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America is haunted. Ghosts from its violent history--the genocide of Indigenous peoples, slavery, the threat of nuclear annihilation, and traumatic wars--are an inescapable and unsettled part of the nation's heritage. Not merely in the realm of metaphor but present and tangible, urgently calling for contact, these otherworldly visitors have been central to our national identity. Through times of mourning and trauma, artists have been integral to visualizing ghosts, whether national or personal, and in doing so have embraced the uncanny and the inexplicable. This stunning catalog, accompanying the first major exhibition to assess the spectral in American art, explores the numerous ways American artists have made sense of their own experiences of the paranormal and the supernatural, developing a rich visual culture of the intangible. ​Featuring artists from James McNeill Whistler and Kerry James Marshall to artist/mediums who made images with spirits during séances, this catalog covers more than two hundred years of the supernatural in American art. Here we find works that explore haunting, UFO sightings, and a broad range of experiential responses to other worldly contact.
Traces Minnesota's architectural development in eight regions of the state from territorial days to the present and outlines tours of the state's landmarks. A perfect companion for sight-seeing trips.
"Gordon Parks's spectacular rise from poverty, personal hardships, and outright racism is astounding and inspiring." --from the foreword by Wing Young Huie
A retrospective and creatively collaborative review of this international feminist conceptual artist Young women victims of a garment factory fire in New York in 1911. An autobiographical progression through stages of womanhood. American veterans killed in Iraq. A giant trough filled with books and surrounded by an urban cornfield. The subjects of Harriet Bart's art are as varied as the media and genres in which she works--sculpture, installation, textiles, painting, drawing, artist's books. Harriet Bart: Abracadabra and Other Forms of Protection is a comprehensive look at the prolific and dynamic career of this international feminist conceptual artist. A founder of the Women's Art Registry of Minnesota (WARM, a nationally recognized feminist art collective in the Twin Cities) and of the Traffic Zone Center for Visual Art in Minneapolis, Bart has sought deep and evocative expressions of memory through several decades of innovative artistic creation and collaboration. This book, which accompanies the first retrospective exhibition of her work at the Weisman Art Museum in 2020, features poetry and prose contributions by significant writers, artists, and curators who have been influenced by her art. Contributors: Betty Bright; Stephen Brown, Jewish Museum; Robert Cozzolino, Minneapolis Institute of Art; Elizabeth Erickson; Heather Everhart; Nor Hall; Matthea Harvey, Sarah Lawrence College; Joanna Inglot, Macalester College; Lyndel King, Weisman Art Museum; Eric Lorberer, Rain Taxi; Jim Moore, Hamline U; Diane Mullin, Weisman Art Museum; Samantha Rippner; Joan Rothfuss; John Schott; Sun Yung Shin; Susan Stewart, Princeton U.
A must-have reference book for today's artists and art students. Every artist needs to learn and master the still life. Written by a well-known artist and expert instructor, The Art of Still Life offers a comprehensive, contemporary approach to the subject that instructs artists on the foundation basics and advanced techniques they need for successful drawing and painting. In addition to Casey's stunning paintings, the work of over fifty past and present masters is included, so that the book will do double duty as a hardworking how-to manual and a visual treasure trove of some of the finest still life art throughout history and being created today.
This catalogue is published in conjunction with the exhibition Covered in Time and History: The Films of Ana Mendieta, organized by Lynn Lukkas and Howard Oransky for the Katherine E. Nash Gallery at the University of Minnesota.
Turning walls of a city into a giant sized painting is an idea that has been kicking around in history for a long, long time. This book documents mural art in both rural and urban Minnesota. These mural have been created by professional artists as well as sign painters and neighborhood amateurs who paint a wall as a group activity. After a recap of the history of mural painting Moira Harris maps out where each of the murals are with the photographic display. Brief biographies are included for the muralists that were known.
"Women have long been the creative force behind Native American art, yet their individual contributions have been largely unrecognized, instead treated as anonymous representations of entire cultures. 'Hearts of Our People: Native Women Artists' explores the artistic achievements of Native women and establishes their rightful place in the art world. This lavishly illustrated book, a companion to the landmark exhibition, includes works of art from antiquity to the present, made in a variety of media from textiles and beadwork to video and digital arts. It showcases more than 115 artists from the United States and Canada, spanning over one thousand years, to reveal the ingenuity and innovation fthat have always been foundational to the art of Native women."--Page 4 of cover.
From rugged Japanese firemen's ceremonial robes and austere rural work-wear to colorful, delicately-patterned cotton kimonos, this lavishly illustrated volume explores Japan's rich tradition of textiles. Textiles are an eloquent form of cultural expression and of great importance in the daily life of a people, as well as in their rituals and ceremonies. The traditional clothing and fabrics featured in this book were made and used in the islands of the Japanese archipelago between the late 18th and the mid 20th century. The Thomas Murray collection featured in this book includes daily dress, work-wear, and festival garb and follows the Arts and Crafts philosophy of the Mingei Movement, which saw that modernization would leave behind traditional art forms such as the hand-made textiles used by country people, farmers, and fisherman. It presents subtly patterned cotton fabrics, often indigo dyed from the main islands of Honshu and Kyushu, along with garments of the more remote islands: the graphic bark cloth, nettle fiber, and fish skin robes of the aboriginal Ainu in Hokkaido and Sakhalin to the north, and the brilliantly colored cotton kimonos of Okinawa to the far south. Numerous examples of these fabrics, photographed in exquisite detail, offer insight into Japan's complex textile history as well as inspiration for today's designers and artists. This volume explores the range and artistry of the country's tradition of fiber arts and is an essential resource for anyone captivated by the Japanese aesthetic.