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First full-length study of the mouth's centrality to discourses of physical, ethical and spiritual 'good' in Middle English literature.
The mouth, responsible for both physical and spiritual functions - eating, drinking, breathing, praying and confessing - was of immediate importance to medieval thinking about the nature of the human being. Where scholars have traditionally focused on the mouth's grotesque excesses, Katie L. Walter argues for the recuperation of its material 'everyday' aspect. Walter's original study draws on two rich archives: one comprising Middle English theology (Langland, Julian of Norwich, Lydgate, Chaucer) and pastoral writings; the other broadly medical and surgical, including learned encyclopaedias and vernacular translations and treatises. Challenging several critical orthodoxies about the centrality of sight, the hierarchy of the senses and the separation of religious from medical discourses, the book reveals the centrality of the mouth, taste and touch to human modes of knowing and to Christian identity.
The real-life Nickel and Dimed—the author of the wildly popular “Poverty Thoughts” essay tells what it’s like to be working poor in America. ONE OF THE FIVE MOST IMPORTANT BOOKS OF THE YEAR--Esquire “DEVASTATINGLY SMART AND FUNNY. I am the author of Nickel and Dimed, which tells the story of my own brief attempt, as a semi-undercover journalist, to survive on low-wage retail and service jobs. TIRADO IS THE REAL THING.”—Barbara Ehrenreich, from the Foreword As the haves and have-nots grow more separate and unequal in America, the working poor don’t get heard from much. Now they have a voice—and it’s forthright, funny, and just a little bit furious. Here, Linda Tirado tells what it’s like, day after day, to work, eat, shop, raise kids, and keep a roof over your head without enough money. She also answers questions often asked about those who live on or near minimum wage: Why don’t they get better jobs? Why don’t they make better choices? Why do they smoke cigarettes and have ugly lawns? Why don’t they borrow from their parents? Enlightening and entertaining, Hand to Mouth opens up a new and much-needed dialogue between the people who just don’t have it and the people who just don’t get it.
From the Middle Ages up to the present day, this book traces politeness in the history of the English language.
*1811 Dictionary of the Vulgar Tongue* by Francis Grose is an entertaining and insightful exploration of the colloquial language and slang of early 19th-century England. This unique work serves as both a dictionary and a cultural commentary, capturing the vibrant and often humorous vernacular that characterized the everyday speech of the time. Grose meticulously compiles a plethora of terms and phrases, many of which reflect the social customs, occupations, and idiosyncrasies of the period. In this dictionary, readers will encounter a rich tapestry of language that ranges from the whimsical to the vulgar, providing a window into the lives of ordinary people, including their struggles, triumphs, and playful expressions. Grose’s definitions are often laced with wit and insight, showcasing his keen understanding of the human experience and the linguistic creativity of his contemporaries. The book also features anecdotes and examples that illustrate the use of slang in context, making it a lively and engaging read. *1811 Dictionary of the Vulgar Tongue* stands out not only as a linguistic resource but also as a historical document that captures the spirit of its time. Grose’s work serves as an important reminder of the evolving nature of language and how it reflects societal changes. For language enthusiasts, historians, and casual readers alike, this dictionary offers a delightful journey through the colorful expressions of the past. Readers are drawn to *1811 Dictionary of the Vulgar Tongue* for its quirky charm and invaluable insights into a bygone era. It is a must-have for anyone interested in the evolution of English slang, the nuances of informal language, or the rich tapestry of human expression. Adding this book to your collection is not just an investment in a linguistic treasure but also an invitation to explore the humor and creativity that language can offer.
