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In this potent tale of love and loneliness, Elizabeth Jolley has woven two parallel stories into a dazzlingly original novel. Arabella Thorne is a brilliant, witty and accomplished woman. The exotic tale of this flamboyant eccentric and her European travels - with jealous secretary and shy schoolgirl protégée - is the inheritance that transforms the uneventful suburban life of Miss Peabody.
Amelia Peabody is Elizabeth Peters' most brilliant and best-loved creation, a thoroughly Victorian feminist who takes the stuffy world of archaeology by storm with her shocking men's pants and no-nonsense attitude! In this first adventure, our headstrong heroine decides to use her substantial inheritance to see the world. On her travels, she rescues a gentlewoman in distress - Evelyn Barton-Forbes - and the two become friends. The two companions continue to Egypt where they face mysteries, mummies and the redoubtable Radcliffe Emerson, an outspoken archaeologist, who doesn't need women to help him solve mysteries -- at least that's what he thinks!
Alma Porch, novelist and aspiring dramatist, is hired to teach a course in Trinity College's "Better Body Through the Arts" summer program for overweight adults. On the rundown campus in the remote Australian outback, Alma is surrounded by starving matrons, orgies of sex and gluttony, and an eccentric group of staff and students who are eager to open themselves to the transforming possibilities of her screenplay, "Foxybaby." As the students develop their roles and film this story of a father trying to rescue his runaway daughter and her baby from discos and drugs, the play becomes a kind of therapy and begins to unite and console the lonely hearts of this unlikely group in surprising ways.In this wise and frequently uproarious book, Elizabeth Jolley is at her provocative best.
Story within a story. Dorothy Peabody is bored with her clerical work, and her role as her mother's carer. She begins to correspond with novelist Diana Hopewell, who sends extracts from her novel in progress. The novel concerns a headmistress travelling around Europe with several companions. As Miss Peabody becomes more involved with the tale, her life becomes inextricably tied with the fictitious events.
Twenty-nine collected essays represent a critical history of Shakespeare's play as text and as theater, beginning with Samuel Johnson in 1765, and ending with a review of the Royal Shakespeare Company production in 1991. The criticism centers on three aspects of the play: the love/friendship debate.
One of Australia’s most celebrated novels: one woman’s journey from Australia to London Nora Porteous, a witty, ambitious woman from Brisbane, returns to her childhood home at age seventy. Her life has taken her from a failed marriage in Sydney to freedom in London; she forged a modest career as a seamstress and lived with two dear friends through the happiest years of her adult life. At home, the neighborhood children she remembers have grown into compassionate adults. They help to nurse her back from pneumonia, and slowly let her in on the dark secrets of the neighborhood in the years that have lapsed. With grace and humor, Nora recounts her desire to escape, the way her marriage went wrong, the vanity that drove her to get a facelift, and one romantic sea voyage that has kept her afloat during her dark years. Her memory is imperfect, but the strength and resilience she shows over the years is nothing short of extraordinary. A book about the sweetness of escape, and the mix of pain and acceptance that comes with returning home.
Elizabeth Jolley's first novel is an unusual, haunting story of the deep relationship between two women, set against the solitude, beauty and harshness of the West Australian landscape.
A classic work of American theatre, based on the Scopes Monkey Trial of 1925, which pitted Clarence Darrow against William Jennings Bryan in defense of a schoolteacher accused of teaching the theory of evolution The accused was a slight, frightened man who had deliberately broken the law. His trial was a Roman circus. The chief gladiators were two great legal giants of the century. Like two bull elephants locked in mortal combat, they bellowed and roared imprecations and abuse. The spectators sat uneasily in the sweltering heat with murder in their hearts, barely able to restrain themselves. At stake was the freedom of every American. One of the most moving and meaningful plays of our generation. Praise for Inherit the Wind "A tidal wave of a drama."—New York World-Telegram And Sun “Jerome Lawrence and Robert E. Lee were classic Broadway scribes who knew how to crank out serious plays for thinking Americans. . . . Inherit the Wind is a perpetually prescient courtroom battle over the legality of teaching evolution. . . . We’re still arguing this case–all the way to the White House.”—Chicago Tribune “Powerful . . . a crackling good courtroom play . . . [that] provides two of the juiciest roles in American theater.”—Copley News Service “[This] historical drama . . . deserves respect.”—The Columbus Dispatch
This book brings together, for the first time, the works of Australia's foremost female poet of the first half of the twentieth century.It features a dedicated mailing and e-mail campaign to targeted poetry related media & organisations.With unrivalled access to Gilmore's work, this superb volume features more than 500 previously unpublished poems.Mary Gilmore is considered by many to have been Australia's foremost female poet of the first half of the twentieth century.This superb volume brings together all her poems - from 1887 to 1929 - and presents readers with an unrivalled and enlightening view of a poet who was able to demonstrate radical political ideals, whilst at the same time be praised for the 'womanliness' of works such as Marri'd and Other Verses and The Passionate Heart.For the first time, these poems stand side by side, presenting readers with a truly revealing picture of Gilmore's oeuvre.
Weekly, nicknamed The Newspaper, cleans the houses on Claremont Street, spreading the neighbourhood gossip as she works. No one knows or cares where Weekly goes in her spare time, or what she dreams of at night - no one, that is, until Nastasya discovers her secret.