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Limited to 900 numbered copies of which this is one of 700 printed by hand at the Kotinos Press in Athens, Greece. Issued in conjunction with the 30th Anniversary of Oak Knoll and containing a biographical introduction by its proprietor, Robert Fleck. Konstantinos Staikos has become more than an author to Oak Knoll; he is our Greek friend who represents all that we admire most in this book world of ours. In addition to being a noted architect he has found time to write many significant texts on the history of libraries, form an important book collection, purchase and save a Greek letter-press printing company (which printed this book), establish a noted publishing house and develop a web based information resource for the study of library history. In this essay you will find his view of the development of the library and the impact it has had on mankind. You will read how the book and the knowledge it transmits has affected his life. You will feel his great love of books. You will read all this in a beautifully prepared book printed and bound by hand in the oldest tradition of fine craftsmanship.
This book tackles the questions girls have about their bodies and their looks. Author Helen Cordes asked dozens of girls around the country how they feel about themselves. She shares their revelations and a few of her own, providing new insight into what girls see in the mirror, and ultimately, within themselves.
An unhappy teenage girl, unable to cope with problems at home and at school, suffers an accidental blow on the head and is transported 3000 years back in time to another existence in ancient Egypt.
A thrilling gothic horror novel about biracial twin sisters separated at birth, perfect for fans of Lovecraft Country and The Vanishing Half As infants, twin sisters Charlie Yates and Magnolia Heathwood were secretly separated after the brutal lynching of their parents, who died for loving across the color line. Now, at the dawn of the Civil Rights Movement, Charlie is a young Black organizer in Harlem, while white-passing Magnolia is the heiress to a cotton plantation in rural Georgia. Magnolia knows nothing of her racial heritage, but secrets are hard to keep in a town haunted by the ghosts of its slave-holding past. When Magnolia finally learns the truth, her reflection mysteriously disappears from mirrors—the sign of a terrible curse. Meanwhile, in Harlem, Charlie's beloved grandmother falls ill. Her final wish is to be buried back home in Georgia—and, unbeknownst to Charlie, to see her long-lost granddaughter, Magnolia Heathwood, one last time. So Charlie travels into the Deep South, confronting the land of her worst nightmares—and Jim Crow segregation. The sisters reunite as teenagers in the deeply haunted town of Eureka, Georgia, where ghosts linger centuries after their time and dangers lurk behind every mirror. They couldn’t be more different, but they will need each other to put the hauntings of the past to rest, to break the mirrors’ deadly curse—and to discover the meaning of sisterhood in a racially divided land.
Papers given at a conference, 'Marsh's Library: a mirror on the world', 18th - 20th October 2007, in the library.
An exploration of Spanish culture in Spain and the Americas traces the social, political, and economic forces that created that culture.
The stolen snapshot is a staple of the modern tabloid press, as ubiquitous as it is notorious. The first in-depth history of British tabloid photojournalism, this book explores the origin of the unauthorised celebrity photograph in the early 20th century, tracing its rise in the 1900s through to the first legal trial concerning the right to privacy from photographers shortly after the Second World War. Packed with case studies from the glamorous to the infamous, the book argues that the candid snap was a tabloid innovation that drew its power from Britain's unique class tensions. Used by papers such as the Daily Mirror and Daily Sketch as a vehicle of mass communication, this new form of image played an important and often overlooked role in constructing the idea of the press photographer as a documentary eyewitness. From Edward VIII and Wallis Simpson to aristocratic debutantes Lady Diana Cooper and Margaret Whigham, the rage of the social elite at being pictured so intimately without permission was matched only by the fascination of working class readers, while the relationship of the British press to social, economic and political power was changed forever.Initially pioneered in the metropole, tabloid-style photojournalism soon penetrated the journalistic culture of most of the globe. This in-depth account of its social and cultural history is an invaluable source of new research for historians of photography, journalism, visual culture, media and celebrity studies.