright's passionate ode to film and the theater that happens in between.
(Applause Libretto Library). It is hard to believe that over 25 years have passed since A Chorus Line first electrified a New York audience. The memories of the show's birth in 1975, not to mention those of its 15-year-life and poignant death, remain incandescent and not just because nothing so exciting has happened to the American musical since. For a generation of theater people and theatergoers, A Chorus Line was and is the touchstone that defines the glittering promise, more often realized in lengend than in reality, of the Broadway way. This impressive book contains the complete book and lyrics of one of the longest running shows in Broadway history with a preface by Samuel Freedman, an introduction by Frank Rich and lots of photos from the stage production.