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The relevance of this study opens up the possibility for “Elusive Man” of metamodernism to discover the path of truth, to see “plus” without “minus”, finishing the binary experience of wars and sufferings forever, opening a face of “Light Man” who lives under the laws of the “shades of goodness”, forming a new cultural condition of “post metamodernism”.*the language of the research is Ukrainian.
Looks at the history of the American Left, including its four distinct movements, and describes its leaders and goals
NEW YORK TIMES BESTSELLER • A modern American epic set against the panorama of contemporary politics and culture—a hurtling, page-turning mystery that is equal parts The Great Gatsby and The Bonfire of the Vanities ONE OF THE BEST BOOKS OF THE YEAR: NPR, PBS, Harper’s Bazaar, Esquire, Financial Times, The Times of India On the day of Barack Obama’s inauguration, an enigmatic billionaire from foreign shores takes up residence in the architectural jewel of “the Gardens,” a cloistered community in New York’s Greenwich Village. The neighborhood is a bubble within a bubble, and the residents are immediately intrigued by the eccentric newcomer and his family. Along with his improbable name, untraceable accent, and unmistakable whiff of danger, Nero Golden has brought along his three adult sons: agoraphobic, alcoholic Petya, a brilliant recluse with a tortured mind; Apu, the flamboyant artist, sexually and spiritually omnivorous, famous on twenty blocks; and D, at twenty-two the baby of the family, harboring an explosive secret even from himself. There is no mother, no wife; at least not until Vasilisa, a sleek Russian expat, snags the septuagenarian Nero, becoming the queen to his king—a queen in want of an heir. Our guide to the Goldens’ world is their neighbor René, an ambitious young filmmaker. Researching a movie about the Goldens, he ingratiates himself into their household. Seduced by their mystique, he is inevitably implicated in their quarrels, their infidelities, and, indeed, their crimes. Meanwhile, like a bad joke, a certain comic-book villain embarks upon a crass presidential run that turns New York upside-down. Set against the strange and exuberant backdrop of current American culture and politics, The Golden House also marks Salman Rushdie’s triumphant and exciting return to realism. The result is a modern epic of love and terrorism, loss and reinvention—a powerful, timely story told with the daring and panache that make Salman Rushdie a force of light in our dark new age.
The essay raises a new vision of the final End in postmodern state, emerging through the crisis of dominants in current tendencies of metamodernism by T. Vermeulen, R. van den Akker. Despite this, making one well-directed step back, metamodernism found the valid key, oscillating with the shades of goodness for holistic happiness to open the gates of The Brilliant Age. This journey turned out to be long, overcoming 2018 years to discover the new world island of post metamodernism without evil.
Opening -- Part I. Metarealism. How the real world became a fable, or, The realities of social construction -- Part II. Process social ontology. Concepts in disintegration & strategies for demolition ; Process social ontology ; Social kinds -- Part III. Hylosemiotics. Hylosemiotics : the discourse of things -- Part IV. Knowledge and value. Zetetic knowledge ; The revaluation of values -- Conclusion : becoming metamodern.
Metamodernism: Historicity, Affect, Depth brings together many of the most influential voices in the scholarly and critical debate about post-postmodernism and twenty-first century aesthetics, arts and culture. By relating cutting-edge analyses of contemporary literature, the visual arts and film and television to recent social, technological and economic developments, the volume provides both a map and an itinerary of today’s metamodern cultural landscape. As its organising principle, the book takes Fredric Jameson’s canonical arguments about the waning of historicity, affect and depth in the postmodern culture of western capitalist societies in the twentieth century, and re-evaluates and reconceptualises these notions in a twenty-first century context. In doing so, it shows that the contemporary moment should be regarded as a transitional period from the postmodern and into the metamodern cultural moment.
Brings together many of the most influential voices in the scholarly and critical debate about post-postmodernism and twenty-first century aesthetics, arts and culture.
Working through the issue of representation, in art forms from fiction to photography, Linda Hutcheon sets out postmodernism's highly political challenge to the dominant ideologies of the western world.
No doubt the 21st century will continue to surprise us, but the battle for the soul of humanity appears to be quickening. Do we have what it takes to save ourselves from ourselves? The internet has fundamentally changed our experience of shared life, for good and bad. The spiritual and ecological exhaustion of modernity is watched and discussed in a public realm mostly controlled by private interests, where our attention is easily hijacked and vulnerable to manipulation. There is joy and hope in life as always, but our species faces a capricious future. This anthology is an attempt to perceive our contexts and opportunities more clearly with an exploration of the metamodern sensibility: a structure of feeling, cultural ethos, epistemic orientation and imaginative outlook that is coalescing into an important body of theory and practice. Leading metamodern writers, including Zachary Stein, Bonnitta Roy, Lene Rachel Andersen, Hanzi Freinacht, Minna Salami and John Vervaeke, reflect upon the conjunction of premodern, modern and postmodern influences on the present to help contend with our plight in the 2020s and beyond. Fourteen chapters traverse a range of disciplines and domains to help the reader move beyond critique into vision and method. The aim is to create and inspire viable and desirable futures in this time between worlds, where one pattern of collective life is dying and another needs our help to be born.
Litterateur Redefining World, June Edition presents global writers across the world. Poetry, Essay, Photographs, Paintings, Play and Short stories are spaced in this issue. Contributors for this edition are Shajil Anthru, Nina Kossman, Jack Foley, Malgorzata Borzeszkowska, Geeta Tripathee, Rosa Jamali, Arundhati Mukherjee, Sahar Ajdamsani, Anita Pesic, Borche Panov Farhod Eshanov, Carl Scharwath, Daniela Andonovska-Trajkovska, Howie Good, Jasmina Hanjalic, John Grey, Lynn White, Marco Marengo, Amy Bassin and Mark Blickley, Mary Anne Zammit, Mazdak Panjehee, Michael Mc Aloran, Mokhira Eshpulatova, Ngozi Olivia Osuoha, Tareq Samin, Sumati Muniandy, Stephen Douglas Wright, Alec Solomita, Pat Connors, Parthita Dutta, Madiyar Mukhtarovich Ospanov, Amita Sanghvi, Dr. Sunitha Ganesh, Jelena Zagorac, Nodirabegim Ibrokhimova, Ewith Bahar, Nigar Arif, Patricia Walsh, Vasiliki Karatasiou, Sangita Singh, Shahid Abbas and Katarzyna Justyna Zychla. This Edition is Edited by Shajil Anthru, Poet and Litterateur who wrote the world's shortest story in three words for which he had found his place in Asia Book of Records 2021.