Download Free Mika Rottenberg Book in PDF and EPUB Free Download. You can read online Mika Rottenberg and write the review.

Published on the occasion of an exhibition held at the De Appel Arts Centre, Amsterdam, The Netherlands, Mar. 12-May 8, 2011 and the M-Museum Leuven, Leuven, Belgium, Nov. 3, 2011-Feb. 5, 2012.
Récits captivants où la fantaisie et l'humour se mêlent à l'étrangeté et où le réel semble se distordre dans la fiction, les films de Mika Rottenberg sont montrés au sein d'installations immersives qui leurs servent d'écrins et prolongent leur univers. Cette nouvelle monographie, s'inscrivant dans la collection publiée avec Les presses du réel en lien avec les expositions du Palais de Tokyo, rassemble des vues d'exposition et une sélection d'oeuvres emblématiques, un entretien, un essai et un ensemble de notices.
Mika Rottenberg’s practice combines video, installations, drawings and sculptures. Many of her works portray absurd assembly-line situations in which work is often being carried out by women whose outsized, far from conventionally beautiful bodies are called into play both as tools and raw materials. Offering captivating narratives in which whimsicality and wit merge with weirdness, and reality morphs into fiction, Rottenberg’s films are presented in the context of immersive installations that plunge the viewer into their world—a world beyond the screen—in a blurring of the borders between the imagined and the real. Book Contents - “Down the Rabbit Hole or Through the Looking Glass?”: interview between Mika Rottenberg and Daria de Beauvais. - “Breaking the Bubble: Mika Rottenberg’s Industrial Attractions”: an essay by Amy Herzog. About the authors - Daria de Beauvais is a curator at the Palais de Tokyo. She curated Mika Rottenberg’s solo show. - Amy Herzog is a media historian. She is Associate Professor of Media Studies at Queens College and Coordinator of the Film Studies Program at the CUNY Graduate Center. She is the author of Dreams of Difference, Songs of the Same: The Musical Moment in Film (2010) and co-editor, with Carol Vernallis and John Richardson, of The Oxford Handbook of Sound and Image in Digital Media (2013). A book published on the occasion of Mika Rottenberg’s solo show at the Palais de Tokyo, 23.06 – 11.09 2016
Globalization, technology, and politics have altered the definition and expectations of citizenship and the right to place. 'Dimensions of Citizenship' documents contributions from the seven firms selected to represent the United States in the 2018 Venice Architecture Biennale. This paperback volume profiles and illustrates each of the US Pavilion contributions and contextualizes them in terms of scale.0Drawing inspiration from the Eames? Power of Ten, 'Dimensions of Citizenship' will provide a view of belonging across seven stages starting with the individual (Citizen), then the collective (Civic, Region, Nation), and expanding to include all phases of contemporary society, real and projected (Globe, Network, Cosmos). Additional essays?by Ingrid Burrington, Ana María León, and Nicholas de Monchaux, among others?will offer essential and enquiring responses to these themes. 00Exhibition: US Pavilion, Venice Architecture Biennale, Italy (16.05.-25.11.2018).
Anita Chari revives the concept of reification from Marx and the Frankfurt School to spotlight the resistance to neoliberal capitalism now forming at the level of political economy and at the more sensate, experiential level of subjective transformation. Reading art by Oliver Ressler, Zanny Begg, Claire Fontaine, Jason Lazarus, and Mika Rottenberg, as well as the politics of Occupy Wall Street, Chari identifies practices through which artists and activists have challenged neoliberalism's social and political logics, exposing its inherent tensions and contradictions.
This book is the outcome of collaborative research by artists Natascha Sadr Haghighian, Judith Hopf, Ines Schaber and curator Anselm Franke into various aspects of the spectral. It questions the circumstances of disappearance and invisibility and the relationships brought forth by the specter, the withdrawal of the status of reality and the conditions for transformation: the spectral destabilizes relationships between real and unreal, present and absent.
This collection surveys the contemporary landscape of audiovisual media. Contributors from image and sound studies explore the history and the future of moving-image media across a range of formats including blockbuster films, video games, music videos, social media, experimental film, documentaries, video art, pornography, theater, and electronic music.
