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All of us are social creatures; we need and want others in our lives. However, too often we feel we dont fit or belong anywhere. When people dont feel they belong or fit in, they misbehave. We have learned how not to behave, and we are very good at it. We need common sense approaches to improving relationships among all age groups and cultures. Common sense approaches, ideas and tried-and-true methods abound in the book. There are stories to tell about real people. Some will make us laugh, and some will make us want to think more deeply about the way we are living our lives and developing long-term relationships. Learning more about ourselves is essential to becoming a happier, better-behaved person. Learning about others through stories, the Four Goals of Misbehavior and family dynamics can lighten the load.
All of us are social creatures; we need and want others in our lives. However, too often we feel we don't fit or belong anywhere. When people don't feel they belong or fit in, they misbehave. We have learned how not to behave, and we are very good at it. We need common sense approaches to improving relationships among all age groups and cultures. Common sense approaches, ideas and tried-and-true methods abound in the book. There are stories to tell about real people. Some will make us laugh, and some will make us want to think more deeply about the way we are living our lives and developing long-term relationships. Learning more about ourselves is essential to becoming a happier, better-behaved person. Learning about others through stories, the Four Goals of Misbehavior and family dynamics can lighten the load.
The Broadway musical has greatly influenced American (and world) culture. Such shows as Oklahoma! and Annie Get Your Gun are as 'American as apple pie,' while the long runs of imports like Cats, The Phantom of the Opera, and Les MisZrables have broken records. Broadway has produced such cultural icons as Ethel Merman, Yul Brynner, and Julie Andrews, and composers and lyricists such as Irving Berlin, George Gershwin, Cole Porter, Richard Rodgers, Oscar Hammerstein, Leonard Bernstein, Stephen Sondheim, Andrew Lloyd Webber, and many others have had their melodies sung on its stages. Visionaries like George Abbott, Agnes de Mille, Jerome Robbins, Bob Fosse, Tommy Tune, and Susan Stroman have brought productions to life through their innovative direction and choreography. Since the latter part of the 19th century, the Broadway musical has remained one of the most popular genres in entertainment and its history is related in detail in The A to Z of the Broadway Musical. Through a chronology, an introductory essay, a bibliography, and 900 dictionary entries on Broadway shows, playwrights, directors, producers, designers, and actors, this handy desk reference offers quick information on the many aspects of the Broadway musical.
African American Theater is a vibrant and unique entity enriched by ancient Egyptian rituals, West African folklore, and European theatrical practices. A continuum of African folk traditions, it combines storytelling, mythology, rituals, music, song, and dance with ancestor worship from ancient times to the present. It afforded black artists a cultural gold mine to celebrate what it was like to be an African American in The New World. The A to Z of African American Theater celebrates nearly 200 years of black theater in the United States, identifying representative African American theater-producing organizations and chronicling their contributions to the field from its birth in 1816 to the present. This is done through a chronology, an introductory essay, a bibliography, and over 500 cross-referenced dictionary entries on actors, directors, playwrights, plays, theater producing organizations, themes, locations, and theater movements and awards.
"It's an incredible honor to be included in this amazing book of the greatest talent the Broadway stage has ever known!" —AUDRA McDONALD, six-time Tony Award-winning actress From Audra McDonald to Liza with a "Z," here is a showstopping alphabet book featuring your favorite leading ladies of the Broadway stage! Step into the spotlight and celebrate a cavalcade of Broadway's legendary ladies. Start with "A" for six-time Tony Award winner Audra McDonald, then sing and dance your way through the alphabet with beloved entertainers like Patti LuPone, Bernadette Peters, Chita Rivera, Lea Salonga, Kristin Chenoweth, Kelli O'Hara, and Liza Minnelli! Broadway fans and theater lovers everywhere will give a standing ovation to this one-of-a-kind tribute full of toe-tapping rhymes, with illustrations as bright and beautiful as the shining lights on any marquee. AND DON'T MISS THE COMPANION BOOK: B IS FOR BROADWAY: ONSTAGE AND BACKSTAGE FROM A TO Z! THE RAVE REVIEWS ARE IN FROM THE STARS THEMSELVES! A wonderful, enriching, enlightening book for theater lovers of all ages . . . and all that jazz!" —CHITA RIVERA, two-time Tony Award-winning actress (The Rink, Kiss of the Spider Woman) "A to Z—awesome to zany—I'm thrilled to be a part of such an illustrious group." —CHRISTINE EBERSOLE, two-time Tony Award-winning actress (42nd Street, Grey Gardens) "I'm so honored to be included among these fierce ladies—brought to life with such fun illustrations—in this wonderful book for little divas like my own!" —LEA SALONGA, Tony Award-winning actress (Miss Saigon) "A is for Audra turns the alphabet song into a show stopper! It is literally a love letter to Broadway's leading ladies, and I am so honored to be memorialized alongside all of my sisters!" —RENÉE ELISE GOLDSBERRY, Tony Award-winning actress (Hamilton) "I'm honored to be included in this illustrious group. A to Z, they are all incredible!" —KRISTIN CHENOWETH, Tony Award-winning actress (You're a Good Man, Charlie Brown) "What a fun and fabulous celebration of the females of Broadway! Imagine my joy just to be a part of it!" —KELLI O’HARA, Tony Award-winning actress (The King and I) “H is also for honored—because that’s what I am to be included in this beautiful book. I can’t wait to show my kids and tell them of all the brilliant leading ladies who have graced the Broadway stage.” —HEATHER HEADLEY, Tony Award–winning actress (Aida) AND CRITICS LOVE IT TOO! "Women of the Broadway theater take center stage in this loving homage. . . . A lively introduction to a whole new cast of heroines."