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Modern Times. Literary Change seeks to redefine what we mean by "literature" and "history" in European modernism studies. This book develops a new functionalist approach for modern literary historiography and introduces alternative methods for dealing with European writings and their multiple mediatizations, histories and functions. Modern Times. Literary Change illustrates these new insights in chapters dealing with canonized figures (such as Robert Musil, André Breton, Man Ray and Denis de Rougemont) as well as internationally less known writers (such as Belgian avant-gardists Louis Scutenaire and Paul van Ostaijen and Italian novelist Enrico Emanuelli). For both its theoretical argument and its subtle readings this book will be of interest to all those who study European literature from the modernist period. MDRN is a research-group based at the University of Leuven (Belgium) and supervised by Jan Baetens, Sascha Bru, Dirk de Geest, David Martens and Bart Van den Bossche.
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Modern Tibetan Literature and Social Change is the first systematic and detailed overview of modern Tibetan literature, which has burgeoned only in the last thirty years. This comprehensive collection brings together fourteen pioneering scholars in the nascent field of Tibetan literary studies, including authors who are active in the Tibetan literary world itself. These scholars examine the literary output of Tibetan authors writing in Tibetan, Chinese, and English, both in Tibet and in the Tibetan diaspora. The contributors explore the circumstances that led to the development of modern Tibetan literature, its continuities and breaks with classical Tibetan literary forms, and the ways that writers use forms such as magical realism, satire, and humor to negotiate literary freedom within the People’s Republic of China. They provide crucial information about Tibetan writers’ lives in China and abroad, the social and political contexts in which they write, and the literary merits of their oeuvre. Along with deep social, cultural, and political analysis, this wealth of information clarifies the complex circumstances that Tibetan writers face in the PRC and the diaspora. The contributors consider not only poetry, short stories, and novels but also other forms of cultural production—such as literary magazines, films, and Web sites—that provide a public forum in the Tibetan areas of the PRC, where censorship and restrictions on public gatherings remain the norm. Modern Tibetan Literature and Social Change includes a previously unavailable list of modern Tibetan works translated into Western languages and a comprehensive English-language index of names, subjects, and terms. Contributors: Pema Bhum, Howard Y. F. Choy, Yangdon Dhondup, Lauran R. Hartley, Hortsang Jigme, Matthew T. Kapstein, Nancy G. Lin, Lara Maconi, Françoise Robin, Patricia Schiaffini-Vedani, Ronald D. Schwartz, Tsering Shakya, Sangye Gyatso (aka Gangzhün), Steven J. Venturino, Riika Virtanen
English in Modern Times describes the development of the English language from 1700 until 1945, and argues that it is in the course of this later modern English period that the characteristics of 'modern' English evolved. This is the first undergraduate text to cover the whole of this important period, which has been called the 'Cinderella' of English historical linguistics because of its lack of representation in scholarly literature. This book is sociohistorical in orientation, arguing that social changes in the Anglophone world need to be taken into account if we are to understand the linguistic changes that occurred during this period. Further chapters deal with changes in vocabulary, syntax and morphology and phonology and with the attempts of lexicographers, grammarians and elocutionists to arrest and control these changes by codifying the language. Unlike many earlier histories of English, 'English in Modern Times' does not define 'English' as confined to Standard (English) English, but also considers the development of extraterritorial Englishes and non-standard varieties of British English in the Later Modern period.
Offering a radical reading of 'Don Quijote', this work argues that it is much greater than the sum of its famous parts, discovering a unified narrative and deliberate thematic design in a novel long taught as the very definition of the picaresque and as a rambling succession of individual episodes.
In Marking Modern Times, Alexis McCrossen relates how the American preoccupation with time led people from across social classes to acquire watches and clocks, and expands our understanding of the ways we have standardized time and have made timekeepers serve as political, social, and cultural tools in a society that not merely values time, but regards access to it as a natural-born right.
This book makes an important contribution to the study of changes in China’s institutions and their impact on the national economy as well as ordinary people’s daily material life from 1800 to 2000. Kent Deng reveals China’s mega-cycle of prosperity-poverty-prosperity without the usual attribution to the 1840 Opium War, or the alleged population pressure, class struggle and oriental despotism. The book challenges the conventional view on ‘rebellions’, ‘revolutions’ and their alleged motivations and outcomes. Its findings separate commonly circulated myth with reality based on solid evidence and careful evaluation. The benchmark used by the author is people’s entitlement and mundane day-to-day material well being, instead of the stereotype of aggregates of industrial hardware and national GDP. China’s Political economy in Modern Times proves that state-building was the prime mover in China’s modern history. Contrary to the popular belief in mass movement, Deng shows convincingly that changes were in most cases imposed by a minority with external help. Therefore, the quality of the state was unpredictable, seen from the anti-state that cost lives and economic growth. This book will be of interest to students and scholars of Chinese Politics, Chinese Economics, Chinese History, and Political Economy.
This book sheds light on how the text and physical design of James Joyce’s two most challenging works, Ulysses and Finnegans Wake, reflect changes that transformed Europe between World War I and II.