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Jane Austen's novels are not only still widely read, but they also continue to influence modern film and literature. In both their moral content and their focused, highly detailed, miniaturist execution, they reveal Austen's master of the art of fiction and her concern for Christian virtues exercised within communities. Her sharp wit and sense of irony entertain, edify, and challenge both men and women alike. From theological and literary angles, Leithart unpacks both character and theme while summarizing each of Austen's major works. For all who desire a richer appreciation of her enduring genius, Leithart offers a hearthside seat.
Read the Stories of Eight Remarkable Women and Their Vital Contributions to Church History Throughout history, women have been crucial to the growth and flourishing of the church. Historian Michael A. G. Haykin highlights the lives of eight of these women who changed the course of history, showing how they lived out their unique callings despite challenges and opposition—inspiring modern men and women to imitate their godly examples today. Jane Grey: The courageous Protestant martyr who held fast to her conviction that salvation is by faith alone even to the point of death. Anne Steele: The great hymn writer whose work continues to help the church worship in song today. Margaret Baxter: The faithful wife to pastor Richard Baxter who met persecution with grace and joy. Esther Edwards Burr: The daughter of Jonathan Edwards whose life modeled biblical friendship. Anne Dutton: The innovative author whose theological works left a significant literary legacy. Ann Judson: The wife of Adoniram Judson and pioneer missionary in the American evangelical missions movement. Sarah Edwards: The wife of Jonathan Edwards and model of sincere delight in Christ. Jane Austen: The prolific novelist with a deep and sincere Christian faith that she expressed in her stories.
The first book to investigate Jane Austen's popular significance today, Everybody's Jane considers why Austen matters to amateur readers, how they make use of her novels, what they gain from visiting places associated with her, and why they create works of fiction and nonfiction inspired by her novels and life.The voices of everyday readers emerge from both published and unpublished sources, including interviews conducted with literary tourists and archival research into the founding of the Jane Austen Society of North America and the exceptional Austen collection of Alberta Hirshheimer Burke of Baltimore.Additional topics include new Austen portraits; portrayals of Austen, and of Austen fans, in film and fiction; and hybrid works that infuse Austen's writings with horror, erotica, or explicit Christianity.Everybody's Jane will appeal to all those who care about Austen and will change how we think about the importance of literature and reading today.
A comprehensive look at the academic criticism of Jane Austen from her time down to the present. Among the most important English novelists, Jane Austen is unusual because she is esteemed not only by academics but by the reading public. Her novels continue to sell well, and films adapted from her works enjoy strong box-officesuccess. The trajectory of Austen criticism is intriguing, especially when one compares it to that of other nineteenth-century English writers. At least partly because she was a woman in the early nineteenth century, she was longneglected by critics, hardly considered a major figure in English literature until well into the twentieth century, a hundred years after her death. Yet consequently she did not suffer from the reaction against Victorianism thatdid so much to hurt the reputation of Dickens, Tennyson, Arnold, and others. How she rose to prominence among academic critics - and has retained her position through the constant shifting of academic and critical trends - is a story worth telling, as it suggests not only something about Austen's artistry but also about how changes in critical perspective can radically alter a writer's reputation. Laurence W. Mazzeno is President Emeritus of Alvernia University, Reading, Pennsylvania.
Constancy and the Ethics of Jane Austen's Mansfield Park offers a rigorous philosophical examination of the novel, the first book-length, close reading to do so.
One rainy day, years ago, a little girl named Lucy discovered that the back of a wardrobe isn't always just the back of a wardrobe. Sometimes, it's a door into another world.In Lucy's case, that other world was called Narnia, and though she was among the first to enter it, she was by no means the last. Millions of children (young and old) have followed her there and met its strange but wonderful inhabitants--Mr. Tumnus, Reepicheep, and Puddleglum, among others. But the lessons of Narnia don't just belong to the world of fiction and fantasy. We may never meet fawns, talking mice, or marshwiggles in our ordinary lives, but the lessons they teach in The Chronicles of Narnia are the very lessons we need to fight the battles we face in our everyday lives. Douglas Wilson begins this series of meditations on C.S. Lewis's The Chronicles of Narnia with the observation, "This is not intended to be an introduction to Narnia at all, but is rather more like a conversation between good friends about some other good friends, talking about what a good time we all had and why." Wilson highlights the practical themes of mature, Christian living that emerge from these classic tales--nobility, confession, complete grace--a joyful contrast to the thinness of modern life. A must for any Narnia fan, young or old.
How could a conservative Christian-an ordained minister with a beard, no less-be against not only Christianity, but theology, sacraments, and ethics as well? Yet that is the stance Peter Leithart takes in this provocative "theological bricolage." Seeking to rethink evangelical notions of culture, church, and state, Leithart offers a series of short essays, aphorisms, and parables that challenge the current dichotomies that govern both Christian and non- Christian thinking about church and state, the secular and the religious. But his argument isn't limited to being merely "against." Leithart reveals a much larger vision of Christian society, defined by the stories, symbols, rituals, and rules of a renewed community-the city of God.
The essays collected in Jane Austen and the Arts; Elegance, Propriety, and Harmony examine Austen’s understanding of the arts, her aesthetic philosophy, and her role as artist. Together, they explore Austen’s connections with Edmund Burke, Adam Smith, Johann Wolfgang von Goethe, Madame de Staël, Joanna Baillie, Jean Jacques Rousseau, Mary Anne Schimmelpenninck, and other writers engaged in debates on the sensuous experience and the intellectual judgment of art. Our contributors look at Austen’s engagement with diverse art forms, painting, ballet, drama, poetry, and music, investigating our topic within historically grounded and theoretically nuanced essays. They represent Austen as a writer-thinker reflecting on the nature and practice of artistic creation and considering the social, moral, psychological, and theological functions of art in her fiction. We suggest that Austen knew, modified, and transformed the dominant aesthetic discourses of her era, at times ironically, to her own artistic ends. As a result, a new, and compelling image of Austen emerges, a “portrait of a lady artist” confidently promoting her own distinctly post-enlightenment aesthetic system.