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London, 1979. At the end of the Winter of Discontent, just prior to Thatcher coming to power, two young men form a band and a record label. They are musically inept and have no idea how to run a business. But they have an urge to make a noise, so they record what becomes their first single, and then they contemplate their first rehearsal.... Stewart Lee writes: "Writing in 1775, in his A Journey to the Western Islands of Scotland, Samuel Johnson regretted that he felt he had missed the real highlands, and their ancient way of life that had disappeared only years before he arrived. I arrived in London to pursue my own adolescent fantasy of being an artist a decade after Bendle, in 1989, but his description of the immediate post-punk demi-monde makes me yearn for the years I never had, when dreamers could make just enough to get by without having to make their madness economically viable, and a more efficient state machine wasn't in place to crush the hope out of them. In a state of permanent transience Bendle navigates a slipstream of cheap housing, utilitarian temporary employment, and analogue face-to-face pre-internet social networking, to pioneer a lo-fi aesthetic that he was just too ahead of the curve to capitalise on, a Zelig-like figure floating amongst future legends, future stars, and some great talents who never got their due. In partnership with Nag, their lives a succession of private and hilarious situationist pranks, the duo's Door And The Window group become the semi-official sacred clowns of the nascent London Musicians' Collective, in a love hate relationship with the more serious free improvised music movement, undercutting its ideological anxieties with satirical performance art gestures with punk rock autodidact mischief. Bendle doesn't seek to understand the implications of the era he lived through, merely to document it faithfully. He is the Samuel Pepys of messthetics, and Permanent Transience will make you painfully and romantically nostalgic, perhaps for a world you never even knew."
A book about the links between avant garde music and the art scene in New York City in the 1960s. John Cage and Iggy Pop, together at last.
In Dark Ages America, the pundit Morris Berman argues that the nation has entered a dangerous phase in its historical development from which there is no return. As the corporate-consumerist juggernaut that now defines the nation rolls on, the very factors that once propelled America to greatness—extreme individualism, territorial and economic expansion, and the pursuit of material wealth—are, paradoxically, the nails in our collective coffin. Within a few decades, Berman argues, the United States will be marginalized on the world stage, its hegemony replaced by China or the European Union. With the United States just one terrorist attack away from a police state, Berman's book is a controversial and illuminating look at our current society and its ills.
A landmark history of post-punk, the basis of the documentary film directed by Nikolaos Katranis Renowned music journalist Simon Reynolds celebrates the futurist spirit of such bands as Joy Division, Gang of Four, Talking Heads, and Devo, which resulted in endless innovations in music, lyrics, performance, and style and continued into the early eighties with the video-savvy synth-pop of groups such as Human League, Depeche Mode, and Soft Cell, whose success coincided with the rise of MTV. Full of insight and anecdotes and populated by charismatic characters, Rip It Up and Start Again re-creates the idealism, urgency, and excitement of one of the most important and challenging periods in the history of popular music.
This is the first comprehensive treatment of the remarkable music and influence of Carla Bley, a highly innovative American jazz composer, pianist, organist, band leader, and activist. With fastidious attention to Bley's diverse compositions over the last fifty years spanning critical moments in jazz and experimental music history, Amy C. Beal tenders a long-overdue representation of a major figure in American music. Best known for her jazz opera "Escalator over the Hill," her role in the Free Jazz movement of the 1960s, and her collaborations with artists such as Jack Bruce, Don Cherry, Robert Wyatt, and Pink Floyd drummer Nick Mason, Bley has successfully maneuvered the field of jazz from highly accessible, tradition-based contexts to commercially unviable, avant-garde works. Beal details the staggering variety in Bley's work as well as her use of parody, quotations, and contradictions, examining the vocabulary Bley has developed throughout her career and highlighting the compositional and cultural significance of her experimentalism. Beal also points to Bley's professional and managerial work as a pioneer in the development of artist-owned record labels, the cofounder and manager of WATT Records, and the cofounder of New Music Distribution Service. Showing her to be not just an artist but an activist who has maintained musical independence and professional control amid the profit-driven, corporation-dominated world of commercial jazz, Beal's straightforward discussion of Bley's life and career will stimulate deeper examinations of her work.
The world is under attack by hideous monsters, and Jake's life is falling apart until he meets Murder Falcon. He was sent from The Heavy to destroy all evil, but he can't do it without Jake shredding up a storm. Now, with every chord Jake plays on his guitar, the power of metal fuels Murder Falcon into all-out kung fu fury on those that seek to conquer Earth! From DANIEL WARREN JOHNSON creator of the Eisner-nominated EXTREMITY comes MURDER FALCON! GET READY TO SHRED! Collects MURDER FALCON #1-8
“We have performed side-by-side on the global stage through half a century…. In Lightning Striking, Lenny Kaye has illuminated ten facets of the jewel called rock and roll from a uniquely personal and knowledgeable perspective.” –Patti Smith An insider’s take on the evolution and enduring legacy of the music that rocked the twentieth century Memphis 1954. New Orleans 1957. Philadelphia 1959. Liverpool 1962. San Francisco 1967. Detroit 1969. New York, 1975. London 1977. Los Angeles 1984 / Norway 1993. Seattle 1991. Rock and roll was birthed in basements and garages, radio stations and dance halls, in cities where unexpected gatherings of artists and audience changed and charged the way music is heard and celebrated, capturing lightning in a bottle. Musician and writer Lenny Kaye explores ten crossroads of time and place that define rock and roll, its unforgettable flashpoints, characters, and visionaries; how each generation came to be; how it was discovered by the world. Whether describing Elvis Presley’s Memphis, the Beatles’ Liverpool, Patti Smith’s New York, or Kurt Cobain’s Seattle, Lightning Striking reveals the communal energy that creates a scene, a guided tour inside style and performance, to see who’s on stage, along with the movers and shakers, the hustlers and hangers-on--and why everybody is listening. Grandly sweeping and minutely detailed, informed by Kaye’s acclaimed knowledge and experience as a working musician, Lightning Striking is an ear-opening insight into our shared musical and cultural history, a magic carpet ride of rock and roll’s most influential movements and moments.
Always the pioneer, Genya formed Goldie and the Gingerbreads in the early sixties, touring behind a string of European hits with the Stones, Kinks, Yardbirds and Hollies as the first all female rock and roll band. Later she resurfaced back in the US as the powerful voice of Ten Wheel Drive, one of the original horn jazz-fusion bands. In the Seventies she expanded her repertoire becoming the world's first independent female producer, with critically acclaimed records by Ronnie Spector and the Dead Boys, 'Young Loud and Snotty', labelled the ultimate punk album by many reviewers. During the same period Hilly Krystal summoned Genya to head up CBGB Records.In 2003 she received accolades for her memoir, Lollipop Lounge, one of the great tales of Rock and Roll survival. In it she speaks candidly about her childhood as a holocaust survivor, a teenage immigrant growing up in the tenements of New York's lower East Side, her career and survival of both addiction and lung cancer. In 2011 The Rock and Roll Hall of Fame Museum included Goldie and the Gingerbreads in their Women in Music exhibit. In 2012 her latest CD, the autobiographical, Cheesecake Girl, was released to rave reviews. She also appears on the posthumous Joey Ramona release, 'New York City', and a portion of her story is about to hit the big screen as Castle star, Stana Katic portrays her character in the new feature film, 'CBGBs' scheduled for a 2013 release. She continues to host two monthly radio shows for Little Steven's Underground Garage on Sirius/XM: 'Chicks and Broads' in which she covers the often forgotten music of female artists from the 50's to the present, as well as showcasing new and unsigned bands in 'Goldie's Garage'.