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Verses about imaginary animals.
Beasts! is a classic mythological menagerie, comprised only of creatures that were thought at one time to actually exist, depicted by about a hundred of the most acclaimed artists and cartoonists coming from the most avant-garde ambits of the art world. The Beasts project has fired the imaginations of luminaries such as Craig Thompson, Souther Salazar, Jeff Soto, Glenn Barr, Dave Cooper, Tim Biskup, Seonna Hong, Jeremy Fish and Jay Ryan, who will present never-before-seen art completely original to this book, superbly laid out in breathtaking, full-color two-page spreads. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.9px Arial; color: #424242}
A New York Times Editors' Choice and Notable Book of 2021 "Best Science Fiction, Fantasy and Horror of 2021"—The Washington Post From one of the most exciting voices in contemporary Chinese literature, an uncanny and playful novel that blurs the line between human and beast… In the fictional Chinese city of Yong’an, an amateur cryptozoologist is commissioned to uncover the stories of its fabled beasts. These creatures live alongside humans in near-inconspicuousness—save their greenish skin, serrated earlobes, and strange birthmarks. Aided by her elusive former professor and his enigmatic assistant, our narrator sets off to document each beast, and is slowly drawn deeper into a mystery that threatens her very sense of self. Part detective story, part metaphysical enquiry, Strange Beasts of China engages existential questions of identity, humanity, love and morality with whimsy and stylistic verve.
Gorgeous Beasts takes a fresh look at the place of animals in history and art. Refusing the traditional subordination of animals to humans, the essays gathered here examine a rich variety of ways animals contribute to culture: as living things, as scientific specimens, as food, weapons, tropes, and occasions for thought and creativity. History and culture set the terms for this inquiry. As history changes, so do the ways animals participate in culture. Gorgeous Beasts offers a series of discontinuous but probing studies of the forms their participation takes. This collection presents the work of a wide range of scholars, critics, and thinkers from diverse disciplines: philosophy, literature, history, geography, economics, art history, cultural studies, and the visual arts. By approaching animals from such different perspectives, these essays broaden the scope of animal studies to include specialists and nonspecialists alike, inviting readers from all backgrounds to consider the place of animals in history and art. Combining provocative critical insights with arresting visual imagery, Gorgeous Beasts advances a challenging new appreciation of animals as co-inhabitants and co-creators of culture. Aside from the editors, the contributors are Dean Bavington, Ron Broglio, Mark Dion, Erica Fudge, Cecilia Novero, Harriet Ritvo, Nigel Rothfels, Sajay Samuel, and Pierre Serna.
In this highly anticipated sequel to New York Times bestselling and Caldecott Honor–winning author Tony DiTerlizzi’s Kenny and the Dragon, Kenny must cope with many changes in his life—including the fear that he’s losing his best friend. What can come between two best friends? Time has passed since Kenny Rabbit’s last adventure with his best friend, the legendary dragon Grahame, and a lot has changed in the sleepy village of Roundbrook. For starters, Kenny has a whole litter of baby sisters. His friends are at different schools and Sir George is off adventuring. At least Kenny still has his very best friend, Grahame. That’s before Dante arrives. Dante is a legendary manticore and an old friend of Grahame’s. Old friends spend a lot of time catching up. And that catching up does not involve Kenny. But there’s a Witch to defeat, a pal to rescue, and a mysterious book to unlock. And those are quests for best friends, not old friends. Right?
Thirty handsome drawings of fabled creatures: mermaid, centaur, phoenix, basilisk, kraken (a huge sea monster sometimes mistaken for an island), manticore (a beast of three different parts), and more.
No ordinary beast, Maurice is neat, polite, photogenic, and his roar is delightful to the ear, which leads his parents to enroll him at the Abominable Academy for Brutish Beasts, where he realizes he has a few things he can teach his fellow beasts.
A bright, talented junior at Catamount College in the druggy 1970s, Gillian Brauer strives to realise more than a poet's craft in her workshop with the charismatic, anti-establishment professor Andre Harrow. For Gillian has fallen in love - with Harrow, with his aesthetic sensibility and bohemian lifestyle, with his secluded cottage, with the mystique of his imposing, russet-haired French wife, Dorcas. A sculptress, Dorcas has outraged the campus and alumnae with the crude, primitive, larger than life-sized wooden totems that she has exhibited under the motto 'We are beasts and this is our consolation'.As if mesmerised, Gillian enters the rarefied world of the Harrows. She is special, even though she knows her classmates have preceded her here. She is helpless. She is powerful. And she will learn in full the meaning of Dorcas' provocative motto . . .