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"This volume emerges from a ground-breaking conference held in the Republic of Palau on cultural heritage in the Pacific. It includes bold investigations of the role of cultural heritage in identity-making, and the ways in which community engagement informs heritage management practices. This is the first broad and detailed investigation of the unique and irreplaceable cultural heritage of the Pacific from a heritage management perspective. It identifies new trends in research and assesses relationships between archaeologists, heritage managers and local communities. The methods which emerge from these relationships will be critical to the effective management of heritage sites in the 21st century. A wonderful book which emerges from an extraordinary conference. Essential reading for cultural heritage managers, archaeologists and others with an interest in caring for the unique cultural heritage of the Pacific Islands".
The most complete bibliography yet compiled of scientific references in both Japanese and Western languages pertaining to Micronesia. Organized by subjects into sections on botany, zoology, geology and mineralogy, limnology, oceanography, geophysics, medicine, anthropology and ethnology, and geography. Complete key to publications cited lists Japanese entries by their translated titles, with corresponding Romaji titles and publishers.
This text evaluates how anthropological research in the Trust Territory has affected the Micronesian people, the US colonial administration and the discipline of anthropology itself. It analyzes the interplay between anthropology and history, in particular how American colonialism affected anthropologists' use of history, and examines the research that has been conducted by American anthropologists in specific topical areas of sociocultural anthropology. The text concentrates on disciplinary concerns, but also considers the connections between work done in the era of applied anthropology and that completed later when anthropology was persued mainly for its own sake.
With more than one hundred illustrations--most in full color--this volume offers a stimulating and insightful account of two dynamic artistic cultures, traditions that have had a considerable impact on modern western art through the influence of artists such as Gauguin. After an introduction to Polynesian and Micronesian art separately, the book focuses on the artistic types, styles, and concepts shared by the two island groups, thereby placing each in its wider cultural context. From the textiles of Tonga to the canoes of Tahiti, Adrienne Kaeppler sheds light on religious and sacred rituals and objects, carving, architecture, tattooing, and much more.
Steadfast Movement examines how people from Chuuk State in the Federated States of Micronesia (FSM) move about and their cultural interpretations of movement itself. Special consideration is made of movement on the atoll of Satowan in Chuuk State as intimately associated with clan, lineage, and locality, as well as the influence of a system of local beliefs and attitudes based on combinations of age, marital status, and childbirth. Lola Quan Bautista also investigates the ways in which the current movement of citizens from Chuuk State and others from FSM to Guam fits within larger contexts that emphasize historical circumstances and more current political-economic considerations. Considering movement as being steadfast makes this study one of the few undertaken in the Pacific to self-consciously attempt to provide a sense of agency and interconnectivity between transnationalism and circular mobility.