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First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Jacket.
Terry Castle's recent study of masquerade follows Bakhtin's analysis of the carnivalesque to conclude that, for women, masquerade offered exciting possibilities for social and sexual freedom. Castle's interpretation conforms to the fears expressed by male writers during the period—Addison, Steele, and Fielding all insisted that masquerade allowed women to usurp the privileges of men. Female authors, however, often mistrusted these claims, perceiving that masquerade's apparent freedoms were frequently nothing more than sophisticated forms of oppression. Catherine Craft-Fairchild's work provides a useful corrective to Castle's treatment of masquerade. She argues that, in fictions by Aphra Behn, Mary Davys, Eliza Haywood, Elizabeth Inchbald, and Frances Burney, masquerade is double-sided. It is represented in some cases as a disempowering capitulation to patriarchal strictures that posit female subordination. Often within the same text, however, masquerade is also depicted as an empowering defiance of the dominant norms for female behavior. Heroines who attempt to separate themselves from the image of womanhood they consciously construct escape victimization. In both cases, masquerade is the condition of femininity: gender in the woman's novel is constructed rather than essential. Craft-Fairchild examines the guises in which womanhood appears, analyzing the ways in which women writers both construct and deconstruct eighteenth-century cultural conceptions of femininity. She offers a careful and engaging textual analysis of both canonical and noncanonical eighteenth-century texts, thereby setting lesser-read fictions into a critical dialogue with more widely known novels. Detailed readings are informed throughout by the ideas of current feminist theorists, including Luce Irigaray, Julia Kristeva, Mary Ann Doane, and Kaja Silverman. Instead of assuming that fictions about women were based on biological fact, Craft-Fairchild stresses the opposite: the domestic novel itself constructs the domestic woman.
DANGEROUS MASQUERADE COLLECTION - Enjoy three of award-winning author Miriam Minger's historical romance novels in one dangerously exciting boxed set: The Brigand Bride, The Temptress Bride, and The Impostor Bride! “Five stars . . . should be at the top of your shopping list! Miriam Minger is a fifty-carat jewel.” – Affaire de Coeur THE BRIGAND BRIDE - Captain Garrett Marshall was entrusted with the capture of the mysterious brigand called “Black Jack.” But the azure-eyed beauty hidden beneath the bandit’s manly garb tested Garrett’s loyalty to his King. Inflamed by a desire he could not ignore, the handsome officer would wed his bewitching enemy to save her from the gallows. But first he’d have to quell Maddie Fraser's hatred…and conquer her heart. **Romance Writers of America RITA Award finalist for Best Historical Romance** THE SCANDALOUS BRIDE - Stefan nearly shouted in triumph. He’d searched throughout Vienna for the beguiling tavern wench who had aroused him past endurance, and here she stood like a shimmering goddess...no tavern wench but a lady of the Imperial court. He must have her--he would have her!—if only to safeguard Kassandra's honor by making her his wife. THE IMPOSTOR BRIDE - With a heavy heart, spirited but low-born Susanna Guthrie agrees to honor the deathbed request of the wealthy young woman who rescued her from a life of poverty. Masquerading as her benefactress, Susanna travels to the Virginia colonies to take the dying heiress’ place as head of the plantation Briarwood…and to “marry wisely.” Once, she would have welcomed the attentions of handsome Adam Thornton. But now, consorting with a “hired hand” is unthinkable—though Adam's raw, sensual power leaves Susanna breathless. “With Miriam Minger, you’re assured of a good read!” – Heartland Critiques “Miriam Minger is a master storyteller who illustrates the full gamut of emotions felt by her characters. Emotions so strong that you are pulled into the pages and into their lives.” – Inside Romance
In this significant contribution to Hegel scholarship, Robert Williams develops the most comprehensive account to date of Hegel's concept of recognition (Anerkennung). Fichte introduced the concept of recognition as a presupposition of both Rousseau's social contract and Kant's ethics. Williams shows that Hegel appropriated the concept of recognition as the general pattern of his concept of ethical life, breaking with natural law theory yet incorporating the Aristotelian view that rights and virtues are possible only within a certain kind of community. He explores Hegel's intersubjective concept of spirit (Geist) as the product of affirmative mutual recognition and his conception of recognition as the right to have rights. Examining Hegel's Jena manuscripts, his Philosophy of Right, the Phenomenology of Spirit, and other works, Williams shows how the concept of recognition shapes and illumines Hegel's understandings of crime and punishment, morality, the family, the state, sovereignty, international relations, and war. A concluding chapter on the reception and reworking of the concept of recognition by contemporary thinkers including Derrida, Levinas, and Deleuze demonstrates Hegel's continuing centrality to the philosophical concerns of our age.
