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This is the story of 61-year-old Mildred Aldrich and her experiences of the Great War. She retired to a small hill-top house called La Creste in February 1914, with views across the Marne river and valley, little realising she would become embroiled in the first major battle of the war. In spite of the danger she decided to stay and help the British soldiers. Her home was for a few days behind German lines but the British pushed the Germans into retreat and La Creste remained in British territory for the duration. They entrenched in the Marne Valley and Mildred's 'beloved panorama' as she described the view, turned into the valley of horror and death. Informed by journalist Mildred's unpublished journals and voices of those serving in the BEF, along with historical military background, this book examines events from the unique perspective of a remarkable woman who lived through them.
This is the story of 61-year-old Mildred Aldrich and her experiences of the Great War. She retired to a small hill-top house called La Creste in February 1914, with views across the Marne river and valley, little realising she would become embroiled in the first major battle of the war. In spite of the danger she decided to stay and help the British soldiers. Her home was for a few days behind German lines but the British pushed the Germans into retreat and La Creste remained in British territory for the duration. They entrenched in the Marne Valley and Mildred's 'beloved panorama' as she described the view, turned into the valley of horror and death. Informed by journalist Mildred's unpublished journals and voices of those serving in the BEF, along with historical military background, this book examines events from the unique perspective of a remarkable woman who lived through them.
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In The World Wars Through the Female Gaze, Jean Gallagher maps one portion of the historicized, gendered territory of what Nancy K. Miller calls the "gaze in representation." Expanding the notion of the gaze in critical discourse, Gallagher situates a number of visual acts within specific historic contexts to reconstruct the wartime female subject. She looks at both the female observer's physical act of seeing - and the refusal to see - for example, a battlefield, a wounded soldier, a torture victim, a national flag, a fashion model, a bombed city, or a wartime hallucination. Interdisciplinary in focus, this book brings together visual (twenty-two illustrations) and literary texts, "high" and "popular" expressive forms, and well-known and lesser-known figures and texts.
A comprehensive, chronological overview of American literature in three scholarly and authoritative volumes A Companion to American Literature traces the history and development of American literature from its early origins in Native American oral tradition to 21st century digital literature. This comprehensive three-volume set brings together contributions from a diverse international team of accomplished young scholars and established figures in the field. Contributors explore a broad range of topics in historical, cultural, political, geographic, and technological contexts, engaging the work of both well-known and non-canonical writers of every period. Volume One is an inclusive and geographically expansive examination of early American literature, applying a range of cultural and historical approaches and theoretical models to a dramatically expanded canon of texts. Volume Two covers American literature between 1820 and 1914, focusing on the development of print culture and the literary marketplace, the emergence of various literary movements, and the impact of social and historical events on writers and writings of the period. Spanning the 20th and early 21st centuries, Volume Three studies traditional areas of American literature as well as the literature from previously marginalized groups and contemporary writers often overlooked by scholars. This inclusive and comprehensive study of American literature: Examines the influences of race, ethnicity, gender, class, and disability on American literature Discusses the role of technology in book production and circulation, the rise of literacy, and changing reading practices and literary forms Explores a wide range of writings in multiple genres, including novels, short stories, dramas, and a variety of poetic forms, as well as autobiographies, essays, lectures, diaries, journals, letters, sermons, histories, and graphic narratives. Provides a thematic index that groups chapters by contexts and illustrates their links across different traditional chronological boundaries A Companion to American Literature is a valuable resource for students coming to the subject for the first time or preparing for field examinations, instructors in American literature courses, and scholars with more specialized interests in specific authors, genres, movements, or periods.
Claude has an intuitive faith in something splendid and feels at odds with his contemporaries. The war offers him the opportunity to forget his farm and his marriage of compromise; he enlists and discovers that he has lacked. But while war demands altruism, its essence is destructive
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
"In this provocative study, Hazel Hutchison takes a fresh look at the roles of American writers in helping to shape national opinion and policy during the First World War. From the war's opening salvos in Europe, American writers recognized the impact the war would have on their society and sought out new strategies to express their horror, support, or resignation. By focusing on the writings of Henry James, Edith Wharton, Grace Fallow Norton, Mary Borden, Ellen La Motte, E. E. Cummings, and John Dos Passos, Hutchison examines what it means to be a writer in wartime, particularly in the midst of a conflict characterized by censorship and propaganda. Drawing on original letters and manuscripts, some never before seen by researchers, this book explores howthe essays, poetry, and novels of these seven literary figures influenced America's public view of events, from August 1914 through the Paris Peace Conference of 1919, and ultimately set the literary agenda for later, more celebrated texts about the war"--
On the Edge of the War Zone From the Battle of the Marne to the Entrance of the Stars and Stripes by Mildred Aldrich In "The Hilltop on the Marne" Mildred Aidrich had something to say and said it well. In "On the Edge of the War Zone" she appears to have nothing of much moment to write of and she only succeeds in being tiresome. One suspects that the success of the earlier work led to a call for more "copy," with an unhappy result. The hilltop is now back of the French line and little seems to happen there except as soldiers pass to and fro along the road. The days go by in comparative monotony, and the intimate details of household affairs fill up many weary pages. With so many interesting stories of war to be told one can only regret this long-drawn-out, gossipy chronicle of small happenings. The Dial, 1918.