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From 1680 until the French Revolution, when legislation abolished restrictions on theatrical enterprise, a single theatre held sole proprietorship of Molière’s works. After 1791, his plays were performed in new theatres all over Paris by new actors, before audiences new to his works. Both his plays and his image took on new dimensions. In Molière, the French Revolution, and the Theatrical Afterlife, Mechele Leon convincingly demonstrates how revolutionaries challenged the ties that bound this preeminent seventeenth-century comic playwright to the Old Regime and provided him with a place of honor in the nation’s new cultural memory. Leon begins by analyzing the performance of Molière’s plays during the Revolution, showing how his privileged position as royal servant was disrupted by the practical conditions of the revolutionary theatre. Next she explores Molière’s relationship to Louis XIV, Tartuffe, and the social function of his comedy, using Rousseau’s famous critique of Molière as well as appropriations of George Dandin in revolutionary iconography to discuss how Moliérean laughter was retooled to serve republican interests. After examining the profusion of plays dealing with his life in the latter years of the Revolution, she looks at the exhumation of his remains and their reentombment as the tangible manifestation of his passage from Ancien Régime favorite to new national icon. The great Molière is appreciated by theatre artists and audiences worldwide, but for the French people it is no exaggeration to say that the Father of French Comedy is part of their national soul. By showing how he was represented, reborn, and reburied in the new France—how the revolutionaries asserted his relevance for their tumultuous time in ways that were audacious, irreverent, imaginative, and extreme—Leon clarifies the important role of theatrical figures in preserving and portraying a nation’s history.
Seven plays by the genius of French theater. Including The Ridiculous Precieuses, The School for Husbands, The School for Wives, Don Juan, The Versailles Impromptu, and The Critique of the School for Wives, this collection showcases the talent of perhaps the greatest and best-loved French playwright. Translated and with an Introduction by Donald M. Frame With a Foreword by Virginia Scott And a New Afterword by Charles Newell
For the 400th anniversary of Moliere's birth, Richard Wilbur's unsurpassed translations of Molière's plays--themselves towering achievements in English verse--are brought together by Library of America in a two-volume edition One of the most accomplished American poets of his generation, Richard Wilbur (1921-2017) was also a prolific translator of French and Russian literature. His verse translations of Molière's plays are especially admired by readers and are still performed today in theaters around the world. "Wilbur," the critic John Simon once wrote, "makes Molière into as great an English verse playwright as he was a French one." Now, for the first time, all ten of Wilbur's unsurpassed translations of Molière's plays are brought together in two-volume Library of America edition, fulfilling the poet's vision for the translations. The second volume includes the elusive masterpiece, The Misanthrope, often said to occupy the same space in comedy as Shakespeare's Hamlet does in tragedy; the fantastic farce Amphitryon, about how Jupiter and Mercury commandeer the identities of two mortals ; Tartuffe, Molière's biting satire of religious hypocrisy; and The Learned Ladies, like Tarfuffe, a drama of a household turned suddenly upside down. This volume includes the original introductions by Richard Wilbur and a foreword by Adam Gopnik on the exquisite art of Wilbur's translations.
Moliere is considered the Shakespeare of France. Moliere's plays are enacted throughout the world in virtually every language, as much today as ever.
n this witty cutting version of Le Misanthrope Moli re's angry hero Alceste becomes Alan - journalist, intellectual and free spirit- who finds himself adrift in a social whirl of false flattery and schmooze. In a world where nobody calls a spade a spade (or even knows what a spade is for), how can the cantankerous but high-minded Alan secure the affections of Celia - a spoiled, feckless, fickle socialite, who happens to be the love of his life?
In 1664, Molière's Tartuffe was banned from public performance. This book provides a detailed, in-depth account of five-year struggle (1664-69) to have the ban lifted and, so doing, sheds important new light on 1660s France and the ancien régime more broadly.
Born Jean-Baptiste Poquelin in 1622, the French playwright Moli^D`ere became one of the most influential dramatists of the 17th century. His comedies shaped the development of theater in Europe, inspired his contemporaries in England, and left a lasting dramatic legacy after his death in 1673. Moli^D`re has also inspired a vast body of scholarship, and recent work has dispelled many of the myths surrounding his career. This reference provides English-speaking readers with a current and comprehensive guide to his life and works. Hundreds of A-Z entries cover topics related to his life, works, and theatrical career, including: Plays; Individual characters; Historical persons; Allusions; Influences; Cultural institutions; And much more. This scrupulously researched volume relies on verifiable facts, giving scant attention to the romantic fiction surrounding the playwright. Many of the entries list works for further reading. A chronology outlines the chief events of Moli^D`re's life and his contributions to the stage. The volume concludes with a bibliography.