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In Milo’s Burden, A wooden carving is brought to life by the ancient and forgotten Lifefire. But the new-born woman, Malissa, has a terrible flaw: her only emotion is rage. It feeds the power that surges through her and will not let her rest until she holds the entire world in a vicious death grip. The crew of the Pride and the inhabitants of mythical Uamh struggle to thwart her plans. In a bloody battle, Captain Oprum is taken prisoner and all else is put aside to rescue him. Milo, the young boy who animated Malissa, has inadvertently upset the forces of Lifefire and sundered its delicate balance. With his sister and her friend, and an old man and his mangy dog, he must travel deep within the mountains to discover the secrets of Lifefire before rage rules the world.
Flotsy is cursed. Dark, violent visions assault her dreams, visions that foresee the future. For a young girl in a small fishing village this is taboo. At seventeen, she boards a bus to somewhere no one knows of her and her curse. The city is at once alarming and exciting, and her visions are quiescent for a time. All too soon, they erupt again, and she is driven from place to place craving that short respite when she first arrives. At last she finds a modicum of peace in the Arizona desert, but her fragile tranquility is shattered by the sudden appearance of Joe, also cursed: he must do whatever the voice in his head demands, and it now demands that he join forces with Flotsy. They must thwart a powerful, psychotic man from stealing the water of a vital aquifer. Abruptly, Flotsy is shattered by a vision. An entity immobilizes her with its intensity and extreme need to make itself understood. Worse, its plea is intertwined with Joe’s absurd demand. Flotsy sees things she can’t control; Joe does things he can’t control. What could they possibly do together?
Containing three novels and a short story, "A Singular Family" is a single-volume compilation of the entire love story of Rosacoke Mustian and Wesley Beavers.
Prepare to fall in love 'A future classic' Clare Mackintosh 'We were hooked . . . Brilliant!' Heat 'Have a box of tissues at the ready' Daily Express 'A life-affirming read' Good Housekeeping 'You'll fall in love with Milo!' Company 'Sharp, funny and hugely moving' Fabulous 'Might restore your faith in human nature' Bella 'Absolutely delightful' Novelicious If you loved The Curious Incident of the Dog in the Night-Time or The Trouble With Goats and Sheep this is the book for you. You Found Me by Virginia Macgregor is OUT NOW ******************************************** Nine-year-old Milo Moon has retinitis pigmentosa: his eyes are slowly failing, and he will eventually go blind. But for now he sees the world through a pin hole and notices things other people don't. When Milo's beloved gran succumbs to dementia and moves into a nursing home, Milo soon realises there's something wrong at the home. So with just Tripi, the nursing home's cook, and Hamlet, his pet pig, to help, Milo sets out on a mission to expose the nursing home... MORE PRAISE FOR VIRGINIA MACGREGOR... 'Will delight you but break your heart several times over' Sun 'I couldn't put this insightful, compelling novel down' Woman & Home 'Deeply satisfying' Sarra Manning, Red 'Sharp, funny and hugely moving . . . a must read' Fabulous 'Warm, wise and insightful' Good Housekeeping 'Beautifully written and thought-provoking, this is a brilliant read' Sun 'This wonderful story will tear at your heart.' My Weekly 'Brilliant!' Heat 'A poignant and very clever read' Company 'A truly heart-warming story of family, love and loyalty' Daily Express 'An astonishingly brilliant novel' Australian Women's Weekly 'A touching look at the meaning of motherhood' Good Housekeeping 'A challenging and moving story about the power of love' Image 'Absolutely delightful . . . Everyone should read this book!' Novelicious 'Written with plenty of heart' Sunday Mirror 'An emotional and powerful family drama' Heat 'So engaging and powerful' Press Association 'Layered and lyrical' Irish Independent
On its initial publication in 1962, Eudora Welty said of A Long and Happy Life, "Reynolds Price is the most impressive new writer I've come across in a long time. His is a first-rate talent and we are lucky that he has started so young to write so well. Here is a fine novel." From its dazzling opening page, which announced the appearance of a stylist of the first rank, to its moving close, this brief novel has charmed and captivated millions of readers since its publication twenty-five years ago and its subsequent translation into fifteen languages. On the triumphant publication of Kate Vaiden, his most recent novel, in 1986, there was almost no review that -- praising the new book to the skies -- didn't also mention in glowing terms the reviewer's fond recollection of the marvelous first novel, the troubled love story of Rosacoke Mustian and Wesley Beavers and its beautifully evoked vision of rural North Carolina. It is a pleasure now to restore to print the clothbound edition of this truly enduring work as a companion volume to his brilliant book of essays, A Common Room, published simultaneously.
