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"This collection features 45 monologues excerpted from contemporary plays and specially geared for actors of color. Robert Uno has carefully selected the monologues so that there is a wide-range of ethnicities included: African American, Native American, Latino and Asian American. Each monologue comes with an introduction with notes on the characters and stage directions to set the scene for the actor."--Publisher.
Cherr’e Moraga, Migdalia Cruz, Caridad Svich, Josefina Lopez , Edit Villarreal and Diana S‡ena are in the vanguard of contemporary Hispanic women playwrights in the United States. The voices of three generations of Hispanic women are heard in these plays as the women explore their bicultural heritage, articulating what it means to be a Hispanic woman and, in essence, shattering the myths that have been associated with that heritage. The plays of Shattering the Myth illuminate a feminine language rich with texture and character, a language that has far too long been hidden from this countryÕs cultural tapestry. Opening the anthology is an introduction by Linda Feyder which provides background on the playwrights and their works. The plays in the collection were chosen by noted playwright and novelist Denise Ch‡vez.
Rachel, a young Jewish girl living in Nazi-occupied Warsaw, struggles to survive with her family and maintains hope by painting colorful flowers on her dingy apartment walls.
Easily cultivate wildflowers in your own garden ... and have a year-after-year supply of gorgeous flowers at your fingertips. Wildflower farmer and floral designer Miriam Goldberger is here to show you how.--
Elizabeth C. Ramírez's study reveals the traditions of Chicanas/Latinas in theatre and performance, showing how Latina/Latino theatre has evolved from its pre-Columbian, Spanish, and Mexican origins to its present prominence within American theatre history. This project on women in performance serves the need for scholarship on the contributions of underrepresented groups in American theatre and education, in cultural studies and the humanities, and in American and world history.
A brilliantly researched and exquisitely told tale of love, death, and heartbreak which explores some of the most important and devastating events of twentieth-century Europe. Miriam Rabin, a bright, headstrong young woman, grows up in North Wales in the early years of the twentieth century determined to make the most of her life. Her ambitions are thwarted after her mother’s death and she seems destined to live out her days as the obscure wife of a hill farmer, although her political beliefs provide her with some respite. In her early thirties, though, a major tragedy changes her life forever. Suddenly Miriam – alongside her equally headstrong sister Esther – finds herself fighting against Franco’s forces in the Spanish Civil War. Circumstances then lead her to Russia at the turn of World War II, where she becomes an officer in Stalin’s feared secret police, the NKVD ... Miriam’s fervour, passions, heartbreak, and determination lead her along a risky path through the most troubled times of the last hundred years. And, when the future looks ever more uncertain, what becomes of the loved ones she left behind?
Originally published in Italian as L'orizzonte mobile: spazio e luoghi nella narrativa di D.H. Lawrence in 1998, this critical study analyzes the work of D.H. Lawrence in light of new theories about space and location, or place and community. This approach is especially useful in examining Lawrence, as place and space are central aspects of all of his work. The introductory chapter explains the theoretical premises, drawing extensively from anthropology especially insofar as the relationship between culture and nature or community and place are concerned. This chapter also offers theories based on semiotics, sociological concerns and recent research in human geography and environmentalism. Succeeding chapters analyze functional aspects of place and space in D.H. Lawrence's work. Lawrence's major novels and stories provide the main focus of this book, but attention is also paid to lesser-known texts, both fiction and nonfiction. This work provides a new approach to studies on D.H. Lawrence, opening up new insights for both scholars and students alike.