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The catalogue of the sold-out exhibition at the Art Institute of Chicago, a rich and unprecedented exploration of Chicago’s embrace of Claude Monet’s modernism "Monet and Chicago is a stunner."—The Chicago Tribune (exhibition review) In 1903, the Art Institute of Chicago became the first American museum to buy a painting by Claude Monet (1840–1926), beginning a tradition of collecting that has inextricably connected this midwestern city to the French Impressionist master. Tracing Chicago’s unique relationship with the artist, this generously illustrated volume not only features well-known works in the Art Institute’s holdings, such as the six Stacks of Wheat paintings and four Water Lilies, but also includes works on paper and rarely seen still lifes, landscapes, and photographic material from private Chicago collections. Stunning reproductions of details at actual size, a delightful essay by Adam Gopnik, and a richly illustrated chronology combine to reveal the depth of the city’s continuing devotion to an adopted artistic hero.
What sets this study apart from the vast literature on Monet is Gedo's focused, jargon-free, accessible, psychoanalytic assessment of Monet and his relationship with his first wife and mistress, Camille Doncieux, and the impact of this complex relationship on the artist's work. Using this psychobiographical approach in conducting a careful reading of primary source material and Monet's paintings, Gedo (independent scholar) does much to debunk a good deal of the mythology surrounding the artist's life at this period. She offers fresh insights into the content of many of Monet's major paintings, particularly his figurative works that feature Camille as a model or subject. So, for example, Gedo proposes that Monet's Camille (or The Woman in the Green Dress) from 1866, via its composition, "functioned as a metaphor for the uncertainty characterizing the relationship between lovers," in addition to exposing publicly Camille as Monet's mistress. As is the danger when applying psychoanalysis to the study of art history, some of Gedo's assertions and interpretations approach the level of implausibility; however, these flights of psychoanalytic fancy are few and far between. The writing is engaging, endnotes are extensive but not oppressive, and the book is sufficiently illustrated with many images in color. Summing Up: Highly recommended. Lower-level undergraduates and above; general readers. General Readers; Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students; Researchers/Faculty; Professionals/Practitioners. Reviewed by D. E. Gliem.
An updated selection of key paintings at the Art Institute of Chicago, featuring works from around the globe and dating from ancient Egypt to the present day The Art Institute of Chicago, one of the most beloved and important museums in the world, houses an extraordinary collection of objects from diverse places, cultures, and time periods. This beautiful catalogue opens the doors of the museum to readers, presenting an expansive selection of painted works from around the globe, introduced insightfully by James Rondeau, president and director of the Art Institute. New color photography accompanies entries written by a team of curators, art historians, and educators, which put the works into context. The book showcases a dazzling range of paintings, including an Egyptian funeral portrait, an ancient Mexican wall mural, Chinese scroll paintings, Japanese painted screens, and works by artists such as Caillebotte, Cassatt, El Greco, Gauguin, Homer, Hopper, Johns, Lichtenstein, Matisse, Mitsuoki, Monet, Morisot, Motley, O'Keeffe, Picasso, Pollock, Rembrandt, Richter, Rubens, Sargent, Seurat, Tiepolo, Turner, Van Gogh, Warhol, Whistler, and Wood; contemporary artists featured include Kerry James Marshall, Wanda Pimentel, and Kazuo Shiraga.
Steven Z. Levine provides a new understanding of the life and work of Claude Monet and the myth of the modern artist. Levine analyzes the extensive critical reception of Monet and the artist's own prolific writings in the context of the story of Narcissus, popular in late nineteenth-century France. Through a careful blending of psychoanalytical theory and historical study, Levine identifies narcissism and obsession as driving forces in Monet's art and demonstrates how we derive meaning from the accumulated verbal responses to an artist's work.
Presents a collection of more than one hundred French impressionist paintings found in the Art Institute of Chicago.
A vividly rendered portrait of both the rise of Impressionism and of Monet, the artist at the center of the movement. It is, above all, a love story of the highest romantic order.
Spanning the artist's entire career, this book explores Claude Monet's enduring relationship with nature and the landscapes he returned to again and again. Capturing fleeting natural impressions played a central role in the art of Claude Monet. He deeply engaged with the landscape and light of different places, from the metropolis of Paris to the Seine villages of Argenteuil and Giverny. This lavishly illustrated volume explores the development of Monet's art from the 1850s to the 1920s, focusing on the places, both at home and on his frequent travels, from which he drew inspiration for his painting. In addition, the book traces the critical shift in Monet's art that occurred when he began to focus on series of the same subjects such as haystacks, poplars, and the water lilies and pond at his meticulously designed garden in Giverny. Insightful and revealing, the book deepens our appreciation of Monet's art and allows us to experience anew his gift for bringing the natural world to life.
Monografie over de impressionistische schilder Claude Monet (1840-1926).
The Viennese art scene of the late-nineteenth and early twentieth century counted French impressionism among its chief influences. Widely regarded as the movement's formative figure, Monet's works appeared in all the major galleries of the day, including the K nstlerhaus Wien, the Secession Building, and the legendary Galerie Miethke, earning him distinction as the most influential of the French impressionists, along with douard Manet. For Looking at Monet, Agnes Husslein-Arco and Stephan Koja of the Belvedere Gallery in Vienna have assembled works by Monet, presenting them alongside selected paintings and photographs by Austrian artists active throughout the same period who would have been familiar with Monet's work. Among the artists whose work is included are Gustav Klimt, Emil Jakob Schindler, Oskar Kokoschka, Olga Wisinger-Florian, Heinrich K hn, and Ludwig Heinrich Jungnickel. Brilliantly colorful and filled with light, Monet's paintings captivate modern audiences. Looking at Monet shows they were equally beloved by the artist's contemporaries--many of whom were great masters in their own right.
In this charming STEAM book, children will see how the light of the full moon inspires Aliana to create a present for her brother Gustavo, which will surprise the whole family.Aliana loves observing everything in nature.When she notices how bright the light of the full moon shines into her room, she spends time learning about the moon and experimenting with light.As she prepares for her brother's birthday, she plans a wonderful surprise to be revealed with the next full moon.