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This collection of essays was assembled to honor the memory of the late, eminent Voltaire scholar J. Patrick Lee. It includes seventeen essays by prominent scholars from the United States, Canada, the United Kingdom, and France on a variety of topics in French eighteenth-century studies. Essay titles include: “A New Genre: l’Opéra moral / Moral Opera in Eighteenth-Century France,” “Voltaire and the Uses of Censorship: The Example of the Lettres Philosophiques,” “Enlightenment Intertextuality: The Case of Heraldry in the Encyclopédie méthodique,” “Sex as Satire in Voltaire's Fiction,” “Violence, Levity, and the Dictionary in Old Regime France: Chaudon’s Dictionnaire anti-philosophique,” “L’abbé, l’amazone, le bon roi et les frelons,” “Greuze’s Self-Portraits: Figures of Artistic Identity,” “From Forest to Field: Sylvan Elegists of Eighteenth-Century France,” “The Falsification of Voltaire's Letters and the Public Persona of the Author: From the Lettres secrettes (1765) to the Commentaire historique (1776),” “The Baron de Saint-Castin, Bricaire de la Dixmerie, and Azakia (1765),” “John Law and the Rhetoric of Calculation,” “‘Le Roi des Bulgares’: Was Voltaire's Satire on Frederick the Great just too Opaque?” “Voltaire and the Voyage to Rome,” “Textual liaisons: Voltaire, Paméla and Don Quixote,” “Les petits livres du grand homme: polémique et combat philosophique chez Voltaire,” “Sentimental Horror: Enlightenment Tragedy and the Rise of the Genre Terrible,” “Voltaire and the Comic Genre: Polemics and Rhetoric.”
This book is a collection of novels The Absentee, Madame de Fleury, and Emilie de Coulanges by Maria Edgeworth that address issues of nationalism in an Anglo-Irish context and that will be of much use to scholars, students and general readers interested in fictional works. MARIA EDGEWORTH was born in 1768. Her first novel, Castle Rackrent (1800) was also her first Irish tale. The next such tale was Ennui (1809), after which came The Absentee, which began life as an unstaged play and was then published (in prose) in Tales of Fashionable Life (1812), as were several of her other stories. They were followed in 1817 by the last of her Irish tales, Ormond. Maria Edgeworth died in 1849. Edited with an introduction and notes by Marilyn Butler.
"Theory of International Law at the Threshold of the 21st Century" is a remarkable book, and is destined to become a standard work, without which no International Law library will be complete. The essays contained in this volume are written by the foremost experts, and the topics have been chosen with the greatest care, to reflect the most pressing current problems facing the world community. The research and writing made available in this collection will be of enduring worth, and will be studied and quoted for decades to come. It follows in the finest traditions of the major collective works published by Martinus Nijhoff/Kluwer Law International. It is most appropriate that a remarkable book should be dedicated to a remarkable man, and the editor of the volume Professor Jerzy Makarczyk has ensured that the choice of writers, the choice of topics and the quality of the material do indeed honour one of the leading international lawyers of his generation: Professor Krzysztof Skubiszewski.