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At the beginning of the twentieth century the tropes of messianism, apocalypse and redemption, which had been so central to the West's religious formation, seemed spent forces in Germany. Nietzsche had pronounced God as dead and theology seemed to be travelling the same secular route as philosophy. But World War I changed that. This book introduces some of Germany's key thinkers in theology, philosophy, literature and social and political thought through their engagement with these previously discarded concepts. They initiated a new and urgent dialogue between philosophy and theology. This imaginative and innovative collection brings together essays by established scholars on Messiamism, Redemption and Apocalypse in twentieth century German thought. Major theologians such as Barth, Buber, Bonhoeffer, Rahner, Pannenberg and Moltmann are discussed alongside leading intellectuals such as Adorno, Benjamin, Bloch, Heiddeger and Rosenzweig. Literary figures, such as Kafka and George, are also included. The interfaces imply a different way of reading theology and challenge the reader to think what the implications of immanence in a specific philosophical culture are for the theological project. Some of the essays introduce thinkers who are little known to English speaking readers. Others cast new light on more familiar figures. The collection as a whole contextualises German religious and philosophical thought on these crucial topics in very useful ways. The dialogue at work in these pages is a very important one and should be carried further.
This book reads messianic expectation as the defining characteristic of German culture in the first decades of the twentieth century. It has long been accepted that the Expressionist movement in Germany was infused with a thoroughly messianic strain. Here, with unprecedented detail and focus, that strain is traced through the work of four important Expressionist playwrights: Ernst Barlach, Georg Kaiser, Ernst Toller and Franz Werfel. Moreover, these dramatists are brought into new and sustained dialogues with the theorists and philosophers of messianism who were their contemporaries: Walter Benjamin, Ernst Bloch, Martin Buber, Hermann Cohen, Gershom Scholem. In arguing, for example, that concepts like Bloch’s utopian self-encounter (Selbstbegegnung) and Benjamin’s messianic now-time (Jetztzeit) reappear as the framework for Expressionism’s staging of collective redemption in a new age, Anderson forges a previously underappreciated link in the study of Central European thought in the early twentieth century.
Religion, Redemption, and Revolution closely examines the intertwined intellectual development of one of the most important Jewish thinkers of the twentieth century, Franz Rosenzweig, and his friend and teacher, Christian sociologist Eugen Rosenstock-Huessy. The first major English work on Rosenstock-Huessy, it also provides a significant reinterpretation of Rosenzweig's writings based on the thinkers' shared insights — including their critique of modern Western philosophy, and their novel conception of speech. This groundbreaking bookprovides a detailed examination of their ‘new speech thinking’ paradigm, a model grounded in the faith traditions of Judaism and Christianity. Wayne Cristaudo contrasts this paradigm against the radical liberalism that has dominated social theory for the last fifty years. Religion, Redemption, and Revolution provides powerful arguments for the continued relevance of Rosenzweig and Rosenstock-Huessy's work in navigating the religious, social, and political conflicts we now face.
Denis Edwards was a theoloian concerned with the science and religion discourse and eco-theology. He died in March 2019. This book is a collection of his till now unpusblished talks and essays.
This book offers an innovative, critical, and constructive exploration of Barth's theology, one which demonstrates the radicality of his thought and which underscores the continued contribution he might make to theological reflection on a central element of the Christian tradition. Declan Kelly uncovers the promise of viewing Barth's account of salvation as a “three-agent drama”-a drama involving God, humanity, and anti-God powers. Kelly demonstrates and examines Barth's cosmological portrayal of God's saving event as a defeat of the lordship of Satan in the cosmos-and, bound up with this, as an ending of God's “left handed” activity-and as the bringing into existence of a new creation under the rule of God's right hand. Barth's doctrines of election, the atonement, and the resurrection receive a fresh reading as the book explores his apocalyptic grasp of God's eschatological deed of salvation and as it puts forward the claim-with and against Barth-that the climax of this deed of salvation is best located in the event of God's raising of Christ from the dead.
This book traces the concepts of the .messianic' and the .canon' as central terms upon which both philosophy and theology historically rely.
