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This book, by a master craftsman who has devoted much of his life to teaching, is an exceptionally useful handbook in the techniques of sheet metalcraft. Presenting easy-to-follow and complete instructions on pages opposite to carefully executed drawings and diagrams, he makes it possible for anyone to learn the basics of this art form and to fashion objects which are at once beautiful and useful, and which display the individual expressiveness of the maker. Beginning with fundamentals, the author lists and pictures all of the necessary tools and carefully explains basic techniques for cutting stock, annealing and heating, pickling, shallow hollowing, raising, planishing, bending and shaping, leveling, soldering and welding, making molds, pattern making, and all of the steps and processes in the fine art of chasing. There follows a series of specific projects for making candlesticks, coasters, fluted platters and bowls, beakers, pitchers, serving trays, lamps, and a host of other articles in a wide variety of designs. A selection of thumbnail sketches for further exploration is included, and complete instructions are given for finishing and oxidation. The compact and graphic method of presentation makes this an extremely handy book, and the projects contained in it will engage the accomplished craftsman as well as the amateur. The approach is consistently from the craftworker's point of view, and the description of workshop methods are clear and direct and result from the author's lifelong experience in actual work and in instruction.
This is a revised and enlarged edition of the earlier standard work on the subject which should be essential reading for anyone with an interest in brass or the wider fields of metalwork and antiques. The book sets individual pieces in their historical background of design, manufacture and use.
The presence of gold, silver, and other metals is a hallmark of decorated manuscripts, the very characteristic that makes them “illuminated.” Medieval artists often used metal pigment and leaf to depict metal objects both real and imagined, such as chalices, crosses, tableware, and even idols; the luminosity of these representations contrasted pointedly with the surrounding paints, enriching the page and dazzling the viewer. To elucidate this key artistic tradition, this volume represents the first in-depth scholarly assessment of the depiction of precious-metal objects in manuscripts and the media used to conjure them. From Paris to the Abbasid caliphate, and from Ethiopia to Bruges, the case studies gathered here forge novel approaches to the materiality and pictoriality of illumination. In exploring the semiotic, material, iconographic, and technical dimensions of these manuscripts, the authors reveal the canny ways in which painters generated metallic presence on the page. Illuminating Metalwork is a landmark contribution to the study of the medieval book and its visual and embodied reception, and is poised to be a staple of research in art history and manuscript studies, accessible to undergraduates and specialists alike.
This heavily illustrated catalogue is devoted to the Museum’s collection of silver and gold from the Hellenized East—one of the largest yet assembled. Among the objects included are rhyta, bowls, cups, jewelry, and decorative gold and silver ornaments for horse bridles and clothing. In an extensive introduction, the author dates the various groups of objects and places them within a wider cultural and archaeological context, providing a detailed stylistic analysis of the ornamental motifs of many pieces. Of particular importance is the inclusion of illustrations of some 50 little-known comparative objects as well as extensive bibliographic references.
