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No previous century has shown such widespread interest in the identification and conservation of wildlife. This book examines the various forms that wildlife art takes and is represented by the work of 90 artists.
A group of internationally acclaimed wildlife painters share their ideas and insights. Included in this illustrated book are the works and teachings of Robert Bateman, Allen Blagden, Ken Carlson, Raymond Ching, Guy Coheleach, Don R. Eckelberry, Lars Jonsson, Bob Kuhn, Roger Tory Peterson, Thomas Quinn, and John Serrey-Lester. Wildlife Painting features sections on solving such painting problems as how to achieve a feeling of depth in fur, or detail in plumage; how to convey action; how to paint effective camouflage; and how to capture the essence of grasses or trees or reflection in water. With styles ranging from realism to impressionism. Wildlife Painting includes finished works in oil, watercolour, acrylic, tempera, gouache, colored pencil, pastel and mixed media. Also included are sketches, studies, step-by-step demonstrations, and tips from the artists on animal behaviour.
Presents preliminary sketching, composition, texture, colors, seasonal variations, lighting, habitat, pose and perspective in sixteen step by step demonstration paintings.
For more than two decades, the National Museum of Wildlife Art in Jackson, Wyoming, has honored and sustained the tradition of wildlife in American art by assembling the most comprehensive collection of paintings and sculptures portraying North American wildlife in the world. Wildlife in American Art presents for the first time a generous sampling of the museum's holdings, charts the history of this enduring theme in American art, and explores the evolving relationship between Americans and the natural resources of this continent.
Create paintings so vivid you can practically feel the thick fur of the timber wolf, sense the wing-beats of the red-tailed hawk, see the small-mouth bass prowl the rocky shallows. Clear away the mystery of painting mammals, birds and fish with Patrick Seslar and thirteen other well-known wildlife artists. Follow them as they lead you in new approaches to learning about animals, their habitats and how to capture them in oils, watercolors, acrylics or pastels. Step-by-step demonstrations show you how to paint fur, feathers and scales, and how to capture characteristic gestures and poses.
Artist Tim Pond's lively and engaging book fuses science with art, providing the reader with the skills, techniques and knowledge they need to create sketches of animals filled with life and movement.There are some very good books written on life drawing, yet when it comes to drawing wildlife, illustrators and artists often revert to working solely from photographs, which can leave the artwork looking lifeless and flat. In this inspirational book, artist Tim Pond shows you how to observe and draw animals in zoos, farms, wildlife parks and aquariums, teaching you some fascinating facts about the animals along the way and ultimately bringing you closer to nature. One of the challenges with sketching wildlife is that animals are constantly moving. However by having some basic understanding of the biology of an animal, such as knowing that a duck has a cheek or that a cheetah can't retract its claws, can influence how you might sketch them, and results in a lively drawing that captures the form, movement and ultimately the spirit of the animal in question. Combining scientific knowledge with expert practical guidance is key to creating successful drawings of animals, and Tim's ability to convey this in a way that is both accessible and engaging makes this a unique and inspiring guide suitable for artists of all levels. Tim's book takes you on a journey of discovery that will enable you to develop the skills, techniques and knowledge you need to sketch a broad range of wildlife, encompassing mammals, reptiles, birds, fish and insects. It includes quick, gestural sketches as well as linear and tonal studies, in a variety of media - pencil, pen and ink, and watercolour. There are numerous studies comprising how to represent the different patterns of animals' coats, how to capture the plumage of an exotic bird in watercolour, and how to sketch a hippo's hooves, as well as guidance on tools, materials and basic techniques. The result is a treasure chest of fascinating facts, studies, sketches and annotated drawings that will not fail to ignite your enthusiasm for drawing animals from life.
Alla Prima is a comprehensive guide to direct painting, characterised by bold, expressive brushwork and a painterly, atmospheric surface. It covers the history of the direct methods in both Europe and America. From there, it includes detailed step-by-step lessons and discussions on drawing structure, broken and smooth brushwork, and colour development.
“Excellent . . . Those who are interested in vertebrate paleontology or in the scientific history of the American midwest should really get a copy.” —PalArch’s Journal of Vertebrate Paleontology Revised, updated, and expanded with the latest interpretations and fossil discoveries, the second edition of Oceans of Kansas adds new twists to the fascinating story of the vast inland sea that engulfed central North America during the Age of Dinosaurs. Giant sharks, marine reptiles called mosasaurs, pteranodons, and birds with teeth all flourished in and around these shallow waters. Their abundant and well-preserved remains were sources of great excitement in the scientific community when first discovered in the 1860s and continue to yield exciting discoveries 150 years later. Michael J. Everhart vividly captures the history of these startling finds over the decades and re-creates in unforgettable detail these animals from our distant past and the world in which they lived—above, within, and on the shores of America’s ancient inland sea. “Oceans of Kansas remains the best and only book of its type currently available. Everhart’s treatment of extinct marine reptiles synthesizes source materials far more readably than any other recent, nontechnical book-length study of the subject.” —Copeia “[The book] will be most useful to fossil collectors working in the local region and to historians of vertebrate paleontology . . . Recommended.” —Choice
Text and illustrations present the physical characteristics, habits, and changing natural environment of the various kinds of dinosaurs that roamed the earth more than sixty-five million years ago.
Arthur B. Singer was an American wildlife artist specializing in bird illustration. In a career spanning five decades, he illustrated more than 20 books, including his masterpiece, Birds of the World, as well as classic bird guides: Birds of North America, Birds of Europe, and The Hamlyn Guide to Birds of Britain and Europe. Singer joined the U.S. Army in 1942 and was assigned to Company C of the 603rd Camouflage Engineers. As a member of unit, known as the "Ghost Army," Singer along with other artists, created camouflage and other forms of deception on the battlefields of Europe. Upon his return to the U.S., he worked briefly in an advertising agency and became a full-time illustrator and artist in 1955. During the 1980s, assisted by his son, Alan, Singer's paintings of state birds were seen by millions when the U.S. Postal Service issued the State Birds & Flowers postage stamps. The stamps became one of the largest selling commemoratives in U.S. Postal history. He received the Hal Borland Award in 1985 from the National Audubon Society. His paintings are represented in several public and private collections in the United States and Europe. Since his death in 1990, retrospectives of Singer's artwork have been presented in several museums and art galleries across the U.S. PAUL SINGER has focused on designs for zoos, museums, and botanic gardens. He has worked as an interpretive sign designer for the National Park Service and his illustrations are included inThe Knopf Nature Guide series for Audubon, The Audubon Master Guides to Birding, The Knopf Collector Guides to American Antiques and other publications. ALAN SINGER is a graduate of The Cooper Union School of Art and worked with his father, Arthur, on painting revisions to both of Singer's field guides to birds, and helped illustrate the State Bird & Flower Stamps for the U.S. Postal Service. Since 1989, he has been a tenured professor at the Rochester Institute of Technology. A prolific printmaker, painter, and author, he has had 27 solo exhibits.