The Archaic takes as its major reference points C.G. Jung's classic essay, 'Archaic Man' (1930), and Ernesto Grassi's paper on 'Archaic Theories of History' (1990). Moving beyond the confines of a Jungian framework to include other methodological approaches, this book explores the concept of the archaic. Defined as meaning 'old-fashioned', 'primitive', 'antiquated', the archaic is, in fact, much more than something very, very old: it is timeless, inasmuch as it is before time itself. Archē, Urgrund, Ungrund, 'primordial darkness', 'eternal nothing' are names for something essentially nameless, yet whose presence we nevertheless intuit. This book focuses on the reception of myth in the tradition of German Idealism or Romanticism (Creuzer, Schelling, Nietzsche), which not only looked back to earlier thinkers (such as Jacob Boehme) but also laid down roots for developments in twentieth-century thought (Ludwig Klages, Martin Heidegger). The Archaic also includes: studies of the Germanic dimension of the archaic (Charles Bambach, Alan Cardew) a discussion of the mytho-phenomenological approach to the archaic (Robert Josef Kozljanič) a series of articles on Jung's understanding of the archaic (Paul Bishop, Susan Rowland, Robert Segal). This book will be of interest to psychoanalysts, anthropologists and phenomenologists, as well as students of psychology, cultural studies, religious studies, and philosophy, as it seeks to rehabilitate a concept of demonstrable and urgent relevance for our time.
Since the mid-twentieth century, apocalyptic thought has been championed as a central category for understanding the New Testament writings and the letters of Paul above all. But “apocalyptic” has meant different things to different scholars. Even the assertion of an “apocalyptic Paul” has been contested: does it mean the invasive power of God that breaks with the present age (Ernst Käsemann), or the broader scope of revealed heavenly mysteries, including the working out of a “many-staged plan of salvation” (N. T. Wright), or something else altogether? Paul and the Apocalyptic Imagination brings together eminent Pauline scholars from diverse perspectives, along with experts of Second Temple Judaism, Hellenistic philosophy, patristics, and modern theology, to explore the contours of the current debate. Contributors discuss the history of what apocalypticism, and an “apocalyptic Paul,” have meant at different times and for different interpreters; examine different aspects of Paul’s thought and practice to test the usefulness of the category; and show how different implicit understandings of apocalypticism shape different contemporary presentations of Paul’s significance.
This book provides a unique overview of and introduction to the work of the German psychologist and philosopher Ludwig Klages (1872-1956), an astonishing figure in the history of German ideas. Central to intellectual life in turn-of-the-century Munich, he went on to establish a reputation for himself as an original and provocative thinker. Nowadays he is often overlooked, partly because of the absence of an accessible and authoritative introduction to his thought; this volume offers just such a point of entry. With an emphasis on applicability and utility, Paul Bishop reinvigorates the discourse surrounding Klages, providing a neutral and compact account of his intellectual development and his impact on psychology and philosophy. Part 1 offers an overview of Klages’s life, visiting the major stations of his intellectual development. Part 2 examines in turn nine major conceptual ‘tools’ found in Klages’s extensive writings, aiming to clarify Klages’s terminology, to demystify his discourse, and to sift through Klages’s credentials as a psychological thinker. Part 3 consists of extracts from Klages’s writings, thematically oriented; these showcase the aphoristic and lyrical, as well as psychological and philosophical, qualities of Klages’s writing, including his interest in aesthetics. Taken together, all three parts constitute a vitalist ‘toolkit’ — to build a fuller, richer life. Drawing on previous studies of Klages that have only been available in German, Ludwig Klages and the Philosophy of Life provides a non-polemical account of Klages’s life and work, with explanations and commentaries to guide the reader through extracts from his writings. The book accessibly explains the most important ideas and concepts found in Klages’s work, including soul, spirit, character, expression, will, and consciousness, and it reveals Klages to be a serious figure whose thought remains relevant to many disciplines today. It will stimulate interest in his work and create a new readership for his remarkable worldview.
Veronica Brady in her Own Words, is a collection of essays and papers by Veronica, many unpublished and all without a date and cover a range of topics: religion, the arts, politics and relations with Australian indigenous peoples.