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A glimpse of a quickly melting corpse at the foot of a volcano has amateur sleuth and food enthusiast Valerie Corbin shocked. But how can she investigate a murder, when there's no evidence the victim ever existed? The first Orchid Isle cozy mystery, set in tropical Hilo, Hawai'i, introduces a fun and feisty LGBTQ+ couple who swap surfing lessons for sleuthing sessions! Retired caterer Valerie Corbin and her wife Kristen have come to the Big Island of Hawai'i to treat themselves to a well-earned tropical vacation. After the recent loss of her brother, Valerie is in sore need of a distraction from her troubles and is looking forward to enjoying the delicious food and vibrant culture the state has to offer. Early one morning, the couple and their friend - tattooed local boy, Isaac - set out to see an active lava flow, and Valerie is mesmerized by the shape-shifting mass of orange and red creeping over the field of black rock. Spying a boot in the distance, she strides off alone, pondering how it could have gotten there, only to realize to her horror that the boot is still attached to a leg - a leg which is slowly being engulfed by the hot lava. Valerie's convinced a murder has been committed - but as she's the only witness to the now-vanished corpse, who's going to believe her? Determined to prove what she saw, and get justice for the unknown victim, Valerie launches her own investigation. But, thrown into a Hawaiian culture far from the luaus and tiki bars of glossy tourist magazines, she soon begins to fear she may be the next one to end up entombed in shiny black rock . . . The amiable characters, stunning backdrop and culinary delights make this the perfect cozy of fans who enjoy a tropical vacation with a twisty murder mystery and compelling Hawai'ian culture - paired with an added bonus of recipes of local Hawai'ian dishes!
"Much madness is divinest sense," wrote Emily Dickinson, "And much sense the starkest madness." The idea that poetry and madness are deeply intertwined, and that madness sometimes leads to the most divine poetry, has been with us since antiquity. In his critical and clinical introduction to this splendid anthology--the first of its kind--psychiatrist and poet Mark S. Bauer considers mental disorders from multiple perspectives and challenges us to broaden our outlook. He has selected more than 200 poems from across seven centuries that reflect a wide range mental states--from despondency and despair to melancholy, mania, and complete submersion into a world of heightened, original perception. Featuring such poets as George Herbert, John Clare, Samuel Taylor Coleridge, John Berryman, Sylvia Plath, Ann Sexton, Weldon Kees, Lucille Clifton, Jane Kenyon, and many others, A Mind Apart has much to offer those who suffer from mental illness, those who work to understand it, and all those who value the poetry that has come to us from the heights and depths of human experience.
Few issues apply universally to people as poignantly as death and dying. All religions address concerns with death from the handling of human remains, to defining death, to suggesting what happens after life. The Routledge Companion to Death and Dying provides readers with an overview of the study of death and dying. Questions of death, mortality, and more recently of end-of-life care, have long been important ones and scholars from a range of fields have approached the topic in a number of ways. Comprising over fifty-two chapters from a team of international contributors, the companion covers: funerary and mourning practices; concepts of the afterlife; psychical issues associated with death and dying; clinical and ethical issues; philosophical issues; death and dying as represented in popular culture. This comprehensive collection of essays will bring together perspectives from fields as diverse as history, philosophy, literature, psychology, archaeology and religious studies, while including various religious traditions, including established religions like Christianity, Judaism, Islam, Hinduism, and Buddhism as well as new or less widely known traditions such as the Spiritualist Movement, the Church of Latter Day Saints, and Raëlianism. The Routledge Companion to Death and Dying is essential reading for students and researchers in religious studies, philosophy and literature.
Twisted bodies, deformed faces, aberrant behavior, and abnormal desires characterized the hideous creatures of classic Hollywood horror, which thrilled audiences with their sheer grotesqueness. Most critics have interpreted these traits as symptoms of sexual repression or as metaphors for other kinds of marginalized identities, yet Angela M. Smith conducts a richer investigation into the period's social and cultural preoccupations. She finds instead a fascination with eugenics and physical and cognitive debility in the narrative and spectacle of classic 1930s horror, heightened by the viewer's desire for visions of vulnerability and transformation. Reading such films as Dracula (1931), Frankenstein (1931), Dr. Jekyll and Mr. Hyde (1931), Freaks (1932), and Mad Love (1935) against early-twentieth-century disability discourse and propaganda on racial and biological purity, Smith showcases classic horror's dependence on the narratives of eugenics and physiognomics. She also notes the genre's conflicted and often contradictory visualizations. Smith ultimately locates an indictment of biological determinism in filmmakers' visceral treatments, which take the impossibility of racial improvement and bodily perfection to sensationalistic heights. Playing up the artifice and conventions of disabled monsters, filmmakers exploited the fears and yearnings of their audience, accentuating both the perversity of the medical and scientific gaze and the debilitating experience of watching horror. Classic horror films therefore encourage empathy with the disabled monster, offering captive viewers an unsettling encounter with their own impairment. Smith's work profoundly advances cinema and disability studies, in addition to general histories concerning the construction of social and political attitudes toward the Other.