NEW YORK TIMES BESTSELLER By the time psychologist Dr. Alex Delaware reached the school the damage was done: A sniper had opened fire on a crowded playground, but was gunned down before any children were hurt. “Virtually impossible to put aside until the final horrifying showdown.”—People While the TV news crews feasted on the scene and Alex began his therapy sessions with the traumatized children, he couldn’t escape the image of a slight teenager clutching an oversized rifle. What was the identity behind the name and face: a would-be assassin, or just another victim beneath an indifferent California sky? Intrigued by a request from the sniper’s father to conduct a “psychological autopsy” of his child, Alex begins to uncover a strange pattern—it is a trail of blood. In the dead sniper’s past was a dark and vicious plot. And in Alex Delaware’s future is the stuff of grown-up nightmares: the face of real human evil. BONUS: This edition contains an excerpt from Jonathan Kellerman's Guilt.
From a Washington Post critic and self-described meathead: a witty, incisive, poignant exploration of male body image, from the history of the gym to the politics of superheroes to the world of manfluencers Michael Brodeur is a Gen-X gay writer with a passion for bodybuilding and an insatiable curiosity about masculinity--a concept in which many men are currently struggling to find their place. In our current moment, where "manfluencers" on TikTok tease their audiences with their latest videos, where right-wing men espouse the importance of being "alpha," as toxic masculinity and the patriarchy are being rightfully criticized, the nature of masculinity has become murkier than ever. In excavating this complex topic, Brodeur uses the male body as his guide: its role in cultures from the gymnasia of ancient Greece to Walt Whitman's essays on manly health, from the rise of Muscular Christianity in 19th-century America to the swollen superheroes and Arnold Schwarzeneggers of Brodeur's childhood. Interweaving history, cultural criticism, memoir, and reportage, laced with an irrepressible wit, Brodeur takes us into the unique culture centered around men's bodies, probing its limitations and the promise beyond: how men can love themselves while rejecting the aggression, objectification, and misogyny that have for so long accompanied the quest to become swole.
Cultural-Historical Activity Theory (CHAT) and other Vygotskian approaches are becoming increasingly popular among social scientists interested in studying human actions, thoughts and emotions in their cultural contexts. Building on non-dualist, dialectical materialist epistemological premises, these approaches, however, can pose important challenges to the scholar and the student aiming at first adopting them in their research. What are the concrete, method-related implications of CHAT perspectives for the way we do research in the field? Showcasing the work of well-established as well as emerging CHAT scholars, this volume presents from-the-field insights of non-dualist CHAT methodology for both newcomers and the initiated. Contributors are: Sylvie Barma, Michael Cole, Patricia Dionne, Philip Dupuis-Laflamme, Ritva Engeström, Beth Ferholt, Alfredo Jornet, Isabelle Rioux, Frédéric Saussez, Chris Schuck, Anna Stetsenko, Marie-Caroline Vincent and Samantha Voyer.
As Zin Mignon approached his father’s grave, he buckled in shock. Moments later, he asked, “Mom, who would do such a thing? Dad was just a simple guy who ran a little deli. I mean… Wasn’t he?” Thus begins the fourth book of Zin Mignon, the 13 year-old Chef Extraordinaire. He’s back in Brooklyn, with new recipes and a quest to finally uncover his family history. Ah… but if only his sleuthing skills matched his cooking prowess. So far, Michael Daswick’s sprawling Series has seen young Zin gnaw his way towards the core of his rotten family history: rat-roasting in homeless camps; the squalid orphanages of Russia; Gypsy caves of the Steppes; the Glam of the Sunset Strip; the reclusive mountaintop Abbey of the mysterious Mustard Monks, who conceal their secrets like prized Russian caviar. Join Zin in his most fantastical world-spanning adventure yet. But be warned: food will never taste the same again. In this epic conclusion, the Truth is Served. Will Zin be elated to finally uncover his family saga? Or utterly dashed into doom? Neither Zin, nor the reader, ever expected a shocker like this. And by the way…Who the heck are the Mustard Monks?
Violence, Justice, and Law in Classical Antiquity collects together forty-three of Andrew Lintott’s most significant papers. Lintott’s corpus of work exposes the fundamental reliance of ancient Romans (and Greeks) on violent measures, including their readiness to resort to violence in the manner of judicial “self-help” or political tyrannicide. The legitimation of violence in Roman culture and Roman political discourse informs the nature of Roman imperialism, and equally it is impossible to understand the illegitimate violence which characterised the political collapse of the Roman Republic without understanding its deep roots in the intellectually legitimised and legally sanctioned violence of Roman society.