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In Paradise Lost (1667), Milton produced the most magnificent poetic account ever written of the biblical Fall of man. In this wide-ranging study, William Poole presents a comprehensive analysis of the origin, evolution, and contemporary discussion of the Fall, and the way seventeenth-century authors, particularly Milton, represented it. Poole first examines the range and depth of early modern thought on the subject, then explains and evaluates the basis of the idea and the intellectual and theological controversies it inspired from early Christian times to Milton's own century. The second part of the book delves deeper into the development of Milton's own thought on the Fall, from the earliest of his poems, through his prose, to his mature epic. Poole distinguishes clearly for the first time the range and complexity of contemporary debates on the Fall of man, and offers many insights into the originality and sophistication of Milton's work.
John Milton produced the most magnificent poetic account ever written of the biblical Fall of man in Paradise Lost (1667). William Poole presents a comprehensive analysis of the origin, evolution, and contemporary debate on the Fall, and the way seventeenth-century authors, particularly Milton, represented it. Poole first examines the range and depth of early modern thought on the subject, then explains and evaluates the basis of the idea and the intellectual and theological controversies it inspired from early Christian times to Milton's own century.
Logic of the Fall is the first book to examine the formal logical properties of central speeches and dialogues in Paradise Lost, according to John Milton's formulae, principles, and concerns in his own Art of Logic. In so doing, this book offers unconventional but cogent readings of this poem's central issues: the respective roles and responsibilities of Adam and Eve; the method of Satan's engineering of the Fall (and on who falls first); the causative properties of the Fall and the issue of culpability; and Milton's ultimate legacy for his readership. The Fall of humankind in Paradise Lost is not due to passion or will over reason, but rather to «pure reason» over «right reason.»
Engendering the Fall argues that early seventeenth-century women's writing influenced Paradise Lost, while later seventeenth-century texts reworked central aspects of Milton's epic in order to reconfigure the politically resonant gendered hierarchy laid out by the story of the Fall.
An accessible, helpful guide for any student of Milton, whether undergraduate or graduate, introducing readers to the scope of Milton's work, the richness of its historical relations, and the range of current approaches to it. This second edition contains several new and revised essays, reflecting increasing emphasis on Milton's politics, the social conditions of his authorship and the climate in which his works were published and received, a fresh sense of the importance of his early poems and Samson Agonistes, and the changes wrought by gender studies on the criticism of the previous decade. By contrast with other introductions to Milton, this Companion gathers an international team of scholars, whose informative, stimulating and often argumentative essays will provoke thought and discussion in and out of the classroom. The Companion's reading lists and extended bibliography offer readers the necessary tools for further informed exploration of Milton studies.
Author C. S. Lewis examines John Milton's "Paradise Lost" and the epic genre, discussing epic technique, subject matter, and style and the elements of Milton's story.
This authoritative edition was originally published in the acclaimed Oxford Authors series under the general editorship of Frank Kermode. It brings together a unique combination of Milton's poetry and prose - all the English verse together with a generous selection from the major prosewritings - to give the essence of his work and thinking.Milton's influence on English poetry and criticism has been incalculable, and this edition covers the full range of his poetic and political output. It includes Paradise Lost, Paradise Regained, and Samson Agonistes as well as major prose works such as Areopagitica and The Tenure of Kings andMagistrates. As well as all the English and Italian verse, the volume includes most of the Latin and Greek verse in parallel translation. Spelling has been modernized, and the poems are arranged in order of publication, essential to an understanding of the progress of Milton's career in relationto the political and religious upheavals of his time. The extensive notes cover syntax, vocabulary, historical context, and biblical and classical allusions. The introduction traces both Milton's changing conception of his own vocation, and the critical reception his work has received over the pastfour centuries.