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Women rule because of their greater ability to use and understand logic while men can't be trusted to be anything other than emotional. 'Venus Is a Man's World' takes you on a humorous, satirical romp that only William Tenn could pull off. Wry, witty, and intelligent.
Chasing a fresh start Danny, an East Endborn entrepreneur, leads his five gay friends and business partners on a joint venture in the countryside. When it all comes to a sudden end, the friends find themselves at the mercy of Franco, a ruthless gangster who will stop at nothing to get what he wants. Danny and his friends soon learn that the hardest decisions are the ones which leave you no choice. Complicating matters, each partner finds that the problems of their present and past have trapped them in place and will not be left behind without a fight. A chance encounter, a hasty decision, and other seemingly innocent events bring the group to a boiling point. And soon, each will find himself on a path he never imagined. Mansworld takes you on a journey woven with love, sex, family, gangsters, crime, and survival. For this group of friends and partners, a painful lesson awaitsyour past will decide your future.
A revolution is under way. Within a generation, more households will be supported by women than by men. In this book the author takes us to the frontier of this new economic order. She shows us why this flip is inevitable, what painful adjustments will have to be made along the way, and how both men and women will feel surprisingly liberated in the end. Couples today are debating who must assume the responsibility of primary earner and who gets the freedom of being the slow track partner. With more men choosing to stay home, she shows how that lifestyle has achieved a higher status, and the ways males have found to recover their masculinity. And the revolution is global: she takes us from Japan to Denmark to show how both sexes are adapting as the marriage market has turned into a giant free-for-all, with men and women at different stages of this transformation finding partners who match their expectations. This book is an analysis of the most important cultural shift since the rise of feminism: the coming era in which women will earn more than men, and how this will change work, love, and sex.
“A brutally honest memoir that socks you in the gut with its candor” (Elton John and David Furnish) about lust, abuse, addiction, stardom, and redemption from Arrow and Teen Wolf actor Colton Haynes. In 2018, Colton Haynes woke up in a hospital. He’d had two seizures, lost vision in one eye, almost ruptured a kidney, and been put on an involuntary psychiatric hold. Not yet thirty, he knew he had to take stock of his life and make some serious changes if he wanted to see his next birthday. As he worked towards sobriety, Haynes allowed himself to become vulnerable for the first time and discovered profound self-awareness. He had millions of social media followers who constantly told him they loved him. But what would they think if they knew his true story? If they knew where he came from and the things he had done? Now, Colton bravely pulls back the curtain on his life and career, revealing the incredible highs and devastating lows. From his unorthodox childhood in a small Kansas town, to coming to terms with his sexuality, he keeps nothing back. By sixteen, he had been signed by the world’s top modeling agency and his face appeared on billboards. But he was still a broke, lonely, confused teenager, surrounded by people telling him he could be a star as long as he never let anyone see his true self. As Colton’s career in television took off, the stress of wearing so many masks and trying to please so many different people turned his use of drugs and alcohol into full-blown addiction. “In searing, honest prose, he tells a coming-of-age story that is utterly his own, yet surprisingly universal” (Bill Clegg, New York Times bestselling author)—of dreams deferred and dreams fulfilled; of a family torn apart and rebuilt; and of a man stepping into the light as no one but himself.
A Los Angeles Times columnist recounts her eighteen-month undercover stint as a man, a time during which she underwent considerable personal risks as she worked a sales job, joined a bowling league, frequented sex clubs, dated, and encountered firsthand the rigid codes and rituals of masculinity. 80,000 first printing.