Originally composed in Latin by Gilbertus Anglicus (Gilbert the Englishman), his Compendium of Medicine was a primary text of the medical revolution in thirteenth-century Europe. Composed mainly of medicinal recipes, it offered advice on diagnosis, medicinal preparation, and prognosis. In the fifteenth-century it was translated into Middle English to accommodate a widening audience for learning and medical “secrets.” Faye Marie Getz provides a critical edition of the Middle English text, with an extensive introduction to the learned, practical, and social components of medieval medicine and a summary of the text in modern English. Getz also draws on both the Latin and Middle English texts to create an extensive glossary of little-known Middle English pharmaceutical and medical vocabulary.
In a Japanese seaside neighborhood lives Jason Parker: a sixth grader one year older than his classmates a stinking foreigner to some classmates an orange belt in aikido a big brother Jason Parker is just a boy trying to get through his days with calm and courage. If only everyone around him would let him. This is a beautifully spare novel in verse about one boy's life-a story that will resonate with anyone who has ever struggled to fit in.
Honorable Mention in the 2019 OCM Bocas Prize for Caribbean Literature Longlist! "After the 2010 Haiti earthquake kills her parents, a woman returns to Haiti after leaving it as a child, 25 years ago. A powerful and engrossing story, this read cannot be missed." --Bustle, 35 Most Anticipated Fiction Books of 2018 "In this fascinating novel about Haitian life, Ulysse beautifully braids together the struggle for personal redemption with the struggle for dignity and human rights." --Rain Taxi Review of Books "Ulysse gives readers a riveting story of a woman who is trying to make sense of a homescape that, if not wholly disappeared, is irrevocably altered." --BuzzFeed "With lush descriptions and Creole-inflected dialogue, Katia D. Ulysse frankly and deftly writes about the nuances and class differences in Haiti. Mouths Don't Speak explores how trauma touches us at home and abroad, wherever those places may be. This includes the experiences of the underserved kids Jacqueline teaches, American veterans, the earthquake victims, and children and their parents. Ulysse illustrates the complicated but unbreakable connections we have to family and home, and shows how privilege doesn't necessarily keep you from tragedy." --Shelf Awareness "A captivating portrait of a woman plagued with worry about family and homeland, this beautifully written novel recalls Toni Morrison's Paradise." --Library Journal "Powerful...As Ulysse explores grief, she moves beyond her protagonist to consider the murky motivations and emotions of other characters. This is a harrowing, thoughtful dive into the aftermath of national and personal tragedies filtered through diasporic life." --Publishers Weekly "Ulysse punctuates...descriptions of the lush Florestant plantation with insightful observations about strained family dynamics. The ties that bind can also constrict us." --Booklist "In Drifting, Ulysse's 2014 story collection, Haitian immigrants struggle through New York City after the 2010 earthquake that destroyed much of their county. In her debut novel, Ulysse revisits that disaster with a clearer and sharper focus. Jacqueline Florestant is mourning her parents, presumed dead after the earthquake, while her ex-Marine husband cares for their young daughter. But the expected losses aren't the most serious, and a trip to freshly-wounded Haiti exposes the way tragedy follows class lines as well as family ones." --The Millions "Within minutes of starting Katia D. Ulysse's novel--with settings in contemporary Haiti and America, and characters caught in the aftermath of Haiti's earthquake of 2010--the reader is drawn deep into an intricate tale of family and relationships across cultures...[Main character] Jacqueline Florestant's route is no easy one, but her story puts an individual face on the generalized social stigmas of Haiti." --Island Origins Magazine, included in Summer Reading Roundup No one was prepared for the massive earthquake that struck Haiti in 2010, taking over a quarter-million lives, and leaving millions of others homeless. Three thousand miles away, Jacqueline Florestant mourns the presumed death of her parents, while her husband, a former US Marine and combat veteran, cares for their three-year-old daughter as he fights his own battles with acute PTSD. Horrified and guilt-ridden, Jacqueline returns to Haiti in search of the proverbial "closure." Unfortunately, the Haiti she left as a child twenty-five years earlier has disappeared. Her quest turns into a tornado of deception, desperation, and more death. So Jacqueline holds tightly to her daughter--the only one who must not die.