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El otro día, en el cole, un compañero se enfadó conmigo y me dijo: –¡Payaso! Yo le di las gracias y un beso. Él no entendía nada, pero volvimos a ser amigos. The other day at school, a classmate got angry at me and said, "Clown!" I thanked him and gave him a kiss. He didn't understand but we became friends again.
A child learns about different occupations and being proud of family in this inclusive book.
This edited collection explores LGBTQ+ literature for young readers around the world, and connects this literature to greater societal, political, linguistic, historical, and cultural concerns. It brings together contributions from across the academic and activist spectra, looking at picture books, middle-grade books and young adult novels to explore what is at stake when we write (or do not write) about LGBTQ+ topics for young readers. The topics include the representation of sexualities and gender identities; depictions of queer families; censorship; links between culture, language and sexuality/gender; translation of LGBTQ+ literature for young readers; and self-publishing. It is the first collection to expand the study of LGBTQ+ literature for young readers beyond the English-speaking world and to draw cross-cultural comparisons.
“A tender story about the variety of people that make children feel loved and supported.” —Bulletin of the Center for Children’s Books Stella’s class is having a Mother’s Day celebration, but what’s a girl with two daddies to do? It’s not that she doesn’t have someone who helps her with her homework, or tucks her in at night. Stella has her Papa and Daddy who take care of her, and a whole gaggle of other loved ones who make her feel special and supported every day. She just doesn’t have a mom to invite to the party. Fortunately, Stella finds a unique solution to her party problem in this sweet story about love, acceptance, and the true meaning of family. “Told with both a light touch and an astute eye toward a child’s perspective and heartfelt concerns.” —School Library Journal “A raucous happy ending.” —The New York Times
You’ll be amazed to discover all the different reasons why animals have spots! What kinds of animals have spots and why do they have them? With engaging rhymes and bright, bold images, award-winning author-illustrator Susan Stockdale introduces readers to a range of spotted animals, familiar and exotic, and some of the benefits of their patterns. In addition to providing beauty and inspiration, spots can help a creature masquerade as a different, more threatening species, provide camouflage for hunting or hiding, or scare off predators. From the ladybug to the blue poison dart frog, the green anaconda to the white-tailed deer fawn, these spectacularly spotted creatures will delight and fascinate budding naturalists. This entrancing companion to Stripes of All Types (130,000 copies sold in a variety of formats) features energetic rhyming text and beautifully detailed paintings that pop off the page. An afterword tells a little bit more about each animal and where it lives, and readers can test their knowledge of animal spots with a fun matching game at the end.
They thought the fears were gone.They thought the nightmares would stop haunting them.But the five of them were wrong.They're older now. They're friends. But that friendship can be shattered so easily when life turns scary again.It was bad enough when it was just clowns and sharks and snakes. Back then, they had to conquer their own fear.Now . . . they have to conquer everyone else's.