Haegue Yang?s artworks are known not only for their diversity of media and methods, but also for their eloquent and seductive sculptural language of conceptual abstraction, often derived from her research on figures and events throughout history, as well as inquiries on the notion of folk and traditional craft techniques. 0Bringing together new and existing works spanning the last decade, Haegue Yang?s solo exhibition In the Cone of Uncertainty at The Bass foregrounds the artist?s consistent curiosity about the world and tireless experimentation with materializing the complexity of identity politics and their ever-changing parameters. Its companion publication highlights a substantial selection of Yang?s oeuvre, including blind installations, anthropomorphic works and light sculptures, with an expanded focus on her growing series of mural-like graphic wall pieces. 0HAEGUE YANG (*1971, Seoul) lives and works in Berlin and Seoul. Since 2017 she has been Professor at the Städelschule in Frankfurt am Main. Her work has been included in numerous exhibitions internationally, such as the Venice Biennale; documenta, Kassel; at Centre Pompidou, Paris; and at Museum Ludwig, Cologne. Her solo presentation at the MoMA New York will open in October 2019.00Exhibition: The Bass Museum of Art, Miami Beach, FL, USA (02.11.2019 - 05.04.2020) .
Massive Change is a modern illustrated primer on the new inventions, technologies, and events that are affecting the human race worldwide. The book is a part of a broader research project by Bruce Mau Design intended to provoke debate and discussion about the familiar objects and techniques that are transforming our lives. In essays, interviews, and provocative imagery aimed at a broad audience, Massive Change explores the changing force of design in the contemporary world, and in doing so expands the definition of design to include the built environment, transportation technologies, revolutionary materials, energy and information systems, and living organisms. The book is divided into 11 heavily illustrated sections covering major areas of change in contemporary society - such as urbanism and architecture, the military, health and living, and wealth and politics. introductory essay, extended captions, and interviews with leading thinkers, including engineers, designers, philosophers, scientists, architects, artists, and writers. Concluding the book is a graphic timeline of significant inventions and world events from 10,000 B.C. to the present. Massive Change is the umbrella name for wide-ranging research project initiated by Bruce Mau Design and the Institute Without Boundaries, a new post-graduate design program headquartered at his studio. The project will include not only this book but also a travelling exhibition, public events, an on-line forum, a documentary television project, posters, and a product line. The overall aim of the project is to explore the changing force of design in the contemporary world. The book focuses on the powerful, newly designed technologies and systems (and the failure of outmoded ones) that increasingly influence our daily lives. the debate about genetically modified foods, the race to decode human the human genome, the development and worldwide trafficking of sophisticated military weapons - even the increasingly intrusive security systems at airports: all are examples of massive changes that involve the field of design. The book presents images and text that explore the impact of these subjects, both the seemingly mundane as well as the mind-boggling and microscopic. As the text in Massive Change explains: No longer associated simply with objects and appearances, design is increasingly understood in a much wider sense as the human capacity to plan and produce desired outcomes. The book is divided into 11 sections, each focusing on a specific economy at work in the world today, both the traditional (such as manufacturing), and the often-invisible (globalization and politics). The pages combine images, extended captions, general essays, and interviews in a clean, simple design. The imagery in Massive Change is irresistible, and stands alone as a compelling reason to own this book. beautiful. For example, a photo of a smoky blue blob, as the caption explains, is really Aerogel, a material developed by NASA to collect fast-moving space dust. And a featherless, naked chicken staring at us from the page is just that: a new, genetically engineered broiler that requires no plucking and yields more meat, a boon to poultry producers yet a frightening harbinger of our future food supply. Massive Change is a well designed, intelligent, visually provocative exploration of the myriad subjects percolating through popular culture: those we read about in magazines and on Web sites but rarely understand in any meaningful way. It poses the question: Now that the human race can do almost anything, what will we do next?
Artworks: Rosa Barba, Carol Bove, Anna Craycroft, Rachel Harrison, Louise Lawler, Mark Lackey, Pierre Leguillon, Goshka Macuga, Christian Marclay, Xaviera Simmons, Rosemarie Trockel, Sara VanDerBeek.