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String band music is most commonly associated with the mountains of North Carolina and other rural areas of the Blue Ridge and Appalachian mountains, but it was just as abundant in Piedmont region of North Carolina, albeit with different influences and stylistic conventions. This work focuses exclusively on the history and culture of the area, the music's development and the changes within traditional communities of the Piedmont. It begins with a discussion of the settlement of the Piedmont in the mid-1700s and early references to secular folk music, including the attitudes the various ethnic and religious groups had on music and dance, the introduction of the fiddle and the banjo, and outside influences such as minstrel shows, Hawaiian music and classical banjo. It then goes on to cover African-Americans and string band music; the societal functions of square dances held at private homes and community centers; the ways in which musicians learned to play the music and bought their instruments; fiddler's conventions and their history as community fundraisers; the recording industry and Piedmont musicians who cut recordings, including Ernest Thompson and the North Carolina Cooper Boys; Bascom Lamar Lunsford and the Carolina Folk Festival; the influence of live radio stations, including WPTF in Raleigh, WGWR in Asheboro, WSJS in Winston-Salem, WBIG in Greensboro and WBT in Charlotte; the first generation of locally-bred country entertainers, including Charlie Monroe's Kentucky Partners, Gurney Thomas and Glenn Thompson; and bluegrass and musical change following World War II.
It is owing to the indefatigable labors of William Armstrong Crozier that we have one of the most exhaustive lists of colonial soldiers ever published. "Virginia Colonial Militia" originally appeared as Volume II of Crozier's famous series "Virginia County Records" but has since earned a distinction that has set it apart. Certainly anyone looking for colonial Virginia origins would do well to look here first. The work is divided into several sections and includes (1) Land Bounty Certificates for Service in the French and Indian War; (2) Military Rosters in Hening's Statutes at Large; (3) Muster Rolls of Companies Defending the Frontier in Lord Dunmore's War; (4) Partial List of Officers Killed and Wounded at the Battle of Point Pleasant, Oct. 10, 1774; (5) Augusta County Militia in 1742; (6) Miscellaneous County Rosters of Militia Officers; (7) List of Officers and Soldiers of the Virginia Regiment Commanded by George Washington; and (8) List of the Officers of the Colonial Militia of Spotsylvania County, 1729-1780.
Graced by more than 200 illustrations, many of them seldom seen and some never before published, this sparkling volume offers vivid portraits of the men and women who created country music, the artists whose lives and songs formed the rich tradition from which so many others have drawn inspiration. Included here are not only such major figures as Jimmie Rodgers, The Carter Family, Fiddlin' John Carson, Charlie Poole, and Gene Autry, who put country music on America's cultural map, but many fascinating lesser-known figures as well, such as Carson Robison, Otto Gray, Chris Bouchillon, Emry Arthur and dozens more, many of whose stories are told here for the first time. To map some of the winding, untraveled roads that connect today's music to its ancestors, Tony Russell draws upon new research and rare source material, such as contemporary newspaper reports and magazine articles, internet genealogy sites, and his own interviews with the musicians or their families. The result is a lively mix of colorful tales and anecdotes, priceless contemporary accounts of performances, illuminating social and historical context, and well-grounded critical judgment. The illustrations include artist photographs, record labels, song sheets, newspaper clippings, cartoons, and magazine covers, recreating the look and feel of the entire culture of country music. Each essay includes as well a playlist of recommended and currently available recordings for each artist. Finally, the paperback edition now features an extensive index.
In the time since the second edition of The ACS Style Guide was published, the rapid growth of electronic communication has dramatically changed the scientific, technical, and medical (STM) publication world. This dynamic mode of dissemination is enabling scientists, engineers, and medicalpractitioners all over the world to obtain and transmit information quickly and easily. An essential constant in this changing environment is the requirement that information remain accurate, clear, unambiguous, and ethically sound.This extensive revision of The ACS Style Guide thoroughly examines electronic tools now available to assist STM writers in preparing manuscripts and communicating with publishers. Valuable updates include discussions of markup languages, citation of electronic sources, online submission ofmanuscripts, and preparation of figures, tables, and structures. In keeping current with the changing environment, this edition also contains references to many resources on the internet.With this wealth of new information, The ACS Style Guide's Third Edition continues its long tradition of providing invaluable insight on ethics in scientific communication, the editorial process, copyright, conventions in chemistry, grammar, punctuation, spelling, and writing style for any STMauthor, reviewer, or editor. The Third Edition is the definitive source for all information needed to write, review, submit, and edit scholarly and scientific manuscripts.