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Almost 5,000 years ago Enheduanna took time to write 42 hymns and a poem called Min-Me-Sar-Ra or The Exaultation of Inanna. She is considered the first woman author in recorded history. Forward fast a few thousand years and we are priviledged to have the more sophisticated pennings of Michael Thomas, and you do not have to carry huge volumes of stone tablets to read it. Yet, Michael pays homage to the greatness of those who blazed the trail upon which the rest of us travel. He pulls it all into an amalgamous knowledge of expressive language. Come and see what poetry has evolved to over 5,000 years.
We all have our take on what is divine and what makes things divine. As we get older we tend to spend more time contemplating the divine. When the author, Michael Thomas, first saw a picture of this fresco, he was stricken with feelings of identification. For him, this picture was a wonderful representation of the divine, so he has chosen to share it with his readers as a personal expression of divinity. In his fifth volume of poetry, Michael Thomas becomes more philosophical and begins to plum the depths of humanity, looking for the goodness that he can attach himself to . As readers, we have the chance to attach ourselves to divinity through his words.
There are writers and there are writers, there are poets and then there are poets, and then there's Michael Thomas. Here is a man who is a Vietnam Veteran, has lived in a commune, has slept in doorways, and is a very respected C. P. A. How does this all happen to the same man? Fate, chance, whatever the reason, what matters is it did happen. In his first book of poetry, Michael takes us on the rich and varied journey which is his life, complete with all of the philosophical questions, and sometimes even answers. Yet, at the heart of it all is a kindness and a gratitude towards life that is refreshing and nourishing. If you like poetry, or even if you just like to experience the world through the eyes of someone who truly loves life, you will love Michael Thomas Poetry.
As an accountant, Michael Thomas has had difficulty applying his great knowledge of history, literature and art. But in his poetry, he is free to express his understandings in unbridled creative and playful ways. This, his most recent book of poetry is likely his most creative and playful, as he becomes more versed and practiced every day. Michael is blessed with an extensive vocabulary and the understanding of how to blend words to create effects which are more than the sum of the phrases, like a jazz master plays a saxophone solo. You cannot put what you heard into words, you only know that it left you awed and satisfied when it was over. Such is the sublime nature of high art in all of its varied forms. In Michael Thomas Poetry 6, we have a collection that in totality reaches that sublimity a multitude of times, leaving the reader many memorable experiences
Edward Thomas can be seen as the most important poetry critic in the early twentieth century. Thomas was a prose-writer before he was a poet. The Selected Edition of his prose, and especially this volume, shows that he was also a critic before he was a poet. His unusual literary career opens up key questions about the relation between poetry and criticism, as well as between poetry and prose. Thomas wrote books about poetry, but his criticism mainly took the form of reviews. He reviewed collections, editions, and studies of poetry, most regularly, for the Daily Chronicle and the Morning Post. These reviews amount to a unique commentary on the state of poetry and of poetry criticism after 1900. Since reviewing provided Thomas's main income, he also reviewed other kinds of book. Hence the sheer mass of his reviews, the stress he suffered as a literary journalist. Yet his criticism maintains an astonishingly high standard. Thomas's response to contemporary poetry intersects with his readings of older poetry. No critic or poet of the time was so deeply acquainted with the traditions of English-language poetry or so alert to new poetic movements in Ireland and America. Edward Thomas's writings on poetry have a double importance. Besides suggesting the hidden evolution of his own aesthetic, they constitute a lost history and critique of poetry before the Great War. They change our assumptions about that period. Thomas's perspectives on poets such as Yeats, Hardy, Frost, Lawrence, and Pound illuminate the making of modern poetry.
Based on the premise that plays are objects of study in and of themselves, this title details the Konstantin Stanislavskis method of action analysis, expanding the scope of analysis to includes both inductive and deductive methodologies.