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In this work the reader is introduced into the fascinating world of Jewish funerary epigraphy of the Hellenistic and Roman period. The information that can be gleaned about Jewish life and thought from more than 1000 tomb-inscriptions is presented here in a systematic way. Aspects covered include languages, forms, motifs, values, epithets, functions and professions, age at death, views on death and afterlife, and the role of women. Of special interest is a chapter dealing with the relevance of these epitaphs for the study of early Christianity. The monograph ends with a selection of inscriptions in their original language with translation and notes as well as an extensive bibliography, which is updated in this 2nd printing.
This volume contains the papers of a workshop on Jewish epigraphy in antiquity organized at Utrecht University in 1992. Among the participants were collaborators of the Cambridge Jewish Inscriptions Project and of the Tübinger Atlas des Vorderen Orients project. Important aspects of ancient Jewish inscriptions are highlighted in the papers, like the connection between documentary and literary texts. Several papers focus on aspects of the history of Jewish communities in the diaspora. Specialists in Jewish epigraphy will find surveys of parts of the corpus of Jewish inscriptions (curse inscriptions, metrical epitaphs, alphabet-inscriptions) and discussions of some fixed opinions, and Jewish inscriptions are discussed in a wider literary and historical contexts as well.
This collection of essays deals with the rise and development of early Christian poetry, discussing its techniques and its theoretical foundation. The individual papers concern specimina of Hebrew, Syriac, Greek and Latin poetry and study the various and partly conflicting traditions from which it originated. The biblical examples, e.g. of the Psalms, held great authority, but on the other hand it was impossible to break away from the models of classical Greco-Roman poetry, although these were deemed dangerous because of the pagan content and excessive cult of literary art. The book shows how the problems involved were solved in different ways, which justified the use of pagan literary accomplishments for singing the praises of the Lord.