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A bittersweet and humorous memoir of family—of the silence and ignorance that separate us, and the blood and stories that connect us—from an award-winning New York Times writer and comedian. Approaching his 30th birthday, Sopan Deb had found comfort in his day job as a writer for the New York Times and a practicing comedian. But his stage material highlighting his South Asian culture only served to mask the insecurities borne from his family history. Sure, Deb knew the facts: his parents, both Indian, separately immigrated to North America in the 1960s and 1970s. They were brought together in a volatile and ultimately doomed arranged marriage and raised a family in suburban New Jersey before his father returned to India alone. But Deb had never learned who his parents were as individuals—their ages, how many siblings they had, what they were like as children, what their favorite movies were. Theirs was an ostensibly nuclear family without any of the familial bonds. Coming of age in a mostly white suburban town, Deb’s alienation led him to seek separation from his family and his culture, longing for the tight-knit home environment of his white friends. His desire wasn’t rooted in racism or oppression; it was born of envy and desire—for white moms who made after-school snacks and asked his friends about the girls they liked and the teachers they didn’t. Deb yearned for the same. Deb’s experiences as one of the few minorities covering the Trump campaign, and subsequently as a stand up comedian, propelled him on a dramatic journey to India to see his father—the first step in a life altering journey to bridge the emotional distance separating him from those whose DNA he shared. Deb had to learn to connect with this man he recognized yet did not know—and eventually breach the silence separating him from his mother. As it beautifully and poignantly chronicles Deb’s odyssey, Missed Translations raises questions essential to us all: Is it ever too late to pick up the pieces and offer forgiveness? How do we build bridges where there was nothing before—and what happens to us, to our past and our future, if we don’t?
Approaching his 30th birthday, Sopan Deb had found comfort in his day job as a writer for the New York Times and a practicing comedian. But his stage material highlighting his South Asian culture only served to mask the insecurities borne from his family history. Sure, Deb knew the facts: his parents, both Indian, separately immigrated to North America in the 1960s and 1970s. They were brought together in a volatile and ultimately doomed arranged marriage and raised a family in suburban New Jersey before his father returned to India alone. But Deb had never learned who his parents were as individuals—their ages, how many siblings they had, what they were like as children, what their favorite movies were. Theirs was an ostensibly nuclear family without any of the familial bonds. Coming of age in a mostly white suburban town, Deb’s alienation led him to seek separation from his family and his culture, longing for the tight-knit home environment of his white friends. His desire wasn’t rooted in racism or oppression; it was born of envy and desire—for white moms who made after-school snacks and asked his friends about the girls they liked and the teachers they didn’t. Deb yearned for the same. Deb’s experiences as one of the few minorities covering the Trump campaign, and subsequently as a stand up comedian, propelled him on a dramatic journey to India to see his father—the first step in a life altering journey to bridge the emotional distance separating him from those whose DNA he shared. Deb had to learn to connect with this man he recognized yet did not know—and eventually breach the silence separating him from his mother. As it beautifully and poignantly chronicles Deb’s odyssey, Missed Translations raises questions essential to us all: Is it ever too late to pick up the pieces and offer forgiveness? How do we build bridges where there was nothing before—and what happens to us, to our past and our future, if we don’t?
"From a New York Times reporter and memoirist Sopan Deb comes a heartwarming and charmingly funny debut novel about a box in the attic that leads one Bengali-American family down a path toward rediscovering family love, even when splintered. Shantanu Das is living in the shadows of his past. In his 60s, he finds himself iced out of his traditional Bengali community after an uncouth divorce from his wife, Chaitali; he hasn't spoken to his eldest daughter Mitali in months; and most painfully, he lives each day with the regret that the Dases couldn't accept their youngest daughter Keya after coming out as gay. As the anniversary of Keya's death approaches, Shantanu wakes up one morning utterly alone in his suburban New Jersey home and realizes it's finally time to sell the place. That's when he discovers a tucked away box in his attic that could change everything. When Mitali Das gets a call from her estranged father asking her to come back to New Jersey and help him pack up the house, she does so out of pity. But then father and daughter find the manuscript of an unfinished play Keya and her girlfriend had been writing. It's a wild idea, but Shantanu has nothing left to lose: what if they were to stage the play? It could be an homage to Keya's memory, and a way to make amends. But first he'll need to convince Keya's girlfriend, Pamela, to give her blessing. Soon Shantanu has assembled a host of unlikely helpers-Kalpana, his traditional Bengali mother; Catherine, his dry witted girlfriend; his ex-wife Chaitali and her new husband, Jahar; and Neesh, Mitali's boyfriend who, with surprising revelations from his past, binds them all together. Set in the vibrant world of the Bengali New Jersey suburbs, Keya Das's Second Act is a warmly drawn homage to family, creativity, and second chances. In his debut novel, Sopan Deb has written a poignant and at turns surprisingly hilarious testament to the unexpected ways we build family and find love, old and new"--
Love Lost in Translation systematically examines the biblical stories and passages that are generally assumed to deal with, or comment on, homoerotic relationships: Noah and Ham, Sodom and Gomorrah, Leviticus 18:22, Deuteronomy 23:17-18, Judges 19, Romans 1:26-27, and 1 Corinthians 6:9. K. Renato Lings convincingly demonstrates that mistranslations of these texts into Greek, Latin and other languages occurred early, and that serious errors continue to be committed by translators today. This explains the painful controversy about same-sex relationships, which has rocked Christian churches for decades.
