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A balanced and authoritative account of the theatrical history of all three Scandinavian countries.
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In Scandinavian Modern, Magnus Englund and Christina Schmidt of design store Skandium trace the development of the Scandinavian style, introduce key designers, and take a look at some of the most stylish homes in Scandinavia. In Scandinavian Modern, Magnus Englund and Christina Schmidt of design store Skandium trace the development of the Scandinavian style, introduce key designers and take a look at some of the most stylish homes in Scandinavia. The first section, Elements, takes a lively look at Scandinavian designers and design in the context of materials: wood, glass, textiles, ceramics, and so on. The second section, Living, offers an in-depth visual survey of 12 outstanding homes in Denmark, Sweden, and Finland, ranging from modern country homes to sophisticated city-center apartments. The accompanying text provides a fascinating insight into each interior, describing its design, planning, and evolution.
This book focuses on the unexplored context of contemporary Swedish comic strips as sites of innovative linguistic practices, where humor is derived from language play and creativity, often drawing from English and other European languages as well as social and regional dialects of Swedish. The overall purpose of the book is to highlight linguistic playfulness in Swedish comic strips, as an example of practices as yet unobserved and unaccounted for in theories of linguistic humor as applied to comics scholarship. The book familiarizes the reader with the Swedish language and linguistic culture as well as contemporary Swedish comic strips, with chapters focusing on specific strategies of language play and linguistic humor, such as mocking Swedish dialects and Swedish-accented foreign language usage, invoking English language popular culture, swearing in multiple languages, and turn-final code-switching to English to signal the punchline. The book will appeal to readers interested in humor, comics, or how linguistic innovation, language play, and language contact each can further the modern development of language, exemplified by the case of Swedish.
This book explores how states and traits of anxiety are reflected in the style and structure of certain works by three key figures of modern Scandinavian literature: August Strindberg, Inger Christensen, Karl Ove Knausgård. On the basis of particular literary analyses, it develops a literary phenomenology of anxiety as well as a hermeneutical theory of anxiety that considers the ways in which anxiety has been represented in various genres of modern Scandinavian literature from the last three centuries. Whereas the former uncovers the ways in which anxiety is reflected in literary form and style, the latter interprets the relationship between author, text, and reader as well as the effects of genre. As Strindberg’s works capture the tensions between existential indeterminism and naturalistic determinism and make way for negative aesthetic pleasure, poetry such as Christensen’s challenges scientistic and psychiatric conceptions of anxiety and instigates a change in how humans conduct themselves in relation to the experience of anxiety. Finally, Knausgård’s autofictive work gives voice to the socially anxious self of late modernity and incites moments of self-intensification and reorganizes the fragile self of contemporary society. In this way, it becomes clear that literature is an outstanding archive of representations and transformations in the cultural history of anxiety. Literature is an aesthetic medium of expression and reflection that represents anxiety in a number of ways that may enrich our understanding of anxiety today. This work thus contributes to cultural and literary scholarship that contests the subjugation of anxiety to a scientific world view and aims to expose the imaginative and creative dimensions of anxiety that are often ignored in contemporary public discourse and policy.
Grandmaster David Smerdon gives the Scandinavian a welcome twist by using it as an all-out attacking weapon. The repertoire he presents is one he has successfully employed at grandmaster level over many years, and the backbone is provided by the razor-sharp Portuguese and Icelandic gambits.
The standard location tool for full-length plays published in collections and anthologies in England and the United States since the beginning of the 20th century, Ottemiller's Index to Plays in Collections has undergone seven previous editions, the latest in 1988, covering 1900 through 1985. In this new edition, Denise Montgomery has expanded the volume to include collections published in the entire English-speaking world through 2000 and beyond. This new volume lists more than 3,500 new plays and 2,000 new authors, as well as birth and/or death information for hundreds of authors. Representing the largest expansion between editions, this updated volume is a valuable resource for libraries worldwide.
John Van der Kiste's book takes in the principal monarchies of Scandinavia going back to the beginning of the 19th century. He uses unpublished sources and photographs to show how they relate to modern European history. The book also considers the political backgrounds to the monarchs' reigns; as well as examining the suspected pro-German leanings of Gustav V, the author describes the dissolution of the union between Norway and Sweden in 1905, which eventually led to the election of Christian IX's grandson as Haakon VII.