Download Free Modernism And The Vatican Book in PDF and EPUB Free Download. You can read online Modernism And The Vatican and write the review.

This 2000 book is a case study in the ongoing struggle of Christianity to define its relationship to modernity, examining representative Roman Catholic Modernists and anti-Modernists. It sketches the nineteenth-century background of the Modernist crisis, identifying the problems that the church was facing at the beginning of the twentieth century.
This book illustrates how George Tyrrell‘s theological challenge to those who would take the church out of history was never effectively refuted, either at the time or since, and that the issues Tyrrell raised are still relevant and alive in the church today. In highlighting Tyrrell‘s liberation of theology from dogmatism, the current work describes why he was vilified by the Roman hierarchy, expelled from the Jesuits, and eventually excommunicated. Tyrrell‘s Ignatian-inspired, hope-filled theology should not be forgotten, not least because it sheds further light on another courageous and prophetic Jesuit, Pope Francis. In revisiting Tyrrell‘s Ignatian theology, this book celebrates the promise that Vatican II presents to the future church, namely, a universal call to holiness as embraced by Pope Francis.
This is an introduction to the most influential movement in Catholic theology in the 20th century which prepared the ground for the Second Vatican Council. It sheds new light on the theological movement that led up to and inspired the Second Vatican Council and is a most needed contribution to the ongoing heated discussions about the 'hermeneutics of the Council'.
Through a study of the participants, Marvin O'Connell traces the emergence of Modernism and the controversies related to it, offers a careful examination of the movement's multiple causes and ramifications, and places the events within the political, social, and intellectual context of the time.
Assaults on the dignity and the rights of the human person have been central to the ongoing crisis of the modern era in the last hundred years. This book takes a searching look at the roots of this problem and the various approaches to it by the eight men who led the Catholic Church in the twentieth century, from Pope St. Pius X and his crusade against Modernism to Pope St. John Paul II and his appeal for a renewed rapprochement between faith and reason. Thus it offers a distinctive, illuminating interpretation of recent world events viewed through the lens of an ancient institution, the papacy. The fascinating story is told by a veteran observer of Church affairs through short profiles of the eight popes, which include crucial, often little-known facts. The book includes substantial excerpts from the writings of the popes that give important insights into their personalities and thinking. It also includes a useful overview of the Second Vatican Council (1962–1965) and its pivotal role in reshaping the Catholic Church. Serious and open-minded readers, Catholics and non-Catholics alike, as well as students of Church history will find this unique work an informative, timely, and inspiring guide to understanding many central events and issues of our times.
Catholic antimodern, 1920-1929 -- Anti-communism and paternal Catholicism, 1929-1944 -- Anti-fascism and fraternal Catholicism, 1929-1944 -- Rebuilding Christian Europe, 1944-1950 -- Christian democracy and Catholic innovation in the long 1950s -- The return of heresy in the global 1960s
Until the close of the Second Vatican Council in 1965, the stance of the Roman Catholic Church toward the social, cultural, economic, and political developments of the twentieth century was largely antagonistic. Naturally opposed to secularization, skeptical of capitalist markets indifferent to questions of justice, confused and appalled by new forms of high and low culture, and resistant to the social and economic freedom of women—in all of these ways the Catholic Church set itself up as a thoroughly anti-modern institution. Yet, in and through the period from World War I to Vatican II, the Church did engage with, react to, and even accommodate various aspects of modernity. In All Good Books Are Catholic Books, Una M. Cadegan shows how the Church’s official position on literary culture developed over this crucial period.The Catholic Church in the United States maintained an Index of Prohibited Books and the National Legion of Decency (founded in 1933) lobbied Hollywood to edit or ban movies, pulp magazines, and comic books that were morally suspect. These regulations posed an obstacle for the self-understanding of Catholic American readers, writers, and scholars. But as Cadegan finds, Catholics developed a rationale by which they could both respect the laws of the Church as it sought to protect the integrity of doctrine and also engage the culture of artistic and commercial freedom in which they operated as Americans. Catholic literary figures including Flannery O’Connor and Thomas Merton are important to Cadegan’s argument, particularly as their careers and the reception of their work demonstrate shifts in the relationship between Catholicism and literary culture. Cadegan trains her attention on American critics, editors, and university professors and administrators who mediated the relationship among the Church, parishioners, and the culture at large.
It is fairly clear that, while Rome continues to teach as if its authority were unchanged from the days before Vatican II (1962-65), the majority of Catholics - within the first-world church, at least - take a far more independent line, and increasingly understand themselves (rather than the church) as the final arbiter of decision-making, especially on ethical questions. This collection of essays explores the historical background and present ecclesial situation, explaining the dramatic shift in attitude on the part of contemporary Catholics in the U.S. and Europe.