—Kirkus "this is a book all kids (and many adults) will enjoy as they learn about and fall in love with the theatre."—Playbill.com "A true necessity for any kid’s bookshelf."—Entertainment Weekly “a thorough, eye-catching introduction to women of the theater. . . . budding theater lovers will get a thrill.”—Booklist "A sure hit for thespians of all ages."—School Library Journal "Emmerich’s flattering caricatures, paired with [Allman’s] verse, are colorful and slick, bringing Broadway’s drama to the page”—Publishers Weekly
Naming a boat is as personal as naming a baby (even if few male skippers would risk telling the wife that). The culmination of many years of dreaming and penny pinching, the purchase of a boat of any size is a huge event for any sailor, and with that comes serious naming pressure. Many boatowners have a secret fear that someone else got their brilliantly original name first – or ruined it forever by reducing its reputation to snigger-worthy opprobrium. Sometimes it's so difficult to name a boat that skippers are desperate enough to ask the sorts of people who think Boaty McBoatface would be a good choice... The perfect gift for any skipper or would-be skipper, and featuring hundreds of common and uncommon names, this entertaining little book will answer perhaps the most important question new owners should ask themselves: what will this name say about me? And as everyone knows, once you've named a boat, you never ever change it, so it also answers the question: what is my boat name saying about me right now? Names will be categorised (and listed alphabetically within these chapters) as to: - Populist (helpfully yacht insurers release ranked lists of popular names each year, which has revealed some very interesting trends) - Don't Even Go There (they might be uncommon these days, but sometimes there's a good reason for that) - Pun Intended (some reveal a classic wit, others reveal just how many desperate unfunny dullards there are sailing around in yachts called Seas the Day) - A Bit of Pedigree (good names – but probably too classy for you to get away with copying them) - Common as Muck (bad names – Moondancer, Wave Catcher and others that sound like names from a bad children's novel: where they come from, why they're bad, and how to avoid inventing another) - Too Much Information (why using a boat to celebrate a bonus/retirement/divorce/second wife tends to be a bad idea a few months down the road) - The Devil's Own (don't tempt fate by calling your boat Invincible, as the Royal Navy did each time the last one sank/exploded – plus other superstition-violating names) With fascinating history, a fair bit of psychology and a lot of humour, this is the essential guide for all would-be boat owners, and anyone looking for a dad-type gift on Father's Day or Christmas.
This collection of 146 fingerstyle transcriptions and arrangements covers a wide variety of styles including dozens of popular and jazz standards as well as blues and country songs, sea chanteys, folk ballads, sacred, gospel and Christmas melodies, Celtic and patriotic tunes, children's songs, classical and wedding music, and select Piburn originals. the book is designed as a resource for guitarists in virtually any solo performance situation. the result of years of experience as an arranger/composer and performing guitarist, this book provides a goldmine of tunes for the fingerstyle player. from Greensleeves and the Girl I left Behind Me to 'Round Midnight and the Girl from Ipanema, this comprehensive anthology has it all. You'll be able to compile your set lists for a broad array of venues from this single source! Intermediate to advanced in difficulty with all tunes appearing in standard notation and tablature.
“Grammy Award–winning producer Shepard throws open the door to the recording booth in his exuberant and fine-grained debut memoir.... Broadway aficionados will find plenty to enjoy.” - Publishers Weekly RECORDING BROADWAY: A LIFE IN CAST ALBUMS of the making of fifty-plus years’ worth of show albums, featuring up-close-and-personal stories of his work with pretty much everyone who was anyone on Broadway, including Julie Andrews, Leonard Bernstein (“truly awesome but very complicated”), Sheldon Harnick (“as warm and decent as he was talented”), Barbara Cook (“one of my favorites”), Placido Domingo, Gregory Hines, John Kander, Fred Ebb, Danny Kaye, Angela Lansbury (“so gifted and so easy to be with and to work with”), Mandy Patinkin, Bernadette Peters, Chita Rivera, Stephen Sondheim (“a genius, and very easily bruised”), Barbra Streisand (“as professional at 24 as any veteran I’ve ever worked with”), Andrew Lloyd Webber, and many more. Alongside this unforgettable saga is the tale of Shepard’s childhood as a small-in-stature piano prodigy from East Orange, New Jersey, and his emergence into the world as a recording producer of, first, classical music and then Broadway cast recordings. Told with verve in Shepard’s inimitable voice— a striking combination of Broadway glitz and classical-music elegance—his journey makes for a uniquely compelling story, whether or not you’re among the millions of musical lovers around the world for whom his recordings are a vital link to Broadway at its best.