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Winner of the 2019 Gita Chaudhuri Prize Winner of the 2019 Benjamin F. Shambaugh Award Historian Sara Egge offers critical insights into the woman suffrage movement by exploring how it emerged in small Midwestern communities—in Clay County, Iowa; Lyon County, Minnesota; and Yankton County, South Dakota. Examining this grassroots activism offers a new approach that uncovers the sophisticated ways Midwestern suffragists understood citizenship as obligation. These suffragists, mostly Yankees who migrated from the Northeast after the Civil War, participated enthusiastically in settling the region and developing communal institutions such as libraries, schools, churches, and parks. Meanwhile, as Egge’s detailed local study also shows, the efforts of the National American Women’s Suffrage Association did not always succeed in promoting the movement’s goals. Instead, it gained support among Midwesterners only when local rural women claimed the right to vote on the basis of their well-established civic roles and public service. By investigating civic responsibility, Egge reorients scholarship on woman suffrage and brings attention to the Midwest, a region overlooked by most historians of the movement. In doing so, she sheds new light onto the ways suffragists rejuvenated the cause in the twentieth century.
Examining four centuries of Midwestern women's history, contributors discuss ways these women's lives both resemble and differ from those of women of other regions. Midwestern female experience is shown to be distinctive in terms of degrees of migration, which resulted in the Midwest becoming a cultural crossroads. 304 pp. Copyright © Libri GmbH. All rights reserved.
Examining four centuries of Midwestern women's history, contributors discuss ways these women's lives both resemble and differ from those of women of other regions. Midwestern female experience is shown to be distinctive in terms of degrees of migration, which resulted in the Midwest becoming a cultural crossroads.
..". Hendricks adds greatly to our understanding of change and continuity in this important period of women's history." -- American Historical Review From 1890 to 1920, African American club women in Illinois and other Midwestern states created hundreds of female associations and became social and political agents of reform and community uplift. Through their own volunteerism and fundraising they combated the problems of homelessness, unemployment, illiteracy, and poor health care that plagued their communities. The Illinois club women also played a primary role in the election of the first black alderman in Chicago. This is their inspiring story.
Women's stories are noticeably absent from the master narrative of the Populist and Progressive movements, where their struggle for civil rights was more evident in the Midwest than any other region in the country. This collection of eleven biographical essays highlights women leaders in the Midwest who challenged gender, racial, class, and ethnic boundaries in the nineteenth and twentieth centuries. Not only were these midwestern women powerful orators and active leaders, they were influential in shaping the culture in their communities. These pioneering women include Amanda Berry Smith and Carry Nation who helped lay the groundwork for the Progressive Era, Esther Twente who helped develop higher education, Elfrieda von Rohr, Mary Sibley, and Linda Slaughter whose religious affiliations gave them leadership opportunities for political and social influence, Frances Dana Gage who contributed to women's rights and temperance issues, Marietta Bones who championed the women's suffrage movement, Alice Moore French who was American War Mothers founder and first president, socialist Genora Dollinger who spoke out for quality of life and rights in organising a strike at a General Motors plant, and Harriett Friedman Woods who held various state political offices and a national office.
A National Bestseller! “The perfect pick-me-up on a hot summer day.” —Washington Post “[A] charmer of a tale. . . Warm, witty and--like any good craft beer--complex, the saga delivers a subtly feminist and wholly life-affirming message.” —People Magazine A novel of family, Midwestern values, hard work, fate and the secrets of making a world-class beer, from the bestselling author of Kitchens of the Great Midwest Two sisters, one farm. A family is split when their father leaves their shared inheritance entirely to Helen, his younger daughter. Despite baking award-winning pies at the local nursing home, her older sister, Edith, struggles to make what most people would call a living. So she can't help wondering what her life would have been like with even a portion of the farm money her sister kept for herself. With the proceeds from the farm, Helen builds one of the most successful light breweries in the country, and makes their company motto ubiquitous: "Drink lots. It's Blotz." Where Edith has a heart as big as Minnesota, Helen's is as rigid as a steel keg. Yet one day, Helen will find she needs some help herself, and she could find a potential savior close to home. . . if it's not too late. Meanwhile, Edith's granddaughter, Diana, grows up knowing that the real world requires a tougher constitution than her grandmother possesses. She earns a shot at learning the IPA business from the ground up--will that change their fortunes forever, and perhaps reunite her splintered family? Here we meet a cast of lovable, funny, quintessentially American characters eager to make their mark in a world that's often stacked against them. In this deeply affecting family saga, resolution can take generations, but when it finally comes, we're surprised, moved, and delighted.
