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Winner of the 2009 Cave Canem Poetry Prize The exploits you find in my comics are no more probable than snow in Sunnyvale. I'm not as black as you dream. —from "Luke Cage Tells It Like It Is Missing You, Metropolis With humor and the serious collector's delight, Gary Jackson imagines the comic-book worlds of Superman, Batman, and the X-Men alongside the veritable worlds of Kansas, racial isolation, and the gravesides of a sister and a friend.
Sixteen-year-old Thea Holder's mother is cursed with a spell that's driving her mad, and whenever they touch, Thea is chilled by the magic, too. With no one else to contribute, Thea must make a living for both of them in a sinister city, where danger lurks and greed rules. Thea spends her nights waitressing at the decadent Telephone Club attending to the glitzy clientele. But when her best friend, Nan, vanishes, Thea is compelled to find her. She meets Freddy, a young, magnetic patron at the club, and he agrees to help her uncover the city's secrets???even while he hides secrets of his own. Together, they find a whole new side of the city. Unrest is brewing behind closed doors as whispers of a gruesome magic spread. And if they're not careful, the heartless masterminds behind the growing disappearances will be after them, too. Perfect for fans of Cassandra Clare, this is a chilling thriller with a touch of magic where the dead don't always seem to stay that way.
This Weimar-era novel of a futuristic society, written by the screenwriter for the iconic 1927 film, was hailed by noted science-fiction authority Forrest J. Ackerman as "a work of genius."
Delicious Metropolis brings together two of Wayne Thiebaud's most celebrated bodies of work: desserts and cityscapes. Between the two, fascinating juxtapositions develop. The layers of a Neapolitan cake echo the shadows cast across a street in the late afternoon. The pastel hues of iced sponge cakes match California's candy-colored houses. Curators, critics, and artists guide the reader through the book via insightful bite-size essays. This gorgeous hardcover offers fans and newcomers a refreshing and accessible way to enjoy the oeuvre of this iconic American painter. Complete with multicolored page edges evoking the layers of one of Thiebaud's mouthwatering cakes, it's a treat for art lovers, city-dwellers, and gourmets alike.
It's 1927 in the town of Chatterlee, Mississippi, drowned by heavy rains. The Mississippi River is rising, threatening to break open not only the levees, but also the racial and social divisions of this former plantation town. A fiery messenger from the skies heralds the appearance of a being, one that will rip open the tensions in Chatterlee. Savior, or threat? It depends on where you stand. All the while, the waters are still rapidly rising...
In an urban Society
Look out for David Owen's next book, Where the Water Goes. A challenging, controversial, and highly readable look at our lives, our world, and our future. Most Americans think of crowded cities as ecological nightmares, as wastelands of concrete and garbage and diesel fumes and traffic jams. Yet residents of compact urban centers, Owen shows, individually consume less oil, electricity, and water than other Americans. They live in smaller spaces, discard less trash, and, most important of all, spend far less time in automobiles. Residents of Manhattan—the most densely populated place in North America—rank first in public-transit use and last in percapita greenhouse-gas production, and they consume gasoline at a rate that the country as a whole hasn’t matched since the mid-1920s, when the most widely owned car in the United States was the Ford Model T. They are also among the only people in the United States for whom walking is still an important means of daily transportation. These achievements are not accidents. Spreading people thinly across the countryside may make them feel green, but it doesn’t reduce the damage they do to the environment. In fact, it increases the damage, while also making the problems they cause harder to see and to address. Owen contends that the environmental problem we face, at the current stage of our assault on the world’s nonrenewable resources, is not how to make teeming cities more like the pristine countryside. The problem is how to make other settled places more like Manhattan, whose residents presently come closer than any other Americans to meeting environmental goals that all of us, eventually, will have to come to terms with.
List of Oral History and Interview Participants -- Notes -- Index
Debut poetry by Brian Russell, winner of the Bakeless Poetry Prize * Named a Best Book of the Year by Harriet, the blog of the Poetry Foundation * The year of what now Are we the pure products and what Does that even mean pure isn't it Obvious we are each our own culture Alive with the virus that's waiting To unmake us. —from "The Year of What Now" "The Year of What Now is not a book of poems about cancer. It's not a book that wears its heart on its sleeve. It doesn't parade the autobiographical in your face, though the conventions seem at first to be autobiography. It's not a cry in extremis, de profundis, etc. It's more casual, more canny, more casually well-made, more philosophically oriented . . . This book seems to me to represent a way forward for other young poets in its wide engagement with the world, in its unabashed embrace of the personal, and its equally galvanizing skepticism about the limits of subjective speech. At its deepest level, it embodies the desire to establish true sequences of pain from the cellular level to the most abstract operations of culture, technology, and possible worlds of the spirit." —Tom Sleigh, Bakeless Prize judge, from the introduction
After his boyfriend dumps him, Hayden is in need of a place to live. Thanks to his buddies, he has a great lead to room with a guy named Cody in Metropolis, the hottest condominium in town. But things get a little uncomfortable when Hayden shows up for the interview and discovers he and Cody share an awkward up close and personal experience from their past. Cody doesn't have a problem living with Hayden. He's had his share of help when he was down and out, and he wants to do the same for this guy. It's not long until Cody realizes how great it is having someone around. Sometimes, they watch movies together...and other times, they help get each other off--one of the perks of living with a guy who's as laid back about sex as he is. They hit off so well Cody even decides to act as wingman for Hayden while he gets used to hitting the town again. Before they know it, they're spending more time with each other than with anyone else. But Hayden just got out of a relationship and should be spending his nights having fun and working it around town, not jumping into something serious again. Cody's always just gone with the flow, believing if it's meant to happen, it will. But life doesn't always work that way, and if they don't fight for what's right in front of them, Hayden and Cody might be over before they have the chance to even get started.