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"One of the most challenging questions for Christian ecumenical theology is how the relationship between the eucharistic bread and wine and Jesus Christ's body and blood can be appropriately described. This book takes a new approach to controverted questions of eucharistic presence by drawing on cognitive linguistics. Arguing that human cognition is grounded in sensorimotor experience and that phenomena such as metaphor and conceptual blending are basic building blocks of thought, the book proposes that inherited models of eucharistic presence are not necessarily mutually exclusive but can serve as complementary members of a shared ecumenical repertoire. The central element of this repertoire is the motif of identity, grounded in the Synoptic and Pauline institution narratives. The book argues that the statement "The eucharistic bread and wine are the body and blood of Christ" can be understood both as figurative and as true in the proper sense, thus resolving a church-dividing dichotomy. The identity motif is complemented by four major non-scriptural motifs: representation, change, containment, and conduit. Each motif with its entailments is explored in depth and suggestions for ecumenical reconciliation in both doctrine and practices are offered. The book also provides an introduction to cognitive linguistics and offers suggestions for further reading in that field"--
This work comes at an opportune hour: a time in which many complain that contemporary theology lacks a general theory of sacraments. Chauvet charts a reorientation in sacramental theology from the scholastic treatments, which appropriated the metaphysical categories of causality and substance to develop an essentially instrumentalist appreciation of grace, in favor of an approach through the category of symbol." In this approach the subject is as much "grasped" (and transformed) by the symbolic representation as is the object being interpreted. Chauvet commands a wealth of scholarship which he deploys to powerful effect. His work in developing a foundational theology of sacramentality will remain the standard for years to come. "
"Reconceives the moral significance of Cormac McCarthy's novels through a constructive engagement with postmodern theory and Christian theology"--
The aim of the present bibliography is to provide the student of metaphor with an up-to-date and comprehensive (albeit not exhaustive) overview of recent publications dealing with various aspects of metaphor in a variety of disciplines. Where the emphasis is primarily on specific works “about” metaphor, mainly in philosophy, linguistics, and psychology, the list has been supplemented with references to studies where metaphor is explicitly recognized as an instrument of research or analysis (e.g., in literature, or in the elaboration of scientific and religious models) or where its use is illustrated.
Christians tend to divide into three camps: evangelical, sacramental, and pentecostal. But must we choose between them? Drawing on the New Testament, Christian history, and years of experience in Christian ministry, Gordon T. Smith argues that the church not only can be all three, but in fact must be all three in order to truly be the church.
From its probable beginnings as an interrogatory creed for catechumens to its current place in the Sunday liturgy, the Apostoles' Creed has played an integral role in the sacraments of the church. The symbol of faith, as it was called by generations of Christians, was not only a vehicle of orthodox instruction but a profession of faith of profound beauty and meaning to be memorized and pondered for a lifetime. It is this Creed, a lasting achievement of the Christian tradition that Nicholas Ayo, C.S.C., presents to the general reader in The Creed as Symbol. A meditative yet thought-provoking study, this volume presents the Apostles' Creed as more than a basic confession of faith but as a symbol/metaphor of the mystery of God. Ayo holds that the Apostles' Creed is a sacred poem, an ancient psalm, holy and beautiful in its form as well as in its content. Basic literary criticism and linguistics are used to explicate the figurative body of the Creed--its words--as well as the theological meditation of its soul--the mysteries it seeks to teach. And as Ayo balances the study of the medium with the message, he does so with the conviction that the two are inextricably linked together and can never be separated. Ayo divides the Apostoles' Creed into its 12 historically recognized articles, each with its own chapter. In addition to his introduction, Ayo has included a brief history of the Creed's formation, a full summary of the ideas covered, an appendix containing differing versions of the Creed, a bibliography, and complete notes. This work is an ideal companion piece to any student religious text or standing alone, as a parish renewal source book or primary text for catechumens. The Creed as Symbol will enrich anyone's understanding of the Creed, the perennial and core doctrine of Christianity.
The following dissertation concerning the Trinity, as the reader ought to be informed, has been written in order to guard against the sophistries of those who disdain to begin with faith, and are deceived by a crude and perverse love of reason. Now one class of such men endeavor to transfer to things incorporeal and spiritual the ideas they have formed, whether through experience of the bodily senses, or by natural human wit and diligent quickness, or by the aid of art, from things corporeal; so as to seek to measure and conceive of the former by the latter. Aeterna Press
Drawing on performance studies and sacramental and liturgical theology, Ruthanna B. Hooke develops a theology of proclamation grounded in the body’s experience of preaching. The author explores the claim that preaching is a sacramental event of communion with the triune God by comparing the steps involved in voice production with the fourfold shape of the Eucharist. This comparison yields a description of preaching as an event of self-offering that allows space for the humanity of the preacher and as an encounter with the Holy Spirit that is communal and prophetic. Preaching draws participants into Christ’s dying and rising, and hence into a mode of power known in vulnerability. Calling hearers into the eschatological event of the resurrection, preaching inherently moves toward proclamation on political and ethical issues. Hooke uses this theological framework to offer ways of preaching on environmental crisis and on racism. The author calls preachers to embodied engagement with preaching and describes a way for preachers to bear witness to Jesus Christ not only in the content of their proclamation, but in their way of being in the preaching event.
Lumen gentium, the Dogmatic Constitution on the Church of the Second Vatican Council, uses various images to speak about the Church. This study is about the Church as the Bride of Christ. Unlike the great images of the Church as the People of God and the Body of Christ, the image of the Church as the Bride of Christ has never been extensively examined since the Second Vatican Council. The current research is a biblical and systematic-theological study of this image. Its main question is what this metaphor can tell us about the essence of the Church, and what its consequences are for the life of the Church today.