Winner of the 2019 Gita Chaudhuri Prize Winner of the 2019 Benjamin F. Shambaugh Award Historian Sara Egge offers critical insights into the woman suffrage movement by exploring how it emerged in small Midwestern communities--in Clay County, Iowa; Lyon County, Minnesota; and Yankton County, South Dakota. Examining this grassroots activism offers a new approach that uncovers the sophisticated ways Midwestern suffragists understood citizenship as obligation. By investigating civic responsibility, Egge reorients scholarship on woman suffrage and brings attention to the Midwest, a region overlooked by most historians of the movement. In doing so, she sheds new light onto the ways suffragists rejuvenated the cause in the twentieth century.
A fascinating history of Chicago’s innovative and invaluable contributions to American literature and art from the late nineteenth to the mid-twentieth century This remarkable cultural history celebrates the great Midwestern city of Chicago for its centrality to the modernist movement. Author Liesl Olson traces Chicago’s cultural development from the 1893 World’s Fair through mid-century, illuminating how Chicago writers revolutionized literary forms during the first half of the twentieth century, a period of sweeping aesthetic transformations all over the world. From Harriet Monroe, Carl Sandburg, and Ernest Hemingway to Richard Wright and Gwendolyn Brooks, Olson’s enthralling study bridges the gap between two distinct and equally vital Chicago-based artistic “renaissance” moments: the primarily white renaissance of the early teens, and the creative ferment of Bronzeville. Stories of the famous and iconoclastic are interwoven with accounts of lesser-known yet influential figures in Chicago, many of whom were women. Olson argues for the importance of Chicago’s editors, bookstore owners, tastemakers, and ordinary citizens who helped nurture Chicago’s unique culture of artistic experimentation. Cover art by Lincoln Schatz
The Midwest has produced a robust literary heritage. Its authors have won half of the nation's Nobel Prizes for Literature plus a significant number of Pulitzer Prizes. This volume explores the rich racial, ethnic, and cultural diversity of the region. It also contains entries on 35 pivotal Midwestern literary works, literary genres, literary, cultural, historical, and social movements, state and city literatures, literary journals and magazines, as well as entries on science fiction, film, comic strips, graphic novels, and environmental writing. Prepared by a team of scholars, this second volume of the Dictionary of Midwestern Literature is a comprehensive resource that demonstrates the Midwest's continuing cultural vitality and the stature and distinctiveness of its literature.
NOW OPTIONED BY Sony Pictures TV FOR A LIVE-ACTION SERIES ADAPTATION: produced by Freida Pinto and Gabrielle Union "A perfect time to look at the ethos of black hair in America — and the perfect person to do it is Tanisha Ford" —Changing America "Everyone from the shopaholic to the clearance rack queen will see themselves in [Ford's] pages." —Essence "Takes you not only into the closet, but the inner sanctum of an ordinary extraordinary Black girl who discovered herself through clothes." —Michaela Angela Davis, Image Activist and Writer "[A] delightful style story." —The Philadelphia Inquirer From sneakers to leather jackets, a bold, witty, and deeply personal dive into Black America's closet In this highly engaging book, fashionista and pop culture expert Tanisha C. Ford investigates Afros and dashikis, go-go boots and hotpants of the sixties, hip hop's baggy jeans and bamboo earrings, and the #BlackLivesMatter-inspired hoodies of today. The history of these garments is deeply intertwined with Ford’s story as a black girl coming of age in a Midwestern rust belt city. She experimented with the Jheri curl; discovered how wearing the wrong color tennis shoes at the roller rink during the drug and gang wars of the 1980s could get you beaten; and rocked oversized, brightly colored jeans and Timberlands at an elite boarding school where the white upper crust wore conservative wool shift dresses. Dressed in Dreams is a story of desire, access, conformity, and black innovation that explains things like the importance of knockoff culture; the role of “ghetto fabulous” full-length furs and colorful leather in the 1990s; how black girls make magic out of a dollar store t-shirt, rhinestones, and airbrushed paint; and black parents' emphasis on dressing nice. Ford talks about the pain of seeing black style appropriated by the mainstream fashion industry and fashion’s power, especially in middle America. In this richly evocative narrative, she shares her lifelong fashion revolution—from figuring out her own personal style to discovering what makes Midwestern fashion a real thing too.