An astonishing story that puts a human face on the ongoing debate about immigration reform in the United States, now updated with a new Epilogue and Afterword, photos of Enrique and his family, an author interview, and more—the definitive edition of a classic of contemporary America Based on the Los Angeles Times newspaper series that won two Pulitzer Prizes, one for feature writing and another for feature photography, this page-turner about the power of family is a popular text in classrooms and a touchstone for communities across the country to engage in meaningful discussions about this essential American subject. Enrique’s Journey recounts the unforgettable quest of a Honduran boy looking for his mother, eleven years after she is forced to leave her starving family to find work in the United States. Braving unimaginable peril, often clinging to the sides and tops of freight trains, Enrique travels through hostile worlds full of thugs, bandits, and corrupt cops. But he pushes forward, relying on his wit, courage, hope, and the kindness of strangers. As Isabel Allende writes: “This is a twenty-first-century Odyssey. If you are going to read only one nonfiction book this year, it has to be this one.” Praise for Enrique’s Journey “Magnificent . . . Enrique’s Journey is about love. It’s about family. It’s about home.”—The Washington Post Book World “[A] searing report from the immigration frontlines . . . as harrowing as it is heartbreaking.”—People (four stars) “Stunning . . . As an adventure narrative alone, Enrique’s Journey is a worthy read. . . . Nazario’s impressive piece of reporting [turns] the current immigration controversy from a political story into a personal one.”—Entertainment Weekly “Gripping and harrowing . . . a story begging to be told.”—The Christian Science Monitor “[A] prodigious feat of reporting . . . [Sonia Nazario is] amazingly thorough and intrepid.”—Newsday
A moving and original story of family, friendship - and fish. "What's it like, Dad - being a fish?"Grief takes many forms, and manifests itself in strange ways. Sometimes very strange indeed. When, on an ordinary morning, Dak's father suddenly dies of a heart attack, Dak's mother falls apart. Desperate to escape the atmosphere at home, Dak finds himself going to his dad's favourite place - the local aquarium. And there, to his amazement, is Dad, who it seems is alive and well as a clownfish! With his mum so ill, Dak decides that, for now, this will have to be his secret, and his alone. But he visits the clownfish tank as often as he can, which is how he comes to meet Violet, the owner's niece. She's offhand and unfriendly - yet when the aquarium is threatened with closure, Dak and Violet need to work together to save it. For Dak, the stakes couldn't be higher: if the aquarium shuts down, what will happen to Dad? Gently funny, moving and undoubtedly strange, this is a haunting story of life after loss from an award-winning author.
ñDavid is mine!î Mrs. Renteria shouts out to her neighbors gathered about the dead but handsome young man found in the dry riverbed next to their homes in a Los Angeles barrio. ñDavid?î Tiburcio asked. ñSince when is his name David? He looks to me more like a ƒî Tiburcio glanced at the manÍs face, ñƒ a Luis.î Mrs. RenteriaÍs neighbors call out a litany of names that better suit the mysterious corpse: Roberto, Antonio, Henry, Enrique, Miguel, Roy, Rafael. The very first winner of the Chicano / Latino Literary Prize in 1974, Ron AriasÍ ñThe Wetbackî uses dark humor to reflect on the appearance of a dead brown man in their midst. This landmark collection of prize-winning fiction, poetry, and drama paints a historical and aesthetic panorama of Chicana/o and Latina/o letters over a twenty-five-year period beginning in 1974 and ending in 1999. Most, but not all, of the winning entries are featured in this anthology, which also includes second- and third-place winners, as well as honorable mentions. Now entering its thirty-first year, the award has recognized a wide variety of writers, from established ones such as Juan Felipe Herrera, Michael Nava, and Helena Maria Viramontes, to those that are lesser known. Many of the pieces in this anthology are considered to be foundational texts of Chicana/o and Latina/o literature, and those that are not as widely recognized deserve more serious study and attention. Presented in chronological order, the selected writings are primarily in English, although some are written in Spanish, and others in Spanglish. Some, like Francisco X. AlarconÍs poem ñRaices / Roots,î appear in both languages: ñMis raices / las cargo / siempre / conmigo / enrolladas / me sirven / de almohada.î ñI carry / my roots / with me / all the time / rolled up / I use them / as my pillow.î In addition to the diverse array of authors, styles, and genres, the works included in this collection cover a wide range of themes, from more political issues of ethnic, gender, and class.
Surrounded by lies and deceit how do you work out who is telling the truth? When highly decorated war hero, Colonel Tariq joins the intelligence agency, his rise to the top seems assured. But in his first case he discovers a CIA agent has killed a young prostitute and a diplomatic crisis erupts.As the two nations negotiate, angry mobs take to the streets and he is caught up in a national scandal. Tariq is instructed to eliminate the only witness and instigate a cover up, trapping him in a terrible moral dilemma. As his professional ambition and private life collide, he must make a life changing decision that will have far reaching consequences for the future of his family and his country.