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Mia finds that one more in the mix is always better in this treat of a tween series! Mia is getting used to her new family now that her mom is remarried to Eddie and she’s gained a new stepbrother, Dan. She’s in the groove of going to her dad’s house on the weekends, and everything is going pretty well at home and at school. Well, except for Spanish class. Mia’s parents and stepfather speak it and she does too—but speaking it and writing it are two different things, and somehow Mia ends up in the hands of the merciless Mrs. Alvarez and almost failing Spanish class. Still, things are so good at home that Mia doesn’t want to worry anyone or rock the boat. But when her parents find out—all three of them—she realizes that instead of having two parents, she’s lucky enough to have three, and all three of them pitch in to help her. A baker’s dozen is a bonus!
While Mia tries to get over breaking up with her boyfriend, she discovers a diary kept by a former princess of Genovia from the 1600s, the contents of which could change the fate of her country forever.
At Park Street School, you have the Popular Girls. They even have a Popular Girls Club. But what happens when you aren’t invited to join? Do you start an Unpopular Club? No, you start a Cupcake Club! This second book from The Cupcake Diaries is told through the perspective of Mia. Like the other members of the club, readers will get a chance to know the new girl in school. Mia has never had a problem making friends before. Her motto is to be open and friendly with everyone. However, not everyone at Park Street school believes in mixing in with different groups of friends. When the Popular Girls Club takes interest in Mia's keen fashion sense and decide to recruit her, Mia has to decide between them and the Cupcake Club members. What's a girl to do?
The first book in the #1 New York Times bestselling Princess Diaries series by Meg Cabot. Mia Thermopolis is pretty sure there’s nothing worse than being a five-foot-nine, flat-chested freshman, who also happens to be flunking Algebra. Is she ever in for a surprise. First Mom announces that she’s dating Mia’s Algebra teacher. Then Dad has to go and reveal that he is the crown prince of Genovia. And guess who still doesn’t have a date for the Cultural Diversity Dance? The Princess Diaries is the first book in the beloved, bestselling series that inspired the feature film starring Anne Hathaway and Julie Andrews.
Mia goes on vacation and meets up with the girls from the Sprinkle Sundays series in the latest addition to the Cupcake Diaries series! Things are slow at the cupcake shop this summer, and so when Mia’s dad invites her on a long weekend trip to meet some of his college friends, she jumps at the chance—especially when she hears they have daughters her age. It turns out the girls work in an ice cream shop. Not only does Mia end up making new friends—she comes back with a new invention for the Cupcake Girls: an ice-cream cone cupcake!
By examining the novels of critically and commercially successful authors such as Sarah Dessen (Someone Like You), Stephenie Meyer (the Twilight series), and Laurie Halse Anderson (Speak), Reading Like a Girl: Narrative Intimacy in Contemporary American Young Adult Literature explores the use of narrative intimacy as a means of reflecting and reinforcing larger, often contradictory, cultural expectations regarding adolescent women, interpersonal relationships, and intimacy. Reading Like a Girl explains the construction of narrator-reader relationships in recent American novels written about adolescent women and marketed to adolescent women. Sara K. Day explains, though, that such levels of imagined friendship lead to contradictory cultural expectations for the young women so deeply obsessed with reading these novels. Day coins the term “narrative intimacy” to refer to the implicit relationship between narrator and reader that depends on an imaginary disclosure and trust between the story's narrator and the reader. Through critical examination, the inherent contradictions between this enclosed, imagined relationship and the real expectations for adolescent women's relations prove to be problematic. In many novels for young women, adolescent female narrators construct conceptions of the adolescent woman reader, constructions that allow the narrator to understand the reader as a confidant, a safe and appropriate location for disclosure. At the same time, such novels offer frequent warnings against the sort of unfettered confession the narrators perform. Friendships are marked as potential sites of betrayal and rejection. Romantic relationships are presented as inherently threatening to physical and emotional health. And so, the narrator turns to the reader for an ally who cannot judge. The reader, in turn, may come to depend upon narrative intimacy in order to vicariously explore her own understanding of human expression and bonds.
This vibrant journal provides plenty of space in to write your favorite quotations, poems, and reflections. You'll love the beautifully fresh cover design and feel inspired to write often and consistently. * A great gift for Mia * Excellent thick binding * Over 100 pages of thick, unlined paper * Simplistic design perfectly made for any occasion or reason * Journal measures 5 inches wide by 8 inches high * Small in size, big in heart! Perfect to take anywhere without any real burden
Inside Out and Back Again meets Millicent Min, Girl Genius in this timely, hopeful middle-grade novel with a contemporary Chinese twist. Winner of the Asian / Pacific American Award for Children's Literature!* "Many readers will recognize themselves or their neighbors in these pages." -- Kirkus Reviews, starred reviewMia Tang has a lot of secrets.Number 1: She lives in a motel, not a big house. Every day, while her immigrant parents clean the rooms, ten-year-old Mia manages the front desk of the Calivista Motel and tends to its guests.Number 2: Her parents hide immigrants. And if the mean motel owner, Mr. Yao, finds out they've been letting them stay in the empty rooms for free, the Tangs will be doomed.Number 3: She wants to be a writer. But how can she when her mom thinks she should stick to math because English is not her first language?It will take all of Mia's courage, kindness, and hard work to get through this year. Will she be able to hold on to her job, help the immigrants and guests, escape Mr. Yao, and go for her dreams?Front Desk joins the Scholastic Gold line, which features award-winning and beloved novels. Includes exclusive bonus content!
Princess Mia is introduced to her Genovian subjects, and more importantly, she goes out on a date.
'Searing and generous ... a blazing beacon' - Donal Ryan 'Every man and woman should read this' - Sabina Higgins 'Written with honesty, power and insight' - Róisín Ingle 'Immensely valuable ... raw and vulnerable' - Irish Times 'A sobering ... timely call to arms' - Irish Independent How does a young woman find herself involved in prostitution in Ireland? In an era that asks us to take a 'sex-positive' view of it, how does this translate in reality? And why aren't we talking about it more? Any Girl is one woman's first-hand account of Ireland's sex trade. An experience of sexual exploitation as a teenager carved a direct path for Mia into the world of prostitution, a hidden part of her life during her college years in Dublin. There, in a system of casual entitlement, she met with abuse, violence and degradation, finally leaving it behind at age 24. Over a decade on, now a psychotherapist specialising in sexual trauma, Mia shares her remarkable story with passion and a determination to challenge dominant perceptions of prostitution today. Any Girl amounts to a radical act of truthtelling that shines with courage and hope. 'A powerful and important book' - Ivana Bacik, T.D. 'Will open your eyes and your heart to a hidden world that most choose to ignore' Jarlath Regan