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This is unabridged, original text of this infamous book. Might Is Right, or The Survival of the Fittest, is a book by pseudonymous author Ragnar Redbeard. First published in 1890, it heavily advocates social Darwinism, amoralism, and psychological hedonism. In Might is Right, Redbeard rejects conventional ideas of human and natural rights and argues that only strength or physical might can establish moral right (la Callicles). Libertarian historian James J. Martin called it "surely one of the most incendiary works ever to be published anywhere." Leo Tolstoy discussed the philosophy of Might Is Right in his 1897 essay What Is Art?: "The substance of this book, as it is expressed in the editor's preface, is that to measure "right" by the false philosophy of the Hebrew prophets and "weepful" Messiahs is madness. Right is not the offspring of doctrine, but of power. All laws, commandments, or doctrines as to not doing to another what you do not wish done to you, have no inherent authority whatever, but receive it only from the club, the gallows, and the sword. A man truly free is under no obligation to obey any injunction, human or divine. Obedience is the sign of the degenerate. Disobedience is the stamp of the hero. Men should not be bound by moral rules invented by their foes. The whole world is a slippery battlefield. Ideal justice demands that the vanquished should be exploited, emasculated, and scorned. The free and brave may seize the world. And, therefore, there should be eternal war for life, for land, for love, for women, for power, and for gold. The earth and its treasures is "booty for the bold." The author has evidently by himself, independently of Nietzsche, come to the same conclusions which are professed by the new artists."
The Authoritative Edition of Might is Right by Ragnar Redbeard. The variant text of the five editions published in the author's lifetime harmonized into one. Thousands of previously undocumented citations and a never-before-published index. Featuring a new introduction by Peter H. Gilmore, High Priest of the Church of Satan.
Friedrich Nietzsche believed his own work represented the dawning of a new historical era, and, despite the fact that he lived most of his sane life suffering in obscurity, it is not an exaggeration to say that his vision helped lay the foundations for modernism in style, substance and attitude. Nietzsche was himself devoted to the modern, for he reinterpreted every philosophy, every historical figure and event, every movement that came before him. This reconceptualization of the past through new, modern eyes opened up Nietzsche's thinking to exploring daring possibilities for the future. This prophetic boldness, which is so unique to his style, seduced the modernist generation across the spectrum. He was read by early Zionists as well as by Nazi racial theorists; by Thomas Mann and as well as by Salvador Dali. His influence stretched from psychoanalysis to anarchist politics. Understanding Nietzsche, Understanding Modernism traces the effect of Nietzsche's thinking upon a diverse set of problems: from ontology, to politics, to musical and literary aesthetics. The first section of the volume is a series of essays, each exploring a major work of Nietzsche's, explaining its significance while contributing new interpretations of the text. The middle portion connects Nietzsche's thought to the various strands of modernism in which it reveals itself. The final section is a glossary of key terms that Nietzsche uses throughout his works. An excellent resource for any scholar attempting to conceptualize the foundations of modernism or the historical importance of Nietzsche, this volume seeks to outline the philosopher's works and their reception amongst the generations that immediately followed his passing.
The Philosophy of Power is an unchanged, high-quality reprint of the original edition of 1896. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
Rival Caesars is the little known second book by Arthur Desmond (writing under the pseudonym Desmond Dilg), aka Ragnar Redbeard, author of one of the most infamous and controversial books of all time, "Might is Right: The Survival of the Fittest." Peppered with Desmond's fascinating, unique, and thought-provoking philosophy, Rival Caesars is a wildly entertaining "alternative history" account of the famed rivalry between Alexander Hamilton and Aaron Burr that ended in the bloody, fatal duel. Out-of-print for over a century, editor Benjamin Garland has rescued this politically incorrect book from obscurity. Sure to be appreciated by fans of "Might is Right" and casual fiction readers alike, "Rival Caesars" is a piece of history now readily available to all.
Like a great shining plow driven by superhuman forces, it goes tearing, ripping, swearing through the brains of men, remorselessly rooting up the evil idols and the false foundations. The ablest authors of our era it leaves far in the rear. From Arthur Desmond's publicity material for his 1896 book Might is Right.
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Essays by Dora Marsden (1882 - 1960) from her journal "The Egoist." Introduction, annotations, glossary and index by Trevor Blake, author of "Dora Marsden Bibliography." Read the Gospel of Power... "What a blight it is on life, to be sure, that honest speech is almost non-existent. Lo and behold, all are alike: the secret sin against the spirit of peace is universal, and can be proclaimed from the housetops. The 'poor' man is the one who lacks the power to get what he wants. If he had had the 'might, ' the 'competence' to cover the wide expanse of these 'rights, ' he would not be in the position of a beggar asking for the favour of a job from a master: he would have set about being his own master: the one thing which to this day the ordinary wage earner steadily refuses to be. 'Reformers' have tried to get a comprehensive view of the 'world's work'-which does not exist save in their own imagination-and they have come to neglect and hold lightly work viewed from its only real aspect-the personal satisfying of needs and wants as they rise up spontaneously from each varying individual. Social rebels will get no way until they acquiesce willingly in men and women being what they are: accept their oddities and wayward differences and then make the best and most of them to serve their individual ends."