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The metal artist offers tips on tools, the creative process, and life as an artist and includes color photographs of selected works from his thirty-plus years of sculpting.5NjBwBT
"Metal sculpture includes simple wire designs that can be done by anyone sitting in the living room, the making of mobiles and other constructions cut or sculptures in tin or copper, on up to soldered and welded sculpture. All forms of metal sculpture are covered in this book, including well-designed utilitarian objects such as spoons, candle-holders, and latterns, and simple costume jewelry. Each process is fully described with simple step-by-step instructions." - back cover.
Learn how to make welded art today! Barbie The Welder shows you how to easily weld scrap metal art! Each step is pictured for these 30 welding projects to make the creation process straight forward and easy to follow for the beginner or advanced welder! Make gifts or start a metal art business! Projects include Keychain, star, business card holder, scrap heart, scrap words, snail, feathers, flower, bicycle, owl, drink coasters, bike, coat rack, dog, bulldozer, candle holders, steampunk wine or whisky rack, steampunk bookends, pencil holder, jewelry tree, scorpion, fisherman, person, rose, spider, midevil battleaxe, skeleton hand and arm, fly fisherman.
Transforming unlikely pieces of scrap metal into significant works of art - giving new life to things we throw away - is an accessible, creative and fulfilling activity. This book describes and illustrates the concerns and techniques involved in making this kind of sculpture, looking behind the work at the richness and diversity of an area of sculpture that deserves to be far better known. Topics covered include the role and purpose of sculpture, the particular qualities of sculpture made from scrap metal and the practical processes involved in its making. It also covers sources of scrap metal, identifying metals, reviewing metalworking techniques, creative approaches, different types of sculpture, and the making, finishing and installation of pieces of sculpture. This book will be of great interest to blacksmiths, sculptors and metalworkers and is beautifully illustrated with 108 colour photographs from work by professional sculptors and students, showcasing a range of different approaches.
What is direct metal sculpture? -- Metals -- equipment -- and their use -- Soldering and brazing -- Welded iron and steel sculptures (Ferrous metals) -- Sculptures from found objects -- Non-ferrous metals -- Combining ferrous and non-ferrous metals -- Combinations of metals with other materials -- Metal sculptures made without heat -- Architecture and direct metal sculpture.
There exist numerous free-standing figurative sculptures produced in Java between the eighth and fifteenth centuries whose dress display detailed textile patterns. This surviving body of sculpture, carved in stone and cast in metal, varying in both size and condition, remains in archaeological sites and museums in Indonesia and worldwide. The equatorial climate of Java has precluded any textiles from this period surviving. Therefore this book argues the textiles represented on these sculptures offer a unique insight into the patterned splendour of the textiles in circulation during this period. This volume contributes to our knowledge of the textiles in circulation at that time by including the first comprehensive record of this body of sculpture, together with the textile patterns classified into a typology of styles within each chapter.
When the J. Paul Getty Museum received 28 sculptures from the collection of Ray & Fran Stark, it found itself suddenly in the forefront of the evolving field of outdoor sculpture conservation. This volume charts presents an account of the challenges & how the J. Paul Getty Museum staff met them.
This magnificent work is a summary of 35 years experience as a sculpture caster. An illuminating text combines with 646 color photographs and 78 line drawings of the lost wax (cire perdu) and modern variant of sand casting processes involved in forming metal sculpture, as well as contemporary and historic examples.Metal finishing processes are explored in detail, including an unprecedented 177 patination recipes and working practices. An important addition to libraries of art schools and universities as well as professional and amateur sculptors.
This book, in it sixth edition, has evolved over the years into a complete guide to the metalcasting of sculpture. Potratz (Ironwain) has taken his years of knowledge gained practicing and teaching his craft and is now sharing it all in this easy-to-use book. Contents include: Introduction to Metal Casting, Recommended Tools and Equipment, Safety, Pattern Making, Sprueing and Venting Wax, Intro to Molding, Melting and Pouring Metal, Chasing, and Patina of Metals. Includes a comprehensive bibliography; an appendix filled with useful conversions, charts, recipes, and cupola/cupolette furnace building specs; detailed index; and much, much, more. ,
"That science-fiction future in which technology would make everything very good—or very bad—has not yet arrived. From our vantage point at least, no age appears to have had a deeper faith in the inevitability and imminence of such a total technological transformation than the early twentieth century. Russia was no exception."—from the introduction In the Soviet Union, it seems, armoring oneself against the world did not suffice—it was best to become metal itself. In his engaging and accessible book, Rolf Hellebust explores the aesthetic and ideological function of the metallization of the revolutionary body as revealed in Soviet literature, art, and politics. His book shows how the significance of this modern myth goes far beyond the immediate issue of the enthusiasm with which the Bolsheviks welcomed such a symbolic transfiguration and that of our own uneasy attraction to the images of metal flesh and machine-men. Hellebust's literary examples range from the famous (Pasternak's Doctor Zhivago) to the forgotten (early Soviet proletarian poets). To these he adds a mix of non-Russian references, from creation myths to comic book superheroes, medieval alchemy to Moby-Dick. He includes readings of posters, sculpture, and political discourse as well as cross-cultural comparisons to revolutionary France, industrial-age America, and Nazi Germany. The result is a fascinating portrait of the ultimate symbols of dehumanizing modernity, as refracted through the prism of utopian humanism.