What would you do if you knew you wouldn’t get caught? Unwind with this steamy love story. Told as a 12-part serial, each book is about the length of a glass of wine or a soak in the tub. Isla Foster and Colin Jackman are strangers. Desperate to escape the daily grind of life, they each accept an anonymous invitation to a masquerade ball — one of the most prestigious events in New York City. There they are given lavish costumes, false identities and an opportunity to take part in a seductive game. If they accept, using the aliases Grace and Marlowe, they’ll meet each month for a year in a series of secret rendezvous, consequence free. No one will ever know where they go or what they do, as long as they follow three simple rules: 1. they must never know the other’s identity 2. they must only meet at the prearranged times and places 3. they must not fall in love What could possibly go wrong? “You’ll be hooked from the opening scene.” - Victoria Barbour, USA Today Bestselling Author A Selection of Reviews “Masquerade reads like a piece of chocolate after dinner. It goes down smoothly and leaves you craving more.” “Amazing fantasy getaway. Perfect rainy day read!” “Ms. Francis is a skillful storyteller. She quickly captured the attention of this fussy reader and held my interest through to the end.” “Hard to put down.” "Absolutely phenomenal. Each part is better written than the last.” "I enjoyed this book as another fun diversion from my busy life." "It has excellent characterization and I was pulled into the story, intrigued to know what would happen next." "Absolutely love this format of delivery for a book. Oh Masquerade you have my attention now! I voluntarily reviewed this book." "I really like this book. The characters were believable, the story had some mystery and I liked where the series was going to go with the Masquerade themes. I especially liked how this story was 'as long as a glass of wine'. I didn't test that but it was as long as a short stint on the beach. Now I want to see what happens in the next few stories!" "This first instalment hooked me in every way: interesting opening, great detail, fully-fleshed major characters, each with a problematical life situation and minus my pet peeve -- poor editing. This instalment is expertly written AND edited, so there are no grammatical errors or typos to weaken/distract from the story. Kudos to Ms. Francis. I look forward to reading more!" "What a fun escape these first two books are! I just finished part 2 and am left hanging in suspense and anxiously awaiting part 3 to be delivered. This is a unique way to read for me and I love it. Come on part 3!!!!!!!!!"
The only hope of finding a US marshal who suspiciously vanished in the desert is rotting in a New Mexico jail! Because of reports of a potential range war in Peñasco County, New Mexico, US Commissioner Guilford dispatches Deputy US Marshal Ed Church to help clean up the mess. But after arriving in Agua Verde by stagecoach and renting a horse to ride to the troubled area, Church disappears. At the same time, two top men from rival ranching operations are found killed outside town the day after Church arrived in Agua Verde, apparently the deadly result of a shoot-out. Guilford knows that Ed Church’s best friend, Streak Mathiot, is currently sitting in the Pleasant City jail. Guilford visits and offers him the job of deputy US marshal to investigate Church’s disappearance. If Streak will accept it, the commissioner’s assignment will take precedence over any local charges against him, and the prisoner would be released into Guilford’s custody. Streak accepts Guilford’s offer to find his friend before it’s too late. But little does he know he’ll be dropped right in the middle of a fight that has already turned violent . . . and possibly deadly. Gunsmoke Masquerade finds Peter Dawson in top form, justifying his reputation as one of the most respected Western writers of all time. Skyhorse Publishing is proud to publish a broad range of books for readers interested in fiction that takes place in the old West. Westerns—books about outlaws, sheriffs, chiefs and warriors, cowboys and Indians—are a genre in which we publish regularly. Our list includes international bestselling authors like Zane Gray and Louis L’Amour, and many more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
In Jane Austen and Narrative Authority, Tara Ghoshal Wallace argues that far from embodying ideological and technical serenity, Austen's novels articulate a range of anxieties about authorship and authority. The novels experiment in different ways with possible sources and the ultimate failures of authority, always returning to the compromised figure of the narrator. Wallace suggests that Austen's novelistic output can be read as a theory of interpretation, thematizing problems of narrative authority and readers' resistance.
Part 3: With one secret rendezvous behind them, Marlowe begins to get cold feet. When he meets Grace on New Year’s Eve, will his midnight kiss mean goodbye? What would you do if you knew you wouldn’t get caught? Unwind with this steamy love story. Told as a 12-part serial, each book is about the length of a glass of wine or a soak in the tub. Isla Foster and Colin Jackman are strangers. Desperate to escape the daily grind of life, they each accept an anonymous invitation to a masquerade ball — one of the most prestigious events in New York City. There they are given lavish costumes, false identities and an opportunity to take part in a seductive game. If they accept, using the aliases Grace and Marlowe, they’ll meet each month for a year in a series of secret rendezvous, consequence free. No one will ever know where they go or what they do, as long as they follow three simple rules: 1. they must never know the other’s identity 2. they must only meet at the prearranged times and places 3. they must not fall in love What could possibly go wrong? “You’ll be hooked from the opening scene.” - Victoria Barbour, USA Today Bestselling Author A Selection of Reviews “Masquerade reads like a piece of chocolate after dinner. It goes down smoothly and leaves you craving more.” “Amazing fantasy getaway. Perfect rainy day read!” “Ms. Francis is a skillful storyteller. She quickly captured the attention of this fussy reader and held my interest through to the end.” “Hard to put down.” "Absolutely phenomenal. Each part is better written than the last.” "I enjoyed this book as another fun diversion from my busy life." "It has excellent characterization and I was pulled into the story, intrigued to know what would happen next." "Absolutely love this format of delivery for a book. Oh Masquerade you have my attention now! I voluntarily reviewed this book." "I really like this book. The characters were believable, the story had some mystery and I liked where the series was going to go with the Masquerade themes. I especially liked how this story was 'as long as a glass of wine'. I didn't test that but it was as long as a short stint on the beach. Now I want to see what happens in the next few stories!" "This first instalment hooked me in every way: interesting opening, great detail, fully-fleshed major characters, each with a problematical life situation and minus my pet peeve -- poor editing. This instalment is expertly written AND edited, so there are no grammatical errors or typos to weaken/distract from the story. Kudos to Ms. Francis. I look forward to reading more!" "What a fun escape these first two books are! I just finished part 2 and am left hanging in suspense and anxiously awaiting part 3 to be delivered. This is a unique way to read for me and I love it. Come on part 3!!!!!!!!!"