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Looks at the lives, loves, and losses of the residents of the village of Neawanaka, Oregon.
From a "born storyteller" (Seattle Times), this playful and moving bestselling book of essays invites us into the miraculous and transcendent moments of everyday life. When Brian Doyle passed away at the age of sixty after a bout with brain cancer, he left behind a cult-like following of devoted readers who regard his writing as one of the best-kept secrets of the twenty-first century. Doyle writes with a delightful sense of wonder about the sanctity of everyday things, and about love and connection in all their forms: spiritual love, brotherly love, romantic love, and even the love of a nine-foot sturgeon. At a moment when the world can sometimes feel darker than ever, Doyle's writing, which constantly evokes the humor and even bliss that life affords, is a balm. His essays manage to find, again and again, exquisite beauty in the quotidian, whether it's the awe of a child the first time she hears a river, or a husband's whiskers that a grieving widow misses seeing in her sink every morning. Through Doyle's eyes, nothing is dull. David James Duncan sums up Doyle's sensibilities best in his introduction to the collection: "Brian Doyle lived the pleasure of bearing daily witness to quiet glories hidden in people, places and creatures of little or no size, renown, or commercial value, and he brought inimitably playful or soaring or aching or heartfelt language to his tellings." A life's work, One Long River of Song invites readers to experience joy and wonder in ordinary moments that become, under Doyle's rapturous and exuberant gaze, extraordinary.
"Dave is fourteen years old, living with his family in a cabin on Oregon's Mount Hood (or as Dave prefers to call it, like the Native Americans once did, Wy'east). He is entering high school, adulthood on the horizon not far off in distance, and contemplating a future away from his mother, father, and his precocious younger sister. And Dave is not the only one approaching adulthood and its freedoms on Wy'east that summer. Martin, a pine marten (a small animal of the deep woods, of the otter/mink family), is leaving his own mother and siblings and setting off on his own as well"--
Declan O Donnell has sailed out of Oregon and deep into the vast, wild ocean, having had just finally enough of other people and their problems. He will go it alone, he will be his own country, he will be beholden to and beloved of no one. No man is an island, my butt, he thinks. I am that very man. . . . But the galaxy soon presents him with a string of odd, entertaining, and dangerous passengers, who become companions of every sort and stripe. The Plover is the story of their adventures and misadventures in the immense blue country one of their company calls Pacifica. Hounded by a mysterious enemy, reluctantly acquiring one new resident after another, Declan O Donnell's lonely boat is eventually crammed with humor, argument, tension, and a resident herring gull. Brian Doyle's The Plover is a sea novel, a maritime adventure, the story of a cold man melting, a compendium of small miracles, an elegy to Edmund Burke, a watery quest, a battle at sea---and a rapturous, heartfelt celebration of life's surprising paths, planned and unplanned.
Under the Mink paints a picture of the lesbian and gay subculture of New York--complete with gangsters, crooked cops, and notorious madams--while paying tribute to the code of honor among the fringe dwellers of the pre-Stonewall era. - Derived from book cover.
American mink have beautiful, thick, glossy fur. At one time, many were exported to other countries where farmers raised them for their fur. Find out what happened to native species when fur went out of fashion and many minks were released into the wild.
Something was approaching the burrow. Something deadly. Something that made Sylvan's fur bristle with fear. Knowing their lives are under threat, Sylvan and his brother and sisters have no choice but to abandon their burrow for ever. Together they set out on an epic journey along the Great River; but with dangers lurking at every turn, will they ever find a safe place to call home?
In this remarkable collection of essays, acclaimed writer Brian Doyle offers “resurrections, restorations, reconsiderations, appreciations, enthusiasms, headlong solos, laughing prayers, imaginary meetings with most unusual and most interesting men.” Geographically and chronologically diverse—Plutarch of Greece; William Blake of England; Robert Louis Stevenson of Scotland; James Joyce and Van Morrison of Ireland; and others—Doyle sees them as men of “immense spiritual substance, prayerful fury, enormous grace,” men concerned with “the moral grapple” and “the sinuous crucial puzzle of love.” In telling the stories of these talented, troubled, and extraordinary men, Doyle discerns clues about how to be a good man, headlong in the pursuit of love and capable of greatness.
This lyrical tale of a young man’s first foray into adulthood offers “a moving ode to the city of Chicago and the singular nature of its people” (Booklist, starred review) On the last day of summer, a young college grad moves to Chicago and rents a small apartment on the north side of the city, by the lake. This is the story of the five seasons he lives there in the late 1970s, during which he meets gangsters, gamblers, policemen, a brave and garrulous bus driver, a cricket player, a librettist, his first girlfriend, a shy apartment manager, and many other riveting souls, not to mention a wise and personable dog of indeterminate breed. A love letter to Chicago, the Great American City, and a wry account of a young man’s coming-of-age during the one summer in White Sox history when they had the best outfield in baseball, Chicago is a novel that will plunge you into a city you will never forget and may well wish to visit for the rest of your days.
Called the best essayist of his time by luminaries like Philip Roth, John Updike, and Edward Abbey, Edward Hoagland brings readers his ultimate collection. In Sex and the River Styx, the author's sharp eye and intense curiosity shine through in essays that span his childhood exploring the woods in his rural Connecticut, his days as a circus worker, and his travels the world over in his later years. Here, we meet Hoagland at his best: traveling to Kampala, Uganda, to meet a family he'd been helping support only to find a divide far greater than he could have ever imagined; reflecting on aging, love, and sex in a deeply personal, often surprising way; and bringing us the wonder of wild places, alongside the disparity of losing them, and always with a twist that brings the genre of nature writing to vastly new heights. His keen dissection of social realities and the human spirit will both startle and lure readers as they meet African matriarchs, Tibetan yak herders, circus aerialists, and the strippers who entertained college boys in 1950s Boston. Says Howard Frank Mosher in his foreword, the self-described rhapsodist "could fairly be considered our last, great transcendentalist."