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This book is the first critical survey of modern Egyptian drama during the period of its maturity from the 1930s to the present day. A discussion of the work of Tawfiq al-Hakim is followed by an examination of the less experimental plays of his successors, Mahmud Taymur, Bakathir and Fathi Radwan.
Translations of 12 Arabic plays written and produced during the past thirty years.
This volume provides an authoritative survey of creative writing in Arabic from the mid-nineteenth century to the present day.
Nearly sixty of Egypt’s past leaders—from the time of the Pharoahs to the twentieth century—are summoned to judgment in the Court of Osiris in the Afterlife, in this extraordinary novel by Nobel Prize–winning author Naguib Mahfouz. Before the Throne calls forth a parade of those who have shaped the modern nation of Egypt—from the ruler who first unified Egypt in 3000 BC to Anwar Sadat, the president assassinated by religious extremists in 1981, and including figures as various as the famous pharaoh Ramesses II and the medieval vizier Qaraqush. As they defend their decisions under questioning by Osiris, Isis, and Horus, those who acted for the nation’s good are honored with immortality in paradise while those who failed to protect it are condemned either to the inferno or to “the place of insignificance.” Full of Mahfouz’s unique insight into his country’s timeless qualities, this provocative work skillfully traces five thousand years of Egypt’s past as it flows into the turbulent present. Translated from the Arabic by Raymond Stock
Moosa's exhaustive discussion, demonstrating the influence of both Western and Islamic ideology and culture, presents many works of fiction for the first time to Western students of Arabic literature.
This handbook aims at a history of Arabic shadow theatre from the earliest sightings in the tenth century to the turn of the twentieth century. At the core is an analytical documentation of all the known textual remnants and the preserved artifacts of this rich and still living tradition.
"Jayyusi provides biographical information on the writers as well as a substantial introduction to the development of modern Arabic fictional genres that considers the central thematic and aesthetic concerns of Arab short story writers and novelists."--Jacket.
With What ʿĪsā ibn Hishām Told Us, the Library of Arabic Literature brings readers an acknowledged masterpiece of early twentieth-century Arabic prose. Penned by the Egyptian journalist Muḥammad al-Muwayliḥī, this exceptional title was first introduced in serialized form in his family’s pioneering newspaper Miṣbāḥ al-Sharq (Light of the East), on which this edition is based, and later published in book form in 1907. Widely hailed for its erudition and its mordant wit, What ʿĪsā ibn Hishām Told Us was embraced by Egypt’s burgeoning reading public and soon became required reading for generations of Egyptian school students. Bridging classical genres and the emerging tradition of modern Arabic fiction, What ʿĪsā ibn Hishām Told Us is divided into two parts, the second of which was only added to the text with the fourth edition of 1927. Sarcastic in tone and critical in outlook, the book relates the excursions of its narrator ʿĪsā ibn Hishām and his companion, the Pasha, through a rapidly Westernized Cairo at the height of British occupation, providing vivid commentary of a society negotiating—however imperfectly—the clash of imported cultural values and traditional norms of conduct, law, and education. The “Second Journey” takes the narrator to Paris to visit the Exposition Universelle of 1900, where al-Muwayliḥī casts the same relentlessly critical eye on European society, modernity, and the role of Western imperialism as it ripples across the globe. Paving the way for the modern Arabic novel, What ʿĪsā ibn Hishām Told Us is invaluable both for its sociological insight into colonial Egypt and its pioneering role in Arabic literary history. A bilingual Arabic-English edition.
An introduction to Modern Arabic Literature, from the beginning of the nineteenth century to the present
The importance of Tawfiq al-Hakim (1898 to 1989) to the emergence of a modern Arabic literature is second only to that of Naguib Mahfouz. If the latter put the novel among the genres of writing that are now an accepted part of literary production in the Arab world today, Tawfiq al-Hakim is recognized as the undisputed creator of a literature of the theater. In this volume, Tawfiq al-Hakim's fame as a playwright is given prominence. Of the more than seventy plays he wrote, The Sultan's Dilemma, dealing with a historical subject in an appealingly light-hearted manner, is perhaps the best known; it appears in the extended edition of Norton's World Masterpieces and was broadcast on the old Home Service of the BBC. The other full-length play included here, The Tree Climber, is one that reveals al-Hakim's openness to outside influences in this case, the absurdist mode of writing. Of the two one-act plays in this collection, The Donkey Market shows his deftness at turning a traditional folk tale into a hilarious stage comedy. Tawfiq al-Hakim produced several of the earliest examples of the novel in Arabic; included in this volume is an extract from his best known work in that genre, the delightful Diary of a Country Prosecutor, in which he draws on his own experience as a public prosecutor in the Egyptian countryside. Three of the many short stories he published are also included, as well as an extract from The Prison of Life, an autobiography in which Tawfiq al-Hakim writes with commendable frankness about himself. Contents: Introduction by Denys Johnson-Davies, The Sultan's Dilemma (full-length play), The Tree Climber (full-length play), The Donkey Market (one-act play), The Song of Death (one-act play), Diary of a Country Prosecutor (extract from the novel), Miracles for Sale (short story), The Prison of Life (extract from the autobiography), Azrael the Barber (short story), Satan Triumphs (short story).