Metalworking Through History provides a comprehensive, historic overview of the subject of metalworking while exploring it within its cultural context. It is written from the perspective that the crafting of objects in metal is a unique way of understanding a particular time and culture. As a broad encyclopedia of metalworking, it allows the reader to view the different societies and periods that produced work in this medium as part of a global, interrelated practice. Comprised of over sixty entries on relevant time periods, cultures, makers and processes, the book is a much-needed general reference text in the survey of this craft. The subjects span all the major metalworking periods and peoples, from the rituals of African iron smelting to the twentieth century studio movement. Outstanding individual makers are highlighted to give additional insight into the times at which they were active. Furthermore, the materials and techniques used in the act of metalworking are clearly explained in terms that are easily understood by a practitioner with tacit knowledge of the medium. Suggested further readings and cross-references allow for the expansion of research and additional study. It is an excellent first resource for understanding the concepts and terminology of the ancient and pervasive craft of metalworking. Volume includes eight pages of color plates, and black and white photos throughout. Metalworking Through History provides a comprehensive, historic overview of the subject of metalworking while exploring it within its cultural context. It is written from the perspective that the crafting of objects in metal is a unique way of understanding a particular time and culture. As a broad encyclopedia of metalworking, it allows the reader to view the different societies and periods that produced work in this medium as part of a global, interrelated practice. Comprised of over sixty entries on relevant time periods, cultures, makers and processes, the book is a much-needed general reference text in the survey of this craft. The subjects span all the major metalworking periods and peoples, from the rituals of African iron smelting to the twentieth century studio movement. Outstanding individual makers are highlighted to give additional insight into the times at which they were active. Furthermore, the materials and techniques used in the act of metalworking are clearly explained in terms that are easily understood by a practitioner with tacit knowledge of the medium. Suggested further readings and cross-references allow for the expansion of research and additional study. It is an excellent first resource for understanding the concepts and terminology of the ancient and pervasive craft of metalworking. Volume includes eight pages of color plates, and black and white photos throughout. *Art Deco *Marianne Brandt *Chinese *Dark Ages *Enamel *Engraving *Georg Jensen *Judaica *Metals and their Alloys *Native American *Plating and Leaf *Renaissance *June Schwartz *Soldering *South American *Samuel Yellin
Provides basic information about tools, materials, and procedures used in metalworking. Covers both hand and machine-tool operations and supplies background information about industrial equipment and processes. Over 1500 photographs and drawings highlight important concepts and procedures.
Featuring 200 examples of the very finest work by more than 50 contemporary Japanese artists, this book is indispensable to anyone interested in modern developments in jewellery-making, and of great appeal to the broader craft and design community.
Metalworking Through History provides a comprehensive, historic overview of the subject of metalworking while exploring it within its cultural context. It is written from the perspective that the crafting of objects in metal is a unique way of understanding a particular time and culture. As a broad encyclopedia of metalworking, it allows the reader to view the different societies and periods that produced work in this medium as part of a global, interrelated practice. Comprised of over sixty entries on relevant time periods, cultures, makers and processes, the book is a much-needed general reference text in the survey of this craft. The subjects span all the major metalworking periods and peoples, from the rituals of African iron smelting to the twentieth century studio movement. Outstanding individual makers are highlighted to give additional insight into the times at which they were active. Furthermore, the materials and techniques used in the act of metalworking are clearly explained in terms that are easily understood by a practitioner with tacit knowledge of the medium. Suggested further readings and cross-references allow for the expansion of research and additional study. It is an excellent first resource for understanding the concepts and terminology of the ancient and pervasive craft of metalworking. Volume includes eight pages of color plates, and black and white photos throughout. Metalworking Through History provides a comprehensive, historic overview of the subject of metalworking while exploring it within its cultural context. It is written from the perspective that the crafting of objects in metal is a unique way of understanding a particular time and culture. As a broad encyclopedia of metalworking, it allows the reader to view the different societies and periods that produced work in this medium as part of a global, interrelated practice. Comprised of over sixty entries on relevant time periods, cultures, makers and processes, the book is a much-needed general reference text in the survey of this craft. The subjects span all the major metalworking periods and peoples, from the rituals of African iron smelting to the twentieth century studio movement. Outstanding individual makers are highlighted to give additional insight into the times at which they were active. Furthermore, the materials and techniques used in the act of metalworking are clearly explained in terms that are easily understood by a practitioner with tacit knowledge of the medium. Suggested further readings and cross-references allow for the expansion of research and additional study. It is an excellent first resource for understanding the concepts and terminology of the ancient and pervasive craft of metalworking. Volume includes eight pages of color plates, and black and white photos throughout. *Art Deco *Marianne Brandt *Chinese *Dark Ages *Enamel *Engraving *Georg Jensen *Judaica *Metals and their Alloys *Native American *Plating and Leaf *Renaissance *June Schwartz *Soldering *South American *Samuel Yellin