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Molly Mouse is having a party. Is everyone invited?
A story book for children three and up, teaching them about caring for animals.
‘”Adapt or die!” PW Botha spat out at us from the television news. And so the new show was called Adapt or Dye.’ The comedy of Pieter-Dirk Uys has been with us for as long as we can remember. In this funny, witty and poignant memoir, he takes us on a journey through his life in the theatre - and the theatre in his life. We follow him from his early years as a stage manager and actor at The Space Theatre, via his ridiculous brushes with censorship, to the political satires that made him famous. Uys explains how his alter ego, Evita Bezuidenhout, came into being, as well as the other members of her extraordinary family. He takes us onto the film shoot of Skating on Thin Uys, into an interview with Nelson Mandela, and onto the stages of the world. We journey from the fictitious fun of Bapetikosweti, to the seriousness of his AIDS-awareness presentations at schools, to the quirky comfort of Evita se Perron in Darling. Illustrated with scenes from his plays and revues, the book will leave you feeling as if you’ve just seen a Pieter-Dirk Uys show: with lots of laughter, a bit of anger, and utter amazement at how this man (or woman) just keeps doing it.
That night, Molly couldn’t sleep, she kept tossing and turning. Suddenly she felt something on her bed, but she was too frightened to look. 'Who’s there?' she whispered quietly, feeling something by her toes. 'Me silly Billy,' said this tiny voice, 'it’s Mouse!' Three-year-old Molly lives in the countryside with her mum and dad. She loves to be outside, and when her father returns home from a long trip with a golden seed said to grow a lucky plant, she can’t wait for it to grow. Weeks go by, and every day she goes out into the garden to care for the growing plant. Molly’s parents return from a trip to Paris with another gift for her – a little mouse! She rushes into the garden to introduce 'Mouse' to her new flower, which has grown into a beautiful golden plant. Suddenly it begins to glow and lifts its head up to look at Molly, revealing a face and speaking to her. 'For all your love and care, I am going to grant you three wishes,' says the flower, and Molly can’t believe it! In all the excitement, Mouse has escaped. Not wanting to waste one of her wishes on finding her new pet, Molly goes back inside to play with her friends, forgetting about the magical flower. Until she accidentally makes a wish that comes true the next morning… Molly’s Mouse is a charming tale that will capture the imagination of children aged 7-11. Easy enough to read through and concentrate on, with beautiful illustrations to accompany the story, it is perfect for anyone who is learning to read and will be relatable to all families.
Learn about different animals and the food they eat.
Read, Meet and Enjoy 5 intertwined Stories with Molly Cow, Mae Mouse, Freddie Fox, Chester Chipmunk, Howie Horse and many more! Keywords - Children, Animals, Bedtime, Friends, Adventure, Cow, Mouse, Fox, Horse
Developing a love of reading is at the heart of every MOLLY The Beautiful Pig story. Enhanced by striking, lively illustrations, eye-popping colours, and realistic characters, this fun, gratifying story about an inspiring pig is sure to please early readers. Developing a love of reading is at the heart of every MOLLY The Beautiful Pig story. The stage is set when a beautiful-pig dilemma turns Molly's world upside down. The story champions sensibility and readers are soon sympathetic in their understanding of Molly's struggle.
A determined young Lancashire girl arrives in London intent on a stage career - this tale from the author of I Capture the Castle is told with the candour and authenticity that derives from Dodie Smith's own experience of the theatre world. Mouse never did fully suit her nickname. Tiny she may have been, but timid never. After less than twenty-four hours in London she had bluffed her way into an audition at a famous theatre, infuriated its forceful young stage director, and amused its kind if quite amoral actor-manager. She had finally landed not a part but a toehold as a junior secretary. During her involvement in the engrossing affairs of the Crossway Theatre she met her friends Molly, a baby-faced six-footer; and elegant, ambitious Lilian, who was fated to clash disastrously with Mouse. Later, there was also Zelle, rich, generous, enigmatic, and responsible for an outing to Suffolk village pageant which proved a turning point for them all. Life was always surprising the fearless Mouse: when she unexpectedly got to a chance to act she made an unforgettable impression, though not the one she had intended. However, nothing prepared her for the assault of first love, highly unsuitable, but welcomed by her in a way which was to have far-reaching consequences. Only when she looks back after a reunion luncheon does she realise the full effects of that shared summer on her friends and herself. A startlingly frank yet nostalgic read, this is a charming novel about coming of age and the healing effects of time.
It is Washington, August 24, 1814, and the presidents house is burning. Percival Mouse and his wife, Annie, have known for years this was coming, and they are not unprepared. They have risked everything to live in this time and place, hoping to save their present and future families. Their enemy, Balfour, a red dog of war, killed Percys father and has arrived with Admiral Cockburn, commander of the English troops, hoping to destroy the entire mouse family. This is how life in the presidents house is for one mouse family. Rod Harringtons Percival, a Mouse in the Presidents House combines fantasy and history to create an entertaining and interesting book. The Mouse family finds itself involved in historical events and close companions with many important historical figures of the times. Among them is Percivals friend, Benjamin Banneker, Americas first black man of science, who uses his knowledge of the universe and the physics of time travel for good, even from beyond his humble grave in Maryland. Readers will find themselves caught up in the history of the United States through the eyes and experiences of some of the countrys smallest citizens.
The relationship between Johannesburg’s Market Theatre and the economic and political forces of South Africa's apartheid regime was both complex and somewhat ambiguous. The theatre's two founders, Mannie Manim and Barney Simon, however, from idealistic beginnings managed to steer their experimental enterprise around pitfalls ranging from censorship, boycotts and recuperation by big business to the difficulties encountered in finding black authors, let alone black audiences. If the place occupied by the Market institution in apartheid society is emphasized throughout the present study, its contribution to the aesthetic of resistance is also underlined through detailed criticism of the plays and authors dominating the theatre. Pieter-Dirk Uys, Barney Simon's workshop plays and, among others, Black Consciousness plays are subjected to various methods of theatre performance analysis. The reckoning that had to come in the early 1990s revealed itself as globally positive; the reasons for this may be found in the updated concluding part of Playing the Market, which is composed of more general essays (including one on the vibrant Junction Avenue Theatre Company) on how the theatre scene in contemporary South Africa started to change. A postscript reveals more specific aspects of the Market situation in the late 1990s when its hegemony in the New South Africa was already being questioned.