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This issue features several of our favorite alternative comic artists of the last 15 years, bringing us great joy. Archer Prewitt is the first, with an all-new “Funny Bunny” strip created in between his active musical career. “The Moolah Tree” is the new Fuzz & Pluck graphic novel from Ted Stearn, following Fuzz & Pluck and Fuzz & Pluck: Splitsville, beginning serialization here. We are equally proud to debut new work from Renée French, whose work is also featured on the front and back cover of this issue. And Nicholas Mahler debuts to ask "What Is Art?"
Since its inception in 2005, Mome has served as a comics McSweeney's. Whether exposing new talent like Eleanor Davis (author of the recent Stinky by Toon Books); featuring short stories by contemporary graphic novelists like Dash Shaw (The Bottomless Belly Button); bringing the work of international superstars like David B. (Epileptic) to American audiences; or introducing the work of legends like Gilbert Shelton (The Fabulous Furry Freak Brothers) to a new generation of readers, Mome is the most acclaimed, accessible, frequent, and reasonably priced anthology on the market despite it's high production values and mostly color format. Upcoming issues include, in addition to those named above: Jonathan Bennett, Sophie Crumb, Kurt Wolfgang, Ray Fenwick, Al Columbia, Laura Park, and other surprises.
The acclaimed quarterly comics anthology welcomes several new artists along with returning regulars Jonathan Bennett, Sophie Crumb, Andrice Arp, Paul Hornschemeier and Kurt Wolfgang. Among the newcomers are rising stars Eleanor Davis, T. Edward Bak, Zak Sally, Tom Kaczynski, Joe Kimball and Ray Fenwick. Tim Hensley also returns with more of his brilliant "Wally Gropius" strips, as do fan-favorites Al Columbia and R. Kikuo Johnson!
The influence of Fantagraphics’ flagship anthology of new comic art and storytelling continues to grow with annual award nominations, a widely-acknowledged banner 2008 that foundMOME on many year-end critics’ lists, increasing academic and library interest, several gallery exhibitions mounted nationwide, and an increasingly potent well of top-notch, known and unknown talent making every issue a surprising, dense and delightful read. With this season, the quarterly journal of comics will have brought over 2,000 pages of new comics to the world since its inception in 2005. Upcoming contributors of short stories to MOME include: Lilli Carré, Laura Park, Olivier Schrauwen, Tom Kaczynski, Dash Shaw, Ray Fenwick, Émile Bravo, Andrice Arp, Al Columbia, Eleanor Davis, Nathan Neal, Conor O’Keefe, Jon Vermilyea, Jonathan Bennett, Robert Goodin, Sara Edward-Corbett, Derek Van Gieson, and many more
Contributors of short stories to MOME include: Lilli Carré, Laura Park, Olivier Schrauwen, Tom Kaczynski, Dash Shaw, Ray Fenwick, Émile Bravo, Andrice Arp, Al Columbia, Eleanor Davis, Nathan Neal, Conor O’Keefe, Jon Vermilyea, Jonathan Bennett, Robert Goodin, Sara Edward-Corbett, Derek Van Gieson, and many more.
Vol. 14 of the popular series welcome the return of renowned graphic novelist David B. Epileptic, Babel) as well as returning regulars Jonathan Bennett, Sophie Crumb, Andrice Arp, Paul Hornschemeier, Kurt Wolfgang, Eleanor Davis, Zak Sally, Tom Kaczynski, Dash Shaw, Joe Kimball, and Ray Fenwick. Tim Hensley also returns with more of his brilliant Wally Gropius strips, as does fan favorite Al Columbia! Plus, several other surprises from some of the best new talent in comics. MOME is an accessible, reasonably priced quarterly running approximately 120 pages per volume, mostly in color, and spotlighting the most exciting new storytellers in comics along with special surprises. MOME is quickly earning a reputation as one of the premier literary anthologies on the shelves, and the only one composed almost entirely of comics.
In 1976, a fledgling magazine held forth the the idea that comics could be art. In 2016, comics intended for an adult readership are reviewed favorably in the New York Times, enjoy panels devoted to them at Book Expo America, and sell in bookstores comparable to prose efforts of similar weight and intent. We Told You So: Comics as Art is an oral history about Fantagraphics Books’ key role in helping build and shape an art movement around a discredited, ignored and fading expression of Americana. It includes appearances by Chris Ware, Art Spiegelman, Harlan Ellison, Stan Lee, Daniel Clowes, Frank Miller, and more.
Mome, n. Archaic, a fool; blockhead. The influence of Fantagraphics’ flagship quarterly anthology of new comic art and storytelling continues to grow. Celebrating it’s fifth anniversary in 2010, the series has published over 2,000 pages of comics in its half-decade of existence, becoming a staple for those eager to discover what’s new in the world of literary comics. Mome showcases the best new talent of this decade’s ascendant cartoon generation, alongside work from some of North America and Europe’s most respected creators.
The best of Sally's acclaimed short stories from the past 15 years, including the complete first two issues of Recidivist, navigating the messy and murky waters of human experience with unflinching veracity. One man’s heartfelt and irreverent record of his time on this rock, Zak Sally’s unflinchingly veracious book, Like a Dog, is both direct and oblique, which we find rather miraculous considering the messy and murky waters of human experience it manages to navigate. Like a Dog is among the few comic book testimonials burdened by the yen to understand and articulate the mundane and the magnificent. Don’t be surprised if you find yourself laughing and crying as you claw your way through each hard fought page! p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.9px Arial; color: #424242}
NEW YORK TIMES BESTSELLER • A moving memoir about the legendary author’s relationship with her own mother. Emma Watson’s Our Shared Shelf Book Club Pick! The story of Maya Angelou’s extraordinary life has been chronicled in her multiple bestselling autobiographies. But now, at last, the legendary author shares the deepest personal story of her life: her relationship with her mother. For the first time, Angelou reveals the triumphs and struggles of being the daughter of Vivian Baxter, an indomitable spirit whose petite size belied her larger-than-life presence—a presence absent during much of Angelou’s early life. When her marriage began to crumble, Vivian famously sent three-year-old Maya and her older brother away from their California home to live with their grandmother in Stamps, Arkansas. The subsequent feelings of abandonment stayed with Angelou for years, but their reunion, a decade later, began a story that has never before been told. In Mom & Me & Mom, Angelou dramatizes her years reconciling with the mother she preferred to simply call “Lady,” revealing the profound moments that shifted the balance of love and respect between them. Delving into one of her life’s most rich, rewarding, and fraught relationships, Mom & Me & Mom explores the healing and love that evolved between the two women over the course of their lives, the love that fostered Maya Angelou’s rise from immeasurable depths to reach impossible heights. Praise for Mom & Me & Mom “Mom & Me & Mom is delivered with Angelou’s trademark good humor and fierce optimism. If any resentments linger between these lines, if lives are partially revealed without all the bitter details exposed, well, that is part of Angelou’s forgiving design. As an account of reconciliation, this little book is just revealing enough, and pretty irresistible.”—The Washington Post “Moving . . . a remarkable portrait of two courageous souls.”—People “[The] latest, and most potent, of her serial autobiographies . . . [a] tough-minded, tenderhearted addition to Angelou’s spectacular canon.”—Elle “Mesmerizing . . . Angelou has a way with words that can still dazzle us, and with her mother as a subject, Angelou has a near-perfect muse and mystery woman.”—Essence