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Although midday is commonly associated with indolence or the languishing of both nature and humanity in stifling heat, Nicolas Perella shows that this connection—however real—is secondary to an archetypal encounter with noontide as a moment of existential crisis of spiritual as well as erotic dimensions. First tracing the literary presence of this image from classical and biblical antiquity to Nietzsche and other modern writers, he then analyzes the preoccupation with midday in the imagination of Italian authors from Dante to the present. When the sun is at its point of greatest strength, the blaze of noon is variously experienced as a wave of glory or a moment of dread, as an occasion for reaching out to the Absolute or retreating from the Abyss, as a source of fullness and energy or of emptiness and lethargy, that ultimately may either expand or annihilate being. The author contends that it is the intimation of crisis surrounding this ambiguous moment that accounts for the richly variegated psychological and aesthetic experience of its imagery in Italian literature. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Midday Lantern is a discourse of wisdom, a philosophical exploration of life and a spiritual expression of faith. Anastasios Bibawi was diagnosed with Schizophrenia when he was 28 years old. This is his story of how he rediscovered his faith through a spiritual and philosophical journey that lasted several years.
Crystal is back and people have been bad... Five years after the events leading to the worse party every, 'The New Age Rage' which left thousands of people in the desert without food or water, events have continued to unfold unknown to the sleep little town of Marysfield. The world governments agreed to bury the facts concerning the events that surrounded Marysfield. The problem with conspiracies to conceal data is, truth never goes away. Information is the most potent weapon in the modern age. Marysfield had prospered over the previous five years. Trevor’s family had grown, and his business had become enormously profitable. Little did he know dark forces had spent the quiet years gathering strength preparing for the day when they could let their presence be known. A storm was quickly approaching the earth. What would be the government’s response? How will the individuals of the planet react to the upcoming dark days? How will the population survive a “Darkness at Midday?” Join the inhabitants of the growing town of Marysfield Texas as they deal with an Alien Encounter of unknown origin. Travel around the world with a small group of individuals prepare for the coming darkness. Who will survive?
These pocket-sized prayer books have distinctive designs that reflect the dignity of prayer. Each can be used as you pray daily, for an with those in pain, those in need of comfort or those in need of inspiration. Special quantity pricing allows you to keep a supply on hand for group use or gift giving. Titles can also be combined for quantity discounts.
llustrated poetry collection. Also available with screen print signed by the artist for $110. Themes covered include death, family, childhood, marriage, and relationships. Foreword by Andrew Clark, literary editor of the 'Age'. Introduction by Chris Wallace-Crabbe. Author was poetry editor of the 'Bulletin' and the 'Age'. He won the 1991 Fellowship of Australian Writers Christopher Brennan Award and the 1999 'Age' Book of the Year Award for poetry.
Discusses the variety of foods people around the world might have for their midday meal.
The story of British Malaya and Singapore, from the days of Victorian pioneers to the denouement of independence, is a momentous episode in Britain’s colonial past. Through memoirs, letters and interviews, Margaret Shennan chronicles its halcyon years, the two World Wars, economic depression and diaspora, revealing the attitudes of the diverse quixotic characters of this now quite vanished world. The British came as fortune-seekers to exploit Asian trade shipped through Penang and Singapore. They found a mature Asian culture in a land of palm-fringed shores and primeval jungle. Like modern Romans, they built townships, defences, communications and hill stations, they spurred a rivalry between the fledgling commercial centres of Singapore, Penang and Kuala Lumpur, and they superimposed their law and established an idiosyncratic political system. They also developed the tin and rubber of the Malay States, encouraging Chinese and Indian immigrants by their open-door policy. The outcome was a vibrant multi-racial society – the most cosmopolitan in the East.
This astonishing memoir is the story of a family who always felt slightly foreign in every country and developed a chameleon-like ability to adapt to their surroundings. Gini Alhadeff was born in Alexandria, Egypt, and grew up in Cairo, Khartoum, Florence, and Tokyo. With a vivid gift for narrative, Alhadeff evokes the languid Alexandria of the early decades of this century (where her mother’s family made its fortune in cotton) and some of its beguiling honorary citizens: a violet-eyed aunt who refused to have new slipcovers made for her sofa so President Nasser would find the old ones when her house was impounded; a cousin who was taught the limits of reason by Wittgenstein at Cambridge and became a monsignor; a gynecologist uncle interned at Auschwitz and then Buchenwald, who lived to tell his tale with stark unsentimentality. With a keen sense for both the comic and the tragic, Alhadeff sizes up what is left of the family fortune: a tendency to live beyond one’s means, the stories and legends that survive the rise and fall of families, and the present as a paradise for those who, having lost all, have nothing to lose.
A novel of supernatural horror. Of courage, both heavenly and the otherly.
Like the neutrino observatory of its title, Midday at the Super-Kamiokande seeks “glimpses of the obscure” to carve out meaning, alternately a resistance to rationalism and its champion. It aims to tear through abstraction with the concrete, either catastrophic -- road accidents, nuclear explosions, floods, extinction, eviction, suicide -- or quotidian, finding threads of love, empathy, and belief within the fray. These poems delight in aphorism, paradox, puns, and wit, each stanza a closure that moves tangentially to the next, each poem more bricolage than narrative, more shuffle than playlist. These are poems with no middle. These are poems of beginnings, and of ends.