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"Metal sculpture includes simple wire designs that can be done by anyone sitting in the living room, the making of mobiles and other constructions cut or sculptures in tin or copper, on up to soldered and welded sculpture. All forms of metal sculpture are covered in this book, including well-designed utilitarian objects such as spoons, candle-holders, and latterns, and simple costume jewelry. Each process is fully described with simple step-by-step instructions." - back cover.
Mega Square Sculpture spans over 23,000 years and over 120 examples of the most beautiful sculptures in the world: from prehistoric art and Egyptian statues to the works of Michelangelo, Henry Moore and Niki de Saint-Phalle. It illuminates the wide variety of materials used and the evolution of styles over centuries, as well as the peculiarities of the most important sculptors.
"This comprehensive sourcebook is destined to become a lasting and definitive resource on the art and aesthetic philosophy of the American artist David Smith (1906-1965). A pioneer of twentieth-century modernism, Smith was renowned for the expansive formal and conceptual ambitions of his broadly diverse and inventive welded-steel abstractions. His groundbreaking achievements drew freely on cubism, surrealism, and constructivism, profoundly influencing later movements such as minimalism and environmental art. By radically challenging older conventions of monolithic figuration and refuting arbitrary distinctions between painters and sculptors, Smith asserted sculpture's equal role in advancing modern art. A compilation of Smith's poems, sketchbook notes, essays, lectures, letters to the editor, reviews, and interviews, these previously unpublished texts underscore the varied ways in which his writing functioned as a means to examine and articulate his private identity and to promote the social ideals that made him a key participant in contemporary discourses surrounding modernism, art and politics, and sculptural aesthetics. All the documents in David Smith: collected writings, lectures, and interviews have been newly corrected against the original manuscripts, typescripts, and audiotapes. Each text in this collection is annotated with historical and contextual information that reflects Smith's own process of continually reviewing and revising his writings in response to his evolving aspirations as a visual artist."--Provided by publisher.
The book includes many plate images both color and black and white. The Acknowledgements page (p. 15) includes a list of the contributing artists: Carl Andre, Anne Arnold, Mike Bakaty, Francois and Bernard Baschet, Sondra Beal, Bruce Beasley, Larry Bell, Fletcher Benton, Ronald Bladen, Robert Breer, Anthony Caro, John Chanmberlain, Judy Chicago (Gerowitz), Ligia Calrk, Toney DeLap, Jose De Rivera, Tom Doyle, Fred Eversley, Dan Flanin, Peter Forakis, Jane Frank [Jane Schenthal Frank], Charles R. Frazier, James Grant, Karl Gerstner, Robert Grosvenor, John Healy, Eva Hesse, Robert Hudson, Jasper Johns, Donald Judd, Lila Katzen, Lyman Kipp, Bernard Kirschenbaum, Gabriel Kohn, Peter Kowalski, Sol LeWitt, Frank Malina, Marisol, Eugene Massin, John McCracken, Robert Morris, Sadamasa Motonaga, Forrest Myers, Elie Nadelman, Louise Nevelson, Claes Oldenburg, Otto Piene, Peter Pinchbeck, Robert Rauschenberg, Martial Raysse, Ad Reinhardt, Bridgitt Riley, Nicolas Schoffer, George Segal, Jason Seley, David Slivka, David Smith, Tony Smith, Robert Smithson, Kenneth Snelson, Frank DStella, George Sugarman, Takis, Victor Vasarely, David Von Schlegell, Al Vrana, David Weinrib, H. C. Westermann, Audrey Corwin Wright, Wilfred Zogbaum.
The nine sections of this book, under the title of ART FOR PSYCHOTHERAPY include the understanding of the children's and adults' approach to life, their artistic expressions, and the various diagnostic methods of art, as regards the behaviour and therapy of human beings. Explained in the book are the concepts of doodling, scribbling, painting, sketching, sculpturing, and art in general. Also, described are the history of cinematography and its modern technological devices, such as the imaginary stories and the computerised cartoons for all ages of viewers. The history of sorcery and magic, and their modern scientific concepts are also included. Described and illustrated in length are: Art Therapy as a recognised profession, Adlerian Individual Psychology, Jungian Psychotherapy, Freudian Psycho-analysis, the ethical approach to practising, and how in modern times these occupations handle the treatment of children and adults.
This 1885 book examines the extant works of the Greek sculptor Pheidias, best known as the creator of the Parthenon Marbles and the gold and ivory statue of Zeus at Olympia. Waldstein examines the Parthenon Marbles with particular scrutiny and charts the relationship between Pheidias' school and the development of later Greek art.
The only college-level publication on Korean art history written in English Korean pop culture has become an international phenomenon in the past few years. The popularity of the nation’s exports—movies, K-pop, fashion, television shows, lifestyle and cosmetics products, to name a few—has never been greater in Western society. Despite this heightened interest in contemporary Korean culture, scholarly Western publications on Korean visual arts are scarce and often outdated. A Companion to Korean Art is the first academically-researched anthology on the history of Korean art written in English. This unique anthology brings together essays by renowned scholars from Korea, the US, and Europe, presenting expert insights and exploring the most recent research in the field. Insightful chapters discuss Korean art and visual culture from early historical periods to the present. Subjects include the early paintings of Korea, Buddhist architecture, visual art of the late Chosŏn period, postwar Korean Art, South Korean cinema, and more. Several chapters explore the cultural exchange between the Korean peninsula, the Chinese mainland, and the Japanese archipelago, offering new perspectives on Chinese and Japanese art. The most comprehensive survey of the history of Korean art available, this book: Offers a comprehensive account of Korean visual culture through history, including contemporary developments and trends Presents two dozen articles and numerous high quality illustrations Discusses visual and material artifacts of Korean art kept in various archives and collections worldwide Provides theoretical and interpretive balance on the subject of Korean art Helps instructors and scholars of Asian art history incorporate Korean visual arts in their research and teaching The definitive and authoritative reference on the subject, A Companion to Korean Art is indispensable for scholars and academics working in areas of Asian visual arts, university students in Asian and Korean art courses, and general readers interested in the art, culture, and history of Korea.