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The classic Chinese novel: “Imagine a combination of picaresque novel, fairy tale, fabliau, Mickey Mouse, Davy Crockett, and Pilgrim’s Progress” (The Nation). Probably the most popular book in the history of the Far East, this classic sixteenth-century novel is a combination of picaresque novel and folk epic that mixes satire, allegory, and history into a rollicking adventure. It is the story of the roguish Monkey and his encounters with major and minor spirits, gods, demigods, demons, ogres, monsters, and fairies. This translation, by the distinguished scholar Arthur Waley, is the first accurate English version; it makes available to the Western reader a faithful reproduction of the spirit and meaning of the original. “Mr. Waley has done a remarkable job with this translation.” —Helena Kuo, The New York Times “The irreverent spirit and exuberant vitality of it portraiture . . . make it an entertainment to which Mr. Waley’s witty translation has obviously contributed not a little.” —The Times (London) “Told with immense gusto, and quite apart from its deeper meaning and wise proverbial sayings it is full of entertainment.” —The Guardian
Monkey escorts Hsuan-tsang, a monk, on a pilgrimage to find Buddhist scriptures and saves him from the White-Bone Demon.
This volume has its origins in the project "Large-scale Registration of Chinese Storytelling," which involved the recording on film of 360 hours of performances by the four master of Yangzhou storytelling, Dai Buzhang, Fei Zhengliang, Gao Zaihua, and Ren Jitang. Four sets of these films have been deposited (in Washington D.C., Taipei, Beijing, and Copenhagen) so that future generations of scholars will have access to this unique material. With all text appearing in both English and Chinese and with its subject matter brought alive by a wealth of photographs plus a 60-minute film on VCD, this volume promises to be a classic work in its field.
Holding the unwilling to humiliation, Xing Wuji brazenly opened his eyes, he will be interesting to see how his good brother Feng Li tortured him!
A classic of Chinese literature, this beloved folktale is part adventure story, part spiritual allegory—now reimagined by a National Book Award nominee Part spiritual pilgrimage, part historical epic, the folk novel Journey to the West, which came to be known as Monkey, is the most popular classic of Asian literature. Originally written in the sixteenth century, it is the story of the adventures of the rogue-trickster Monkey and his encounters with a bizarre cast of characters as he travels to India with the Buddhist pilgrim Tripitaka in search of sacred scriptures. Much more than a picaresque adventure novel, Monkey is a profound allegory of the struggle that must occur before spiritual transformation is possible. David Kherdian's masterful telling brings this classic of Chinese literature to life in a way that is true to the scope and depth of the original.
Monkey and his friends, Zu and Sandy, lived in the Emperor's Cloud Palace. But they played all sorts of tricks on people, so, as a punishment, the Jade Emperor sent them down to Earth. They can only return if they prove that they can use their magical powers for good. Adventure is never far away! In Demon Attack, the friends are called to investigate when a headteacher is acting strangely. There are some very creepy goings-on behind the scenes. Will they uncover what is happening and defeat the mysterious villain? Bloomsbury High Low books encourage and support reading practice by providing gripping, age-appropriate stories for struggling and reluctant readers, those with dyslexia, or those with English as an additional language. Printed on tinted paper and with a dyslexia friendly font,Skate Monkey is aimed at readers aged 8+ and has a manageable length (72 pages)and reading age (7+). The Skate Monkey stories can be read in any order. Produced in association with reading experts at CatchUp, a charity which aims to address underachievement caused by literacy and numeracy difficulties.
The old Taoist priest, who was exposed by people and was struck by lightning, smiled wryly, and his wrinkled old face showed a trace of sincerity: "Anan, I am doing this for your own good. Recently, I see that your face is a bit wrong, with a black cage and an ominous eyebrow. My mysterious people pay attention to getting lucky and avoiding evil. Even if I am a liar, I have never thought of cheating you. For the sake of a colleague, I am kind ... Speaking of faces, the old man nagged endlessly