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Originally published in 1956, this book provides a non-technical analysis of contemporary building by on the of the world’s greatest architects. Published a few years after the end of WW2, it was an inspiring and constructive picture of what kind of living could lie ahead for Western industrial society. This book, the result of many year in the forefront of architectural experiment and achievement by the author, outlines in practical terms the road to improved existence through science, mass production in building and renewed emphasis on the individual.
One of the most important books on the modernist movement in architecture, written by a founder of the Bauhaus school. One of the most important books on the modern movement in architecture, The New Architecture and The Bauhaus poses some of the fundamental problems presented by the relations of art and industry and considers their possible, practical solution. Gropius traces the rise of the New Architecture and the work of the now famous Bauhaus and, with splendid clarity, calls for a new artist and architect educated to new materials and techniques and directly confronting the requirements of the age.
Fiona MacCarthy challenges the image of Walter Gropius as a doctrinaire architectural rationalist, bringing out the vision and courage that carried him through a politically hostile age. Approaching the Bauhaus founder from all angles, she offers a poignant personal story, one that reexamines the urges that drove Euro-American modernism as a whole.
In what he called his illustrated guide to modern architecture, which starts off the Bauhausbucher series, Gropius gives an overview of the international architecture of the mid-1920s. A preface by the author explores, briefly but in detail, the guiding principles that unite the avant-garde in all countries. This statement is followed by an extensive illustrated section showing examples of architecture from around the world. According to Gropius, these illustrations bear witness to the development of a consistent worldview that disposes of the prior role of the architect and expresses itself in a new language of shapes. This first English translation of Volume 1 of the Bauhausbucher allows the reader to broaden his or her view of German architectural history by placing the achievements of the Bauhaus in an international context and by documenting and capturing its philosophy of reform in an illustrative way. It appears in original design and with separate commentary. AUTHOR: Walter Gropius (1888 1969) was the founder of the Bauhaus and a pioneer of modern architecture. In 1919, he was appointed to succeed Henry van de Velde as director of the School of Visual Arts in Weimar, which he renamed Staatliches Bauhaus in Weimar . In 1924, the Bauhaus moved to Dessau; Gropius designed the school building and the masters houses for the new location. In 1928, Gropius passed on the title of director to Swiss architect Hannes Meyer and became a self-employed architect in Berlin before emigrating to the United States in 1934. As a professor of architecture, he taught at Harvard University in Cambridge, Massachusetts, where he founded The Architects Collaborative in 1941. In his political efforts to industrialize construction and create desperately needed reseidential spaces, Gropius captured the spirit and influenced the work of numerous other architects. 100 illustrations
An analytical and practical adaptation of the Bauhaus books showing amazing possibilities for graphic designers today.
This book, a valuable introduction to the Bauhaus movement, is generously illustrated with examples of students' experiments and typical contemporary achievements. The text also contains an autobiographical sketch.
Articles and lectures selected, translated, and edited by Ise Gropius.