The classic French novel written by a soldier, who would later die during World War I, tells the story of Auguste Meaulnes and the "domain mysterieux."
Winner of the Pacific Northwest Booksellers Association Award and the Washington State Book Award in Biography/Memoir Named One of the Best Books by Asian American Writers by Oprah Daily Longlisted for the PEN Open Book Award The Magical Language of Others is a powerful and aching love story in letters, from mother to daughter. After living in America for over a decade, Eun Ji Koh’s parents return to South Korea for work, leaving fifteen-year-old Eun Ji and her brother behind in California. Overnight, Eun Ji finds herself abandoned and adrift in a world made strange by her mother’s absence. Her mother writes letters in Korean over the years seeking forgiveness and love—letters Eun Ji cannot fully understand until she finds them years later hidden in a box. As Eun Ji translates the letters, she looks to history—her grandmother Jun’s years as a lovesick wife in Daejeon, the loss and destruction her grandmother Kumiko witnessed during the Jeju Island Massacre—and to poetry, as well as her own lived experience to answer questions inside all of us. Where do the stories of our mothers and grandmothers end and ours begin? How do we find words—in Korean, Japanese, English, or any language—to articulate the profound ways that distance can shape love? The Magical Language of Others weaves a profound tale of hard-won selfhood and our deep bonds to family, place, and language, introducing—in Eun Ji Koh—a singular, incandescent voice.
Ineffable sweetness, bold, uncanny sweetness that came to my eyes from her lovely face; from that day on I'd willingly have closed them, never to gaze again at lesser beauties. --from Sonnet 116 Petrarch was born in Tuscany and grew up in the south of France. He lived his life in the service of the church, traveled widely, and during his lifetime was a revered, model man of letters. Petrarch's greatest gift to posterity was his Rime in vita e morta di Madonna Laura, the cycle of poems popularly known as his songbook. By turns full of wit, languor, and fawning, endlessly inventive, in a tightly composed yet ornate form they record their speaker's unrequited obsession with the woman named Laura. In the centuries after it was designed, the "Petrarchan sonnet," as it would be known, inspired the greatest love poets of the English language--from the times of Spenser and Shakespeare to our own. David Young's fresh, idiomatic version of Petrarch's poetry is the most readable and approachable that we have. In his skillful hands, Petrarch almost sounds like a poet out of our own tradition bringing the wheel of influence full circle.
Grande puts a human face on the epic story about those who make it across the border into America, those who never make it across, and those who are left behind.
An ancient mystery, a hidden language, and the secrets of a bizarre Egyptian sect collide in modern-day London in this ingenious novel of seduction, conspiracy, and betrayal alter Rothschild is an American Egyptologist living in London and charged by the British Museum with the task of unlocking the ancient riddle of the Stela of Paser, one of the last remaining real-life hieroglyphic mysteries in existence today. The secrets of the stela-a centuries-old funerary stone-have evaded scholars for thousands of years due to the stela's cryptic reference to a third translation:
Molly Giles's engaging collection of stories was the winner not only of the Flannery O'Connor Award for Short Fiction but also of the 1985 San Francisco Bay Area Book Reviewers Association (BABRA) Award for Fiction and the 1986 Boston Globe Fiction Award. Many of the stories in Rough Translations have been anthologized and adapted for radio performance. A master of the complexities of language, Molly Giles writes of the missed connections in life and of the rough translations that we employ when we try to convey, through words and gestures, what we are thinking and what we want from our loved ones.