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The Man Who Loved Children is Christina Stead's masterpiece about family life. Set in Washington during the 1930s, Sam and Henny Pollit are a warring husband and wife. Their tempestuous marriage, aggravated by too little money, lies at the centre of Stead's satirical and brilliantly observed novel about the relations between husbands and wives, and parents and children. Sam, a scientist, uses words as weapons of attack and control on his children and is prone to illusions of power and influence that fail to extend beyond his family. His wife Henny, who hails from a wealthy Baltimore family, is disastrously impractical and enmeshed in her own fantasies of romance and vengeance. Much of the care of their six children is left to Louisa, Sam's 14-year-old daughter from his first marriage. Within this psychological battleground, Louisa must attempt to make a life of her own. First published in 1940, The Man Who Loved Children was hailed for its satiric energy. Now its originality is again lauded by novelist, Jonathan Franzen, in his illuminating new introduction.
Transforming Biology opens a window on the lives and work of the scientists, teachers and students who have contributed to the achievements of the Department of Biochemistry and Molecular Biology at the University of Melbourne. Established in 1938, the department teaches and undertakes research in a discipline that links chemistry, physiology, genetics, microbiology, virology and physics, and has championed new techniques and biotechnology innovations that reverberate around the world. Highlighting the successful careers of many of its alumni and staff, including the influential Victor Trikojus, and the impact of benefactors such as Russell Grimwade, Juliet Flesch tells the story of the evolution of a department engaged in fundamental biomolecular science, as well as the translation of discoveries to industry and the clinic. It has been one of the most important national and international bodies engaged in transforming biology.
"History of Melbourne Law School within the University of Melbourne."--Provided by publisher.
The Art of the Collection is a celebration of the State Library of Victoria's Picture Collection-the oldest visual documentary collection in Australia. Acting on its mandate to collect and preserve Victoria's documentary heritage, the Library acquires paintings, maps, diaries and documents that showcase all facets of Victorian life, past and present. The Library has an extensive collection of art works and a permanent display of 150 works in the Cowen Gallery. The works illustrate Victoria's landscape, early Melbourne scenes, and significant events and figures in the European exploration and settlement of Australia. The works range from early eighteenth and nineteenth century portraits, busts to contemporary portraits and scenes of Melbourne and Victoria from the 1800s until now. Works of some of our most celebrated and talented Australian artists are in the collection and showcased in this book: Eug ne von Gu rard, John Glover, Frederick McCubbin, Albert Tucker, Ian Fairweather, Lina Bryans, Jan Senbergs, Juan Davila and Howard Arkley to name but a few.
Fairfax - once a great Australian media company - faces a grim future. Newspapers worldwide are faltering in the face of competition from the internet, but the fate of Fairfax stands out as being particularly cruel. The carnage is barely credible. Massive printing plants are being dismantled. Hundreds of fine journalists have been ushered from the building. The newspapers themselves are on notice. The future of the company is shaky. Fairfax: The Rise and Fall is a story that is book-ended by young Warwick Fairfax and Gina Rinehart—the eccentric beneficiaries of two of the greatest family fortunes Australia has ever seen. But the real players in the Fairfax saga are the business and political giants. They include Kerry Packer, Rupert Murdoch, Conrad Black, John Howard, Paul Keating, Neville Wran, David Gonski, Roger Corbett and Fred Hilmer. The once-mighty Fairfax has been a victim of them all. Colleen Ryan gives the definitive account of the fate of Fairfax, a drama-filled saga that reveals how far Fairfax has fallen
Much has been written about the lives and art of Heide, but finally the remaining members of the inner circle have entrusted the full story to be told through this intimate biography of John and Sunday Reed. Part romance, part tragedy, Modern Love explores the complex lives of these champions of successive generations of Australian artists and writers, detailing their artistic endeavours and passionate personal entanglements. It is a story of rebellion against their privileged backgrounds and of a bohemian existence marked by extraordinary achievements, intense heartbreak and enduring love. John and Sunday’s was a remarkable partnership that affected all those who crossed the threshold into Heide and which altered the course of art in Australia.
A highly readable history of the University of Melbourne that examines its growth from a small provincial institution, educating the elite of a relatively narrow society, to a major teaching and research institution - changes of a magnitude which could never have been envisaged in 1935 when the story begins.
B.A. Santamaria was one of the most controversial Australians of our time. An ardent anti-Communist and devout Catholic, he was fiercely intelligent and a natural leader, polarising the community into loyal followers and committed opponents. In the 1940s Santamaria created the anti-Communist organisation 'The Movement'. In the 1950s he was a key figure in the tumultuous split of the Australian Labor Party. He subsequently enjoyed great influence as a public commentator on his television program Point of View and in his weekly column in The Australian. Santamaria had a strong social conscience and spent much of his time helping the underprivileged. Although he began as an advocate and champion of the Catholic Church, he spent much of his last decades opposing some of its activities. Published for the 100th anniversary of Santamaria’s birth, Santamaria: A Most Unusual Man is an authoritative biography from Gerard Henderson, a close colleague until a disagreement saw the two men estranged and never reconciled.