“Will appeal to readers of Elena Ferrante and Margaret Atwood . . . the unusual setting offers an interesting twist on the portrait of an artist as a young woman.” —Bookpage In 1960s Iceland, Hekla dreams of being a writer. In a nation of poets, where each household proudly displays leatherbound volumes of the Sagas, and there are more writers per capita than anywhere else in the world, there is only one problem: she is a woman. After packing her few belongings, including James Joyces’s Ulysses and a Remington typewriter, Hekla heads for Reykjavik with a manuscript buried in her bags. She moves in with her friend Jon, a gay man who longs to work in the theatre, but can only find dangerous, backbreaking work on fishing trawlers. Hekla’s opportunities are equally limited: marriage and babies, or her job as a waitress, in which harassment from customers is part of the daily grind. The two friends feel completely out of place in a small and conservative world. And yet that world is changing: JFK is shot. Hemlines are rising. In Iceland, another volcano erupts and Hekla meets a poet who brings to light harsh realities about her art—as she realizes she must escape to find freedom abroad, whatever the cost. Miss Iceland, a winner of two international book awards, comes from the acclaimed author of Hotel Silence, which received the Icelandic Literary Prize. “Only a great book can make you feel you’re really there, a thousand miles and a generation away. I loved it.” —Kit de Waal, author of My Name is Leon “[A] winning tale of friendship and self-fulfillment.” —Publishers Weekly, starred review
Four alternate selves from radically different realities come together in this “dazzling” and “trailblazing work” (The Washington Post). Widely acknowledged as Joanna Russ’s masterpiece, The Female Man is the suspenseful, surprising, darkly witty, and boldly subversive chronicle of what happens when Jeannine, Janet, Joanna, and Jael—all living in parallel worlds—meet. Librarian Jeannine is waiting for marriage in a past where the Depression never ended, Janet lives on a utopian Earth with an all-female population, Joanna is a feminist in the 1970s, and Jael is a warrior with claws and teeth on an Earth where male and female societies are at war with each other. When the four women begin traveling to one another’s worlds, their preconceptions on gender and identity are forever challenged. With “palpable anger . . . leavened by wit and humor” (The New York Times), Russ both employs and upends genre conventions to deliver a wickedly satiric and exhilarating version of when worlds collide and women get woke. This ebook includes the Nebula Award–winning bonus short story “When It Changed,” set in the world of The Female Man.
It's a Man's World and a Woman's Universe delves into the challenging and sometimes uncomfortable realm of interpersonal communication. It takes the reader on a journey of growth, with valuable insight into the inner workings of the mind as it relates to the duality of the individual's energy. It is the ultimate handbook for learning how to develop greater understanding of how to communicate and foster deeper, longer lasting relationships. Learn to harness your energy rather than work against it. Learn to recognize and embrace your role, and how to implement and optimize your strengths in all your interactions, whether social, romantic, or professional.
A background synthesis freshly discussing the work of Chopin, McCullers, O'Connor, Mitchell, and Welty leads to extended treatment of the novels of Shirley Ann Grau, whose protagonists, "keepers of the house," remain their fathers' daughters; of Anne Tyler, whose characters are "fatherless" and "homeless at home"; and Gail Godwin, whose daughter-heroines learn the necessity of autonomy.
A trailblazing, conversation-starting history of women’s health—from the earliest medical ideas about women’s illnesses to hormones and autoimmune diseases—brought together in a fascinating sweeping narrative. Elinor Cleghorn became an unwell woman ten years ago. She was diagnosed with an autoimmune disease after a long period of being told her symptoms were anything from psychosomatic to a possible pregnancy. As Elinor learned to live with her unpredictable disease she turned to history for answers, and found an enraging legacy of suffering, mystification, and misdiagnosis. In Unwell Women, Elinor Cleghorn traces the almost unbelievable history of how medicine has failed women by treating their bodies as alien and other, often to perilous effect. The result is an authoritative and groundbreaking exploration of the relationship between women and medical practice, from the "wandering womb" of Ancient Greece to the rise of witch trials across Europe, and from the dawn of hysteria as a catchall for difficult-to-diagnose disorders to the first forays into autoimmunity and the shifting understanding of hormones, menstruation, menopause, and conditions like endometriosis. Packed with character studies and case histories of women who have suffered, challenged, and rewritten medical orthodoxy—and the men who controlled their fate—this is a revolutionary examination of the relationship between women, illness, and medicine. With these case histories, Elinor pays homage to the women who suffered so strides could be made, and shows how being unwell has become normalized in society and culture, where women have long been distrusted as reliable narrators of their own bodies and pain. But the time for real change is long overdue: answers reside in the body, in the testimonies of unwell women—and their lives depend on medicine learning to listen.