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The study deals with the theological message and composition of the Book of Isaiah and promotes a thesis that an early Jewish reception history helps us to find perspectives to understand them. This study treats the following themes among others: 1 Hezekiah as Immanuel was an important theme in the reception as can be seen in Chronicles and Ben Sira as well as in rabbinical writings. The central event which makes Hezekiah such an important figure, was the annihilation of the Assyrian army as recounted in Isaiah 36-37. 2 The Book of Isaiah was interpreted in apocalyptic milieu as the Animal Apocalypse and Daniel show. Even though the Qumran writings do not provide any coherent way to interpret Isaianic passages its textual evidence shows how the community has found from the Book of Isaiah different concepts to characterize the division of the Jewish community to the righteous and sinful ones (cf. Isa 65-66). 3 Ezra and Nehemiah received inspiration from the theological themes of Isaianic texts of Levitical singers which were later edited in the Book of Isaiah by scribes. The formation of the Book of Isaiah then went in its own way and its theology became different from that in the Book of Ezra–Nehemiah.
Anyone who has attempted to teach or preach through the prophecy of Isaiah has felt a tension. In view of what the structure of the book of Isaiah aims to emphasize, this NSBT volume employs the concept of "kingdom" as an entry point for organizing the book's major themes, identifying the links to the broader biblical canon and ultimately to Jesus.
What should we make of the sprawling and puzzling book of Isaiah—so layered and complex in its composition? John Goldingay helps us see, hear and understand the grandeur of this prophetic masterpiece among the Prophets as both separate parts and as a whole, clearly tied together with unifying themes.
This all-purpose commentary is by the author of 'The Suffering Servant in Deutero-Isaiah'. It meets the needs of the specialist but most of it should be intelligible to preachers and teachers who know little or no Hebrew. The Introduction discusses the literary structure of the prophecy, the theology of Deutero-Isaiah (with some reference to current theological debate), and the problem of Salvation History. The exegetical notes are based on the author's own translation from the Hebrew text. The purpose of the book is to elucidate the message of the Prophet in the context of Scripture as a whole.
Isaiah 24–27, the so-called Isaiah Apocalypse, is often regarded as one of the latest sections added to the book of Isaiah. The formation and interpretation of these chapters are widely recognized as important matters for understanding the compositional history of Isaiah, emerging religious thought in the Persian period, and scribal techniques for late biblical materials. The essays in this volume explore these and other important issues of Isaiah 24–27 in light of the abundant recent research on these chapters. In addition, this volume outlines new directions forward for research on these pivotal chapters and their place in Isaiah and the prophetic literature generally. The contributors are Micaël Bürki, Paul Kang-Kul Cho, Stephen L. Cook, Wilson de A. Cunha, Carol J. Dempsey, Janling Fu, Christopher B. Hays, J. Todd Hibbard, Hyun Chul Paul Kim, Beth Steiner, John T. Willis, Archibald L. H. M. van Wieringen, and Annemarieke van der Woude.
Recent research on the book of Isaiah has been dominated by discussions of its unity and authorship. Professor Williamson's important study provides a major and highly original contribution to these key issues, and is based upon a more rigorous methodology than ever used before. Isaiah is usually regarded as the work of two authors - the so-called Isaiah of Jerusalem (Isaiah 1-39) and Deutero-Isaiah (the author of Isaiah 40-55). Professor Williamson argues that the author of Isaiah 40-55was in fact strongly influenced by the work of the earlier writer. Secondly, he demonstrates that the earlier work was regarded as a book which had been sealed up until the time when judgement was past and the day of salvation had arrived, and that Deutero-Isaiah believed himself to be heralding the arrival of that day. Thirdly, and most provocatively, Professor Williamson argues that Deutero-Isaiah both included and edited a version of the earlier prophecies along with his own, intending fromthe start that they should be read togather as a complete whole. This innovative and scholarly work, which sheds much new light on some of the more neglected passages, has had significant implications for future work on this much-loved prophetic book.
Ever wish someone could give you a big handle on the entire Bible without years of study? Well, this book not only promises to give you that big handle—it will deliver on the promise. You should be asking, how is this possible? The Bible is one story told over and over again, with many variations on the same theme. This structure is the Bible’s DNA. This basic seven-point pattern is the heartbeat of the Creation. It is the cycle of a human day and a human life. It is the pattern of the Tabernacle. It is the process of agriculture. It undergirds the speeches and Laws of God. It orders the rise and fall of nations and empires. It is also the structure of our worship. It is the rhythm of Christ, and it will open the Bible for you like never before.
"Isaiah is strangely silent on the destruction of Jerusalem and the people's deportation to Babylon in the early sixth century BCE. Frederik Poulsen demonstrates that the exile hides itself as a "black hole" at the center of the composition and thereby has a decisive influence on the literary structure, poetic imagery, and theological message of this prophetic book."
One in an ongoing series of esteemed and popular Bible commentary volumes based on the New